Family members are often extremely protective over one another. For example, if someone shoves an innocent, little girl off the swings at recess, her older brother might come after that person, seeking revenge. Similarly, in Hamlet by William Shakespeare, Hamlet seeks revenge against his uncle, Claudius, after discovering Claudius killed his father. Hamlet’s motivations for revenge stem mainly from his father’s death, his mother’s remarriage, and his pure hatred of Claudius. On the other hand, Claudius’s motivation for revenge against Hamlet is for his power, his marriage to Hamlet’s mother, and his own benefits. Hamlet and Claudius’s relationship throughout the play contributes to the idea that revenge can blind one’s sense of morality. Hamlet and Claudius develop a hostile relationship throughout the play. Claudius is unsympathetic towards Hamlet after the death of his beloved father. He …show more content…
In order for Hamlet’s revenge plan to be successful, he must act crazy, so no one is suspicious of his intensions. This means Hamlet must act insane around everyone, including his girlfriend, Ophelia. He tells her, “I loved you not” (1784). He claims to have never loved her in their relationship. His thoughts of revenge control his mind and he has no sense of logic. He makes Ophelia feel insignificant, when in reality, he truly does love her. Ophelia is not the only victim of Hamlet’s craziness. Hamlet also becomes insensitive to his mother’s feelings as well. After Hamlet kills Polonius, Gertrude cries, “O, what a rash and bloody deed is this!” (1798). Hamlet fires back at her stating, “almost as bad, good mother, as kill a king and marry with his brother” (1798). This proves he has lost all respect for his mother and does not care about her feelings anymore. Hamlet’s plots for revenge have altered his moral character for the
Hamlet and the Issue of Revenge in William Shakespeare's Play The question of why Hamlet does not immediately avenge his father's death is perhaps one of the most perplexing problems faced by an audience. Each generation of viewers has come up with it's own explanation, and it has now become the most widely known critical problem in Shakespearean studies. A rather simplistic, yet valid standpoint to take on this problem is that it was essential to the tragedy's narrative progression. As Hanmer said "had he gone naturally to work, there would have been an end to our play!".
Hamlet's behavior throughout the play, especially towards Ophelia is inconsistent. He jumps into Ophelia's grave, and fights with Laertes in her grave. He professes I loved Ophelia. Forty thousand brothers/Could not, with all their quantity of love,/ Make up my sum [Act V, scene I, lines 250-253], during the fight with Laertes in Ophelia's grave, but he tells her that he never loved her, when she returns his letters and gifts, while she was still alive. Hamlet subtly hints his awareness of his dissolving sanity as he tells Laertes that he killed Polonius in a fit of madness [Act V, scene II, lines 236-250]
Hamlet’s apparent antics with Ophelia prove that their relationship begins to fall apart and become unhealthy. Hamlet mistreats Ophelia when she attempts to return the gifts he has given her, and he responds in a harsh manner, asking about her chastity and beauty, saying “that if [she] be honest and fair, [her] honesty/should admit no discourse to [her] beauty” (3.1.117-118). Hamlet continues to belittle her, calling her two-faced and admitting that he “did love [her] once” (3.1.125), his feelings for her now absent. Hamlet’s facade becomes personal through this. The entire exchange shows how Hamlet prioritizes his revenge, over his love because he eventually figures out that Polonius and Claudius spy on him. Hamlet soon speculates Ophelia’s association in their plan and decides to put on a facade for her too. Claudius’s facade also affects his relationship with Gertrude and Hamlet. After his speech to the court, Claudius approaches Hamlet in a way that appears as if he cares about him, even addressing him as “my cousin Hamlet and my son” (1.2.66), despite being aware of Hamlet’s sensitive and depressive state because of his father’s death. Moreover, Claudius expresses his deceitful love when he admits to Laertes that he won’t put Hamlet on trial because he mentions how much he loves Gertrude, and that she “is so conjunctive to my life and soul/that, as the
It is here that one begins to see the theme of revenge and the idea that power can cause corruption. A family is supposed to be loyal and trusting of each other without any doubts; or so it was thought. Shakespeare uses Claudius’ betrayal of late King Hamlet to disprove the notion that family is always loyal. Claudius’ jealousy of his own brother and his desire to be the most powerful in Denmark corrupted him. It led him to betray his own family, a bond that is supposed to be unbreakable, and all the while feeling no guilt while acting as if he had not committed the crime. In addition to this, Claudius also takes late King Hamlet’s wife. Hamlet is enraged by the crime and adultery committed by his supposed family and feels he must seek justice for his father by taking out revenge on Claudius and therefore betraying him. Subsequently, the play becomes a slippery slope of events stemming from betrayal and revenge. The betrayal of one character became the revenge and betrayal of many others as seen when Horatio says, “… violent and unnatural acts, terrible accidents, casual murders, deaths caused by trickery and by threat, and finally murderous plans that backfired on their perpetrators,” showing that each act committed by the characters were returned back to them. This can be supported through the deaths of Claudius, Laertes, and Hamlet as these were just a
Hamlet, Ophelia’s lover, accidentally kills her father and “confesses” he never loved her, Hamlet toys with Ophelia's emotions intentionally and unintentionally to solidify his madness. Even though she was the who initiated the “breakup”, her sorrows of the relationship are much more public than Hamlets. Hamlet’s madness scares Ophelia away which he used as a defense mechanism to not be hurt anymore. His madness looks as though he had been "loosed out of hell to speak of horrors" (2.1.83-84) and she "truly [did] fear it"(2.1. 86). His insanity and rudeness suffocated any love she had for him. She admits that their "their perfume [has been] lost" (3.1. 99). This helped Hamlet solidify his insanity by cutting ties with the ones he loves, and having them tell others he is mad. This comes with the cost of discontinuing his relationships: especially with Ophelia. Both have hinted around in the text of an intimate affair. This makes the emotions and breakup even more difficult for both of them. Their relationship was a love, not an innocent crush or courtship. Poor Ophelia initially thought she caused Hamlet's madness due to the abrupt ending of their affair. But because of her naivety, she lacks to see his other internal struggles. Ophelia’s trust in Hamlet left her heartbroken. Hamlet’s agenda of or getting justice for his father occupied his mind more than Ophelia did. Which left her feeling
In the play several characters are compelled to restore family honor by exacting vengeance. Fortinbras tries to reclaim his father’s honor by reclaiming territory, Hamlet must get back at Claudius for killing his father, and Laertes must get back at Hamlet to avenge his father and sister. Each character is driven in the play to get revenge at someone. Hamlet is
Vengeance. A vicious, violent way to make oneself feel better about an offense against them. Throughout the tragedy of Hamlet revenge is a recurring theme, amongst all of the characters. Whether this revenge is in physical form, or mental form, it is equally hurtful. Mahatma Ghandi said, “An eye for an eye leaves the whole world blind.” Ghandi is literally saying that if one person commits a revengeful act, it will create a continuing reaction of bitterness and violence throughout everyone. This quote is highly significant throughout the duration of Hamlet, as it portrays almost precisely, both the plotline of the story, as well as the conclusion. From the murder of King Hamlet to the murder of Prince Hamlet the tragedy is filled with violent acts of revenge.
Imagine a play in which a prince is seeking revenge of his father’s murder and ultimately succeeds. Now, imagine a play with the same plot, but with young love, dramatic scenes denying this love, and true madness that leads to suicide. Which sounds better? Which would hold your attention longer? Odds are that the second play described is the choice you have chosen or unknowingly chosen in your thoughts. If it is not, then you would be missing out on one of the most famous plays written by William Shakespeare. Both plays described have the fundamental plot of this Shakespeare’s Hamlet, but only the second is the true play that Shakespeare intended to be performed. Only the second play includes the young, lovesick and distraught Ophelia who separates the first described play from the second. Ophelia may not be the star of the play like Hamlet, but through her transformation into a state of madness along with her role in the only true romance in the play, we learn more about several characters and remain intrigued in the play.
He shows his brotherly love for Ophelia when he says “For Hamlet, and the trifling of his favor,/Hold it a fashion and a toy in blood,/A violet in the youth of primy nature,/Forward, not permanent, sweet, not lasting,/The perfume and suppliance of a minute,/No more” (Shakespeare 1.3.6-11). Meanwhile, Hamlet embarks on a mission of revenge in which he does not seek revenge on behalf of himself but rather, for someone else. Hamlet’s revenge mission begins when he is visited by his father’s ghost who commands “Revenge his foul and most unnatural murder” (Shakespeare 1.5.31) after his father recounts the cause of his murder. From this point on, Hamlet begins to act mad in order to put his revenge mission into action.
“If you seek revenge, dig two graves.” This ancient Chinese proverb explains the mood in Hamlet, a play, written by Shakespeare. The theme of revenge is seen throughout the play as each character extracts one form or another of revenge from a person who has wronged them. In the play the characters Hamlet, Laertes, and Fortinbras all desire revenge for a lost father; however, their motivations for murder differ. Hamlet is unlike the other two characters in the way that he uses reason and logic before he acts and decides to kill his uncle, Claudius, because he is aware of the consequences.
Revenge is a recurring theme in Hamlet. Although Hamlet wants to avenge his father’s death, he is afraid of what would result from this. In the play Hamlet, Hamlet’s unwillingness to revenge appears throughout the text; Shakespeare exhibits this through Hamlet’s realization that revenge is not the right option, Hamlet‘s realization that revenge is the same as the crime which was already committed, and his understanding that to revenge is to become a “beast” and to not revenge is as well (Kastan 1).
The path one takes to seek a personal reward may result in the treacherous acts that causes devastation for others. In William Shakespeare’s Hamlet, the moral corruption that occurs between family members causes animosity that results in their downfall, and eventually their ultimate demise. More specifically, the tainted view of an individual in a family may result in the downfall of the other family members involved. Evidence of the tainted view of a family member causing undue harm can be found in the relationship between Hamlet and Claudius, Hamlet and Old King Hamlet, and Hamlet and Gertrude
Hamlet’s obsession with taking revenge destroys the relationships in his life. His furiousness with his mother’s marriage causes him to lose respect for her and wish for no more marriages in Denmark (III. i. 144-152). Hamlet’s loss of respect for women affects his relationship with his girlfriend, Ophelia. He slowly begins to drive her away. Hamlet becomes impetuous and consequently kills Ophelia’s father, which permanently destroys their relationship. Another instance of obsession to revenge is Laertes. He becomes so bent upon avenging his family, that he does not think clearly. Claudius deceives Laertes by persuading him into killing Hamlet so that he remains out of harm’s way. However, their obsession to revenge becomes the foundation of their
Through previous years, philosopher’s have tested numerous theories that help us in defining the nature of our being, often these are stalled by the nuanced thought behind our heart and mind. Philosophers often believed that we were slaves to our passions despite our reasoning, even now this could be proven by acts of love, but more than often proven it can be seen through our desire for revenge. Unlike it’s counterpart [avenge], revenge is both a verb and a noun that can be not only acted upon but attained. Revenge is what one seeks after being wronged and often an action never thought through by reason, but a fight of a person’s passions towards a self declared justice. Portrayed in a copious amount of movies, songs, and art, the theme of revenge has been held iconically within Shakespeare's most famous play, Hamlet. Centered around corruption of the mind, body and soul, Hamlet is seen by many as the embodiment of revenge through it’s characters (Hamlet, Laertes, and Fortinbras); it is within their actions and development that each character portrays the dichotomy of their passion and reason to prove that we are slaves to our passions until reason catches up.
After Hamlet’s father passed, Claudius took the opportunity to take over the throne and marry Hamlet’s mother. Through this union, Claudius increased his power and social status. Even though Claudius tried to be on Hamlet’s good side as a ‘father’, Hamlet still classified him as “A little more kin, and less than kind” (1.2.65). The phrase “more kin” stands out significantly because the word “kin” means to cousin. By stating “more kin”, Hamlet implies he still classifies Claudius as an uncle. Hamlet also indirectly jabs at Claudius, stating an opinion on what Hamlet thinks of him. This jab is shown through completely ignoring Claudius and only responding to his mother: “I shall in all my best obey you, madam” (1.2.120). This raises the question whether the irony of Hamlet’s jabs are lost on Claudius. Hamlet’s connection with his biological father exhibited stark contrasts to his relationship with Claudius. He not only continued seeing his father as a role model but could not move past that fact that he was no longer able to rely on his counsel. When given the chance to kill Claudius for his father, it not only shows that Hamlet, as well as his father, are seeking revenge at Claudius but also illustrates how he looks up to his father: “May sweep to my revenge” (1.5.31). The term “revenge” typically adds intensity and depth in a phrase. By using “revenge” it brings up the assumption that Hamlet wants to free his father’s soul but also wants to get back at Claudius even more so than before. Factors such as Hamlet’s power, political and emotional status are what influence his reactions to Claudius and his loyalty to his biological