In Pat Bishop, Matt Ingebretson, and Jake Weisman’s television show Corporate, Matt and Jake work for the evil corporation, Hampton Deville, as they attempt to survive the complexities and depression of life. The show’s satirically dark comedy and depressing but truthful outlook on life provide the audience with an interesting, yet introspective, viewing experience. In the opening of the third episode of Corporate, “The Pain of Being Alive”, Grace, one of the show’s main characters, gives a presentation about how working at Hampton Deville is detrimental towards the lifespan and health of the employees. These dark undertones of the show make the experience of watching Corporate more real as compared to other satirical situational comedy shows.
A friend has asked the narrator to find Simon Wheeler and to ask him about the Reverend Leonidas W. Smiley.Simon Wheeler doesn’t remember a Reverend Smiley,but he does start to tell a tale about Jim Smiley,a man who loved to make bets.We learn from the start that Smiley loves to gamble,but more importantly perhaps,he likes to bet an animals.”I found simon Wheeler dozing comfortably by the bar-room store of old dilapidated tavern in the ancient mining camp of Angels.”Here explains how Simon is,his behavior this part shows he's a lazy an old school sleeping in a ancient camp that looks like from Angels.”Simon Wheeler backed me into a corner and blocked me there with his chair and then sat me down and rolled off the monotonous narrative which
Doug Swieteck, from “Okay for Now”, by Gary D. Schmidt, lived a life in anger. At the beginning of the book, he was very hateful of everything. He had spent a long time in anger and disgust, trying to find a way in life. Near the beginning of the book, Joe Pepitone gave Doug his baseball cap and jacket in person, to Doug. But, Doug’s mean older brother took the cap and his dad took his jacket. That added to Doug’s anger even more. But, luckily he turned it around in the middle and end of the book. He ended being a lot happier and was able to control his emotions better.
In the article “TV’s Callous Neglect of Working- Class America” written by Noel Murray explains the modern day TV shows un-relatable plots to Americans today. Murray describes how shows in the ‘50s through the ‘90s were relatable to Americans and how they lived their lives. The TV shows then were able to get such great reviews because the jobs the actors had in the shows were average money making jobs. The characters are meticulously when it came to how they used the money they earned. However, as the years have passed, the shows that are on today are not as relatable to Americans. The shows express the fantasy, perfect life that everyone strives to have, but in reality, it is not possible for every family. The programs on today do not convey the difficulties that average Americans face each day, causing the shows to become more and more relatable to average TV viewers.
Studs Terkel published a nonfiction Working which consists many interviews among different people’s descriptions of their jobs. Through this book, Terkel demonstrates the meaning of work to different people and how their work experiences shape their attitudes about their lives. Among these interviewers, Maggie Holmes is a domestic while Dave Bender is a factory owner. Although their wages are different, Maggie Holmes and Dave Bender’s attitudes about their works are contradictory. People who love their works are passionate and happy about their lives and express less complain than those people who do not like their jobs.
Younger generations and the more vulnerable in society can be influenced in avoiding peer pressure, but for the individuals filled with wisdom, the shows can reflect based on American modern society. Everybody Loves Raymond and Full House are great shows who faces similar life obstacles a typical person living in the US has today. As a result, most modern family comedy sit-coms are reflecting our society’s generations and the more vulnerable. Based on the success of early family sit coms, American’s adapted to a fast pace lifestyle with the help of modern
Dee Goong An, more popularly known as Judge Dee, was a well known magistrate of the Tang Dynasty (618-907 AD). His popularity comes from his just perspective, which makes him a great magistrate. He addresses new cases with open ears and is determined to be fair at all times. He treats all people equally and relies only on hard proof to solve cases. With some help, he uncovers guilty criminals, using several techniques to find the truth. Going undercover and using torture to get people to confess, Judge Dee uses his persist approaches to make things right. He risks his job for the truth, and relies on his gut and experience to capture felons. Judge Dee's experience and righteous judgment to find the true criminals by proving them guilty, makes him an ideal magistrate of the time.
Murderer, liar, manipulator; these are only a few words that describe the enigmatic Sergeant John Wilson. In the historical book, The Secret Lives of Sgt. John Wilson: A True Story of Love & Murder, written by Lois Simmie, we get acquainted with the complex balancing act of a life John Wilson lived. We find out about his two-faced love life, the bloody solution, and the elaborate cover up. In Simmie’s thought-provoking book, John Wilson abandons his family in Scotland, for a better life in Canada on the force. John battles debilitating sickness along with the decision to double-cross his wife. His young love interest Jessie cares for him as he battles tuberculosis. While, “many young women Jessie’s age would have had second thoughts about commitment
M*A*S*H was a TV series that depicted a Mobile Army Surgical Hospital in South Korea during the Korean War along with the drama that unfolded between the doctors and their patients. M*A*S*H started airing on September 17, 1972, and ended February 28, 1983. M*A*S*H had 256 episodes and can be viewed on certain television networks all the time. It affected the American view of the war and the people who were fighting in it, while also reworking the American ideals of war. With its memorable people and humor it stayed in the minds of the American people for generations.
NBC network’s The Office is definitely a show that a lot of youth watch nowadays or well, used to at the least. Some people are amused by the show’s style of humour, however many are not so entertained. Personally, I find that the style of humour in this particular show is used to depict hegemonic relationships and stereotypes that exist in modern culture. Thus, for this specific reason, I will attempt to apply and analyze the theme of cultural hegemony to The Office.
... immensity of its horror finally makes him drop the pretense of knowing detachment he has held for so long. As he drunkenly sobs, “What’s funny? What’s so goddamned funny? I don’t get it” (Ch. 2, 23) his lurking humanity becomes evident. The subtly of interplay between The Comedian’s persona, his humanity, and even his hypocrisy strongly support his status as a living person alongside Dr. Manhattan.
Who was once a hero, was now the villain in many regards; he was the protagonist at first, and after, became the antagonist after his fortune took over his morality. Henry Ford had well-meaning intentions at first. Truly wanting to connect the world, he wanted to create a car that everyone can afford and be able to enjoy. Although he achieved his goal of creating this car, the model T, several unintentional controversial ideologies were established along with it.
African-Americans aged 12 and up are the most victimized group in America. 41.7 over 1,000 of them are victims of violent crimes, compared with whites (36.3 over 1,000). This does not include murder. Back then during the era of the Jim Crow laws, it was even worse. However, during that time period when there were many oppressed blacks, there were many whites who courageously defied against the acts of racism, and proved that the color of your skin should not matter. This essay will compare and contrast two Caucasian characters by the names of Hiram Hillburn (The Mississippi Trial, 1955) and Celia Foote (The Help), who also went against the acts of prejudice.
"Government's first duty is to protect the people, not run their lives".- In "Harrison Bergeron" the author Kurt Vonnegut explains the kinds of sufferings people had to deal with for equality in the year 2081. People with above average intelligence were required to wear mental handicaps, and on the other hand people with average intelligence did not. Two main characters, Harrison and George, are examples of the type of society the people lived in. The process behind creating equality in a dystopian society requires mandating intelligence, controlling physical abilities, and a overpowering government.
Everyone dreams of being a hero however the path is narrow. The mantle of responsibility is important aspects and the presence of the heroic traits must be shown in some form. However, there will always be outliers and deemed delusional who attempt to be heroes. In Watchmen, Moore creates an omnipotent hero who lacks humanity in the portrayal of the Dr. Manhattan as a psychopathic anti-hero.