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What role did the characters play in hamlet
Character in hamlet
Character in hamlet
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Gertrude as an Innocent Victim or a Sexually and Morally Corrupt Woman in Hamlet
Shakespeare’s character Gertrude is one of much mystery; in relation
to this there are many questions that need to be answered to establish
Gertrude’s innocence through out the play. Some examples of these
questions are, was Gertrude in some kind of relationship with Claudius
before the murder of her late Husband and did she know about the
murder before or after it was committed? Does she love Claudius or is
it just her status that she is protecting? And did she ever love the
late King Hamlet?
At the beginning of the play when we learn about the late King
Hamlet’s death and Gertrude’s hasty marriage to his brother Claudius,
we are faced with a question on the audience’s awareness. It can be
assumed that the marriage to her brother- in-law is purely because of
Gertrude’s weak personality, resulting in a dependency on men and the
means of protecting her status and her power. We also question the
love between the Gertrude and Claudius; this is because there is no
suggestion of a resemblance between the late King and his brother. The
description that we are given about late King Hamlet maybe slightly
distorted, as it is Hamlet who tells us this, and he is noticeably
loyal to his father. It is also possible to argue that the love that
the late King and Gertrude shared was not that strong as the only
evidence to suggest this has been told to us by Hamlet and he maybe
slightly bias.
First we notice that Gertrude does not display her grief for her dead
husband, and suspicions mount when she also tells Hamlet that he
should stop his mourning as well....
... middle of paper ...
...unishment upon death.
She does not show any untoward hatred towards Claudius showing that
she may not be aware of his cruel deed.
In the end Gertrude drinks the poison which can suggest many things;
that she has no knowledge of the poison or that she feels guilty of
her late husband’s death, and cannot carry on with the corrupt
behaviour between her husband and her son, or that she is protecting
her son and saving his life. When she attempts to consume the drink
she is stopped suddenly by Claudius, but she replies “I will my lord,
I pray you pardon me”, is this the request of someone who is guilty,
someone who is tired of the fighting between her two dearest or of
someone with no awareness of what was going to happen? This for many
readers is the critical part of the play in determining her innocence
or guilt.
The only thing left to make Gertrude unhappy is Hamlet’s refusal to forget the death of his father or to forgive her for remarrying so quickly. In order for her to completely bury the past, she must convince Hamlet to accept her new marriage and forget his father’s death.
Shakespeare specifically leaves out key details about her character. Was she in an affair with Claudius before the murder? Did she know Claudius was the one to kill King Hamlet? Did she plot against him? These questions prove that Gertrude is much more complex than the reader initially thinks.
Gertrude’s blindness to the whole situation is sickening. How she marries the brother of her former husband right after he kills him and never knows the truth is beyond me. She never cared about how her son felt before or after she married Claudius. She didn’t even wait very long after her husband died to get married again ( I; ii; 180-181. "Thrift, thrift, Horatio. The funeral baked meats did coldly furnish forth the marriage tables".). Therefore she is either a very slow, naïve woman or a very evil, coldhearted one. For someone to side with a person even after their own son has told them that the person they’re with has murdered their former lover is absolute lunacy ( III; iv; 29-30. "A bloody deed- almost as bad, good mother, as kill a king, and marry his brother".). Not knowing the truth in the first place is one thing, but turning your back on your own flesh and blood is another. Therefore without his mother on his side, Hamlet has lost all the family in his life that could have helped him get through his terrible time and he sinks lower than ever before.
Due to the lack of proof of Gertrude’s knowledge, the scholars studying Hamlet are not the only ones unable to conclude, but also the characters in the play. During the play’s course, Hamlet begins to come to the sense that Gertrude might know about King Hamlet’s murder. He uses the play The Murder of Gonzago (Act 3, Scene 2) to try to detect Gertrude’s guilt. This produces no reaction from Gertrude that might give any signs of her knowing of King Hamlet’s murder. Upon seei...
Act 3 Scene 4, so called the closet scene, is the first time we see Hamlet and Gertrude together alone. In this scene Hamlet releases his anger and frustration at his mother for the sinful deed she has committed i.e. her marriage to her brother-in-law and the murderer. We can see that Gertrude is unaware of her husband's murder when she says `As kill a King?' and it is the first time she confronts her own behavior. There is a conflict between the two; Hamlet gives powerful replies
Thesis: Hamlet’s idea of love becomes perverted due to Gertrude’s actions, which causes him to project his distorted romantic ideals onto Ophelia.
Misogyny is a recurring theme through the play Hamlet, written by Shakespeare. The roles of women are relegated to menial roles within the patriarchal society and such depictions are most notable by the representations forwarded by Hamlet, causing to silence the women within the play. His perspective of women has completely changed after the hasty marriage of mother Gertrude and uncle Claudius, soon after the death of his cherished father.
Hamlet’s relationship with his mother Gertrude is one of mostly rage, hatred, and possibly jealousy that could have been from loving her in a romantic sense. Hamlet finds out that Gertrude marries his father’s brother soon after his father’s death and goes in a fury. He yells at her and he calls her an incestuous beast. Whether or not this is from hatred for Claudius, Gertrude, or even out of jealousy are all cases that can be very well argued. The fluctuating emotions that Hamlet shows throughout is what makes the play so easy to relate to as a human and also what makes the possibility of there being multiple interpretations on how he really feels. Gertrude is also a strange character in that it seems as
Shakespeare’s Hamlet, shows strong prejudice against woman especially with such characters of Ophelia and Gertrude. Shakespeare created an interesting character with Gertrude; he created a character that sits in the middle of all the conflict and appears to not partake in much of it. However Gertrude does seem intent in defusing it at every possible chance she receives. Gertrude is a central figure in the play. She appears a great deal but doesn’t say much – implying mystery and creating an interesting uncertainty in the audience. Hamlet spends a lot of time dwelling on her marriage to Claudius and Shakespeare leaves many questions unanswered with Gertrude such as did she have an affair with Claudius behind old hamlets back? Why does she drink the poisoned wine that is intended for her son? Does she know it is poisoned? Gertrude is the mother of Hamlet and although they do not have a typical mother son relationship she does love him. Queen Gertrude is often interpreted by many as an adulterate, incestuous woman. Catherine Belsey states that typical interpretations of Hamlet maintain: ‘Gertrude a slut; and Shakespeare a patriarchal bard’ (Belsey,1997:34). Gertrude’s actions throughout the play could be read to show her to be a very passive character, far from a strong independent woman. This is shown with her obedience to Claudius, three times during the play, Gertrude is told to leave and each times she complies without hesitation. In Act 1, scene 2 Claudius says to Gertrude, ‘Madam, come’ (122). Then again, Act 3, scene 1, Claudius says to her, ‘Sweet Gertrude, leave us .’ (28), she complies with ; ‘I shall obey you’ (37). And finally, in Act 4, scene 1, Claudius say, ‘O Gertrude, come away!’ (28). This obedience that Gertrude ...
Beside the quite entertaining hangman's tree silliness of the gravediggers and a couple of other truly not really clever minutes, Hamlet is a dim play brimming with instability and suspicion. From the main line, "Who's there?" (1.1.1), we're dumped into a universe of instability, tension, and the manifestly obvious probability of apparitions.
In theory women during the Elizabethan Age had no power in their homes. In royal families the women are the breeders, they had the responsibility to keep the royal bloodline flowing by having male children to keep the male dominance. “A woman whose job is to represent the family, is doing the traditionally female job of being wife or mother.” (Billig) Gertrude’s role in the play had fairly little significance, besides that she was a mother and wife. She showed no reasons as to why she was in such a rush to remarry after her husband, King Hamlet’s death.
Hamlet’s sense of betrayal by Gertrude, although briefly taking him off course, ultimately infuriates and intensifies his urge for revenge. Because of Gertrude’s refusal to acknowledge her sins, Hamlet becomes even more personally motivated to kill Claudius for revenge. Queen Gertrude, though ignorant, has a huge impact on the play because her betrayal and abandonment motivates Hamlet to get revenge. When writing Hamlet, Shakespeare created a complex play that relies on the roles of two important women to aid the progression of the plot. Although Queen Gertrude and Ophelia rarely speak, they function as a way for the men to become informed about Hamlet’s mental state and motives for madness.
To begin, Gertrude is presented in differing manners throughout Hamlet the play versus Hamlet (2000) the film. In Shakespeare’s play, she originally is cast as a woman who has power due to her husband, but sits as a trophy wife. Craving power, safety, and comfort, she depends on men for her position and control. Seeming to have poor judgment, she never expresses self-reflection throughout the play and just seems to be a bit oblivious to everything, ultimately resulting in her death as an unaware victim of a game she ensnared herself
The relationship between Hamlet and Gertrude is strained at first. From the beginning of the play to act III, Hamlet is bitter with his mother. He feels this way because it has been less than four months since the death of his biological father, yet she is already remarried to Claudius. He feels his father is being betrayed from her lack of mourning. She tells her son to "cast thy nighted color off" (I.ii.68) and "all that lives must die" (I.ii.72). Clearly, she isn't grieving over her late husband's death and instead puts forth an optimistic attitude to her new husband and life. Gertrude's concern with Hamlet's odd behaviour after his encounter with Ophelia in act II scene i also shows the strain in their relationship. For example, she agrees with Claudius' words that "of Hamlet's transformation" (II.ii.5) and suggests Rosencrantz and Guildenstern to spy and find out the underlying cause of her son's problems. In addition to that, she consents Polonius to hide behind the tapestry in act III scene iv without Hamlet knowing. These two decisions suggest their inability to communicate. Instead, spying is required for Gertrude to find out about her son's inner mentality. The mother and ...
From nearly the beginning of time, man has been the center of history and the ideal of man has been the basis of nearly every modern thought, practice, and institution. In every moment that man has existed, an ideal man has also existed—a model for how men should act, appear, and exist. This ideal man has been the basis for what is considered good in society, and nearly all virtues are considered “manly” or masculine. Through creating this ideal man, society has also created the antithesis: woman. In the establishment of the ideal man throughout history, woman has been defined as man’s opposite, therefore making anything feminine, even feminine characteristics in men, the opposite of the virtuous male standard. This gender binary established throughout history is particularly present in William Shakespeare’s