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Love is a bond two people share connected by emotions. When you love a person, it may or may not be attached with conditions. To be in love with another human being is a deeper union connected by strong passion linked to certain stipulations or understood promises. Some of these stipulations or conditions may include; loyalty, honesty, trustworthiness and wholehearted commitment. If those promises are broken, the devastation can spin your life and state of mind out of control.
Being in love with one of your parents, strange as is may sound, may not be so far fetched. A parent and their son and/or daughter share a bond of emotions that are worshiped from the child’s view. Parents’ share a love that is unconditional. Children, however, share love through levels of expectation that is held higher than any other, conditional love. They have yet to grasp the concept of unconditional love. Becoming devastated as though their world has been torn apart when those expectations and beliefs are broken, children undergo a series of uncontrollable emotions. These feelings may include confusion, anger driven by outrage and sometimes even violence once that relationship is shattered.
The child begins to question everything they have been shown or told and those whom they have close relationships, displaying distrust. In Shakespeare’s play, Hamlet, there are many different possible interpretations as to why Hamlet develops personality and character changes. Sigmund Freud, Austrian psychiatrist and founder of psychoanalysis, was the first to suggest the existence of the Oedipus theory or complex. Freud suggests, “that children have a subconscious feeling of competition and even hatred toward the parent of the same sex, and feelings of romantic...
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...en. Hamlet demonstrated a sort of competition toward King Hamlet. Instead of immediately confronting the Queen about her infidelity, Hamlet had to be for certain that his mother was guilty of such accusations. The type of love Hamlet showed toward his mother, unknowingly, was far from a son’s love for his mother. Hamlet revealed hidden signs of being in love with his mother and is the reason he endured emotional agony. In a sense, we are all powerless to love.
WORKS CITED
Chiriac, Jean. “Discovery of the Oedipus Complex.” Sigmund Freud’s Self-
Analysis. 2009. Harvard University Press. 1 Feb 2010 < http://
www.freudfile.org/self_analysis_continue.html>.
Durband, Alan. Shakespeare Made Easy: Hamlet. New York: Barron, 1986.
JRank Psychology Encyclopedia. “Psychoanalysis.” Psychoanalysis and the
development of personality. Net Industries. 2010.
Conflict is one of the main key components in creating drama. The development of certain plots, characters, and themes illustrated in William Shakespeare’s Hamlet are a result of the internal and external conflicts that the characters encounter. Ultimately, this primary component not only produces the excitement and suspense that carries the story from beginning to end, but also allows the audience to become fully captivated by the story line. For instance, an external conflict that is evident within the play occurs between Hamlet and Claudius. The feud that arises between the two characters affect the development of the main plot. Furthermore, another external conflict becomes present within the play along with an internal conflict. This occurs
In life, one goes through different experiences which makes and shapes us into the person who we become. Whether something as little as a "hello" by a crush or a death in a family, they contribute to the difference, as they are all equal in importance. In the play Hamlet by William Shakespeare, the protagonist Hamlet struggles throughout his life as he is in search of his true identity. The Webster's dictionary, under the second definition, defines identity as "The set of behavioral or personal characteristics by which an individual is recognizable as a member of a group." As life only moves forward for Hamlet, he struggles to find his place in life, nonetheless to revenge the murder of his father.
In the play Hamlet by William Shakespeare, Hamlet the king of Denmark is murdered by his brother, Claudius, and as a ghost tells his son, Hamlet the prince of Denmark, to avenge him by killing his brother. The price Hamlet does agree to his late father’s wishes, and undertakes the responsibility of killing his uncle, Claudius. However even after swearing to his late father, and former king that he would avenge him; Hamlet for the bulk of the play takes almost no action against Claudius. Prince Hamlet in nature is a man of thought throughout the entirety of the play; even while playing mad that is obvious, and although this does seem to keep him alive, it is that same trait that also keeps him from fulfilling his father’s wish for vengeance
On the journey through the path of life, there are encounters with many different incidents and situations where we must act accordingly. Depending on what type of personality is possessed, there are numerous ways that we can deal with these encounters. In the play Hamlet, by William Shakespeare, the main character is confronted with a cluster of dilemmas and is in emotional distress. The ghost that encounters Hamlet, the monarchs’ incest, and the contemplation of murder, are the major conflicts which he must deal with one way or another. As a result of these three issues, as well as Hamlet’s particular character, he handles these issues internally which causes internal struggle and a passive response.
Hamlet has a strong love for his parents and is hurt to see them either die, or fall into the scheme of Old Hamlet’s brother-in-law. Without love in our lives, we would feel almost neglected by the world. After Hamlet’s father dies, he desires his father’s love and comfort that he is unable to get. He turns to his mother after his father’s death and is turned away by her because she has other things to focus on rather than the grieving of Hamlet. Hamlet feels hurt by his mother’s actions and is jealous that she appears to love Claudius and not her own son.
Throughout a variety of movie interpretations of a given film, one version proves to be the most effective for distinct reasons. Within Act 3, Scene 4 of Hamlet, Shakespeare provides little direction by which the scene should be interpreted, but the play, taken in its entirety, proposes a certain way in which Hamlet and Gertrude express their emotions. This has led to distinctive cinematic interpretations of this scene, all in which portray the storyline in a unique way. Kenneth Branagh’s version of the closet scene provides a more realistic portrayal of the conflict between Hamlet and Gertrude than the Gregory Dovan and Campbell Scott versions; Branagh’s view on the mother-son relationship, Hamlet’s reaction to the ghost and Gertrude’s guilt is closer to the original text in which Shakespeare leaves room for audience interpretation.
Hamlet portrays the conflicts between parents and their children. In the play, the insecurities and fears of both parties are expressed through their words and actions that impact the course of their lives. The most notorious relationship in the play is between Hamlet and king Claudius, his step-dad. Their witty remarks and implicit disapproval of each other establishes a pseudo relationship that eventually leads to the struggle for survival.
There are many ways that Hamlet and his mother express their feelings for each other. In the beginning, they show tenderness and overwhelming love towards each other. It is Gertrude’s actions that bring out the anger in Hamlet. He cannot understand how his mother could be so disrespectful by remarrying so quickly. Although he honors his mother, he cannot do this upon learning of her engagement.
Hamlet’s attachment to his mother is quickly made evident within the first act of the famous tragedy. Hamlet, who sulks around wearing black clothing to mourn the death of his father, first speaks in the play to insult his stepfather. He voices his distaste at his new relationship with his uncle by criticizing that they are, “A little more than kin and less than kind” (I.ii.65). He believes that it...
Incest, hatred, trickery, revenge, justice and a thousand more themes all appear in Shakespeare’s Hamlet. Each character is complex and troubled by something. They all have their own sins which they face. The story follows each character, whether evil or good, and creates a dramatic atmosphere in a whirlwind of external conflict which then stirs up emotions, fashioning an internal conflict. One most certainly drives the other. The main character, Hamlet, certainly is focused on the most in terms of internal conflict; however, the other characters give off many signs and speeches that tell us he’s not the only one. All of the scenes where we get the most in depth with Hamlet’s internal struggle.
The psychology behind inner conflict and an individual’s decisions has been well explored, but it can be truly demonstrated through the use of William Shakespeare’s dramatic play, Hamlet. An inner conflict evolves as he learns of his father’s death and that it was due to the ambitions of his uncle Claudius. Depression is the first conflict that is shown by Hamlet in which he is mourning, but shortly after we see a contemplation between action and inaction in regards to avenging his father’s death. He eventually reaches an epiphany which allows him to truly understand that absolute control can not be achieved. Until one’s life is hurt by another’s evil ambitions, a true understanding of self is not yet fully developed. It is when they are influenced
An individual’s response to conditions of internal and external conflict is explored throughout literature. In his play, Hamlet, Shakespeare delves into the themes of appearance versus reality, lies versus deceit, rejection versus self doubt and tragedy, and in doing so attacks the frivolous state of humanity in contemporary society. In order to explore these themes, however, he uses several forms of conflict to project his opinions and expand his ideas relating to the themes of the play. Internal conflict, as well as external conflict are dominant features of his works, and in Hamlet are made evident through a succession of dire events which can attack and destroy someone. However perhaps the most captivating form of conflict Shakespeare uses to expand and explore the ideas presented within the text is the conflict between the self and the universe.
Hamlet's problem is not exact; it cannot be pinpointed. In fact, Hamlet has numerous problems that contribute to his dilemma. The first of these problems is the appearance of King Hamlet's ghost to his son, Hamlet. Hamlet's morality adds a great deal to his delay in murdering the current king, Claudius. One of Hamlet's biggest drawbacks is that he tends to think things out too much. Hamlet does not act on instinct; however, he makes certain that every action is premeditated. Hamlet suffers a great deal from melancholy; this in turn causes him to constantly second guess himself. The Ghost is the main cause of Hamlet's melancholy. Also, Hamlet's melancholy helps to clear up certain aspects of the play. These are just a few of the problems that Hamlet encounters throughout his ordeal.
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.
Gunnar Bokland in “Judgment in Hamlet” explains Shakespeare’s attraction to the psychological dimension of the drama: