The Role of Minor Characters in Shakespeare's Hamlet Minor characters play a very crucial role in Shakespear's Hamlet. They serve as narrators for events that occurred outside the immediate play: the Dane's ghost. Distinct contrasts are created through the usage of the play's minor characters. The reader gains new perspective on Hamlet's character when he is compared with Laertes. The presence of these minor characters can also have a direct effect on the action of the play. The actors in the play within the play are used to expose the guilt of Claudius; Hamlet then has proof of the King's crimes. The expertise use of these characters - either to exemplify good and purity, or to spread the vile corruption which permeates Elsinore - is one of the main reasons for Hamlet's success as one of the greatest plays ever written. Some events in Hamlet must be narrated to the reader, and to the major characters, through minor characters which have a direct link to the events. Shakespear builds the entire play around information which was narrated to Hamlet by his father's ghost. The ghost tells Hamlet of events which the reader would otherwise never know about: the murder of the former Dane by Claudius. When Horatio reads the letter that he has received from Hamlet the reader is informed of how Hamlet has evaded Rosencrantz and Guildenstern. Also, the events occurring in Norway reach the court by means of an emissary, Voltimand, sent to check on Fortinbras. These events have a strong and direct relevancy to the plot and movement of the play. Shakespear uses contrast to highlight the qualities of the characters in Hamlet; this contrast shows up in the minor characters. Rosencrantz and Guildenstern, false friends of Hamlet who succumb to Claudius' corruptness, serve as a distinct contrast to the loyal friendship that Horatio shares with Hamlet. Voltimand is used to contrast Polonius' often comic verbosity. While Polonius dresses up all his speeches with the language of the court, Voltimand is able to give his entire report on Fortinbras in a matter of seconds. The most powerful foil in the play is between Laertes and Hamlet. Upon hearing of the death of his father, Laertes becomes enraged, and seeks immediate vengeance; he does not delay, and acts instantaneously. When the ghost tells Hamlet of Claudius' crimes, Hamlet is unable to act. He procrastinates, missing many opportunities to avenge his father, and acts when it is already too late.
John F. Kennedy’s assassination has been a mystery since it happened in 1993. John F. Kennedy was shot in a moving car in Dallas, Texas. The murder surprised the nation in a time of peace and calmness, It was also “... the first time the vivid immediacy of such acts was brought into the homes of millions” (“The Warren
Although the play Hamlet is largely centered around the “tragic hero” Hamlet, it is the minor foil characters that gives us a deeper understanding of the text and a more conscious understanding of the internal struggles experienced by Hamlet. Each of these characters contrasts a specific aspect of Hamlet that would otherwise be overlooked. Horatio consolidates all of the desirable features that Hamlet wants to be into one person. Fortinbras, although in the exact same situation as Hamlet with his father dead and his uncle on the throne, is the complete opposite of Hamlet by choosing action over inaction. Finally, Ophelia personifies Hamlet’s innocence and the death of his innocence after the death of his father. Despite being opposites of each other, each of these characters bring a new outlook on the tragedy of Hamlet.
The first foil or character that sets off Hamlet, in the play is Laertes. After King Hamlet's death, he, along with Prince Hamlet, return to Denmark for the funeral services. That is the first sign that Laertes will become a foil to Hamlet in the play. Both Laertes and Hamlet are very fond of Laertes' sister, Ophelia, which is the second similarity of the two. Another similarity of Laertes and Hamlet is the father figure of each, Polonius to Laertes and Claudius to Hamlet, has someone to watch them to see if they are acting accordingly. [accordingly?] In act two, scene one, Polonius instructs Reynaldo to go to Paris to give Laertes money and messages, and to find other Danes that will give him gossip about Laertes. In act two, scene two, Claudius instructs Rosencrantz and Guildenstern to find out why Hamlet is acting so strangely. The next similarity of Laertes and Hamlet is that they both grieve over a death in the play. Laertes grieves the death of Ophelia, while Hamlet grieves over his father, King Hamlet's death. The final similarity of Laertes and Hamlet is that both seek revenge for the death of their fathers. Laertes wishes to kill Hamlet after Hamlet murders Polonius and Hamlet wants to kill Claudius for the murder of King Hamlet. Both succeed in their quest for revenge.
Gest, Ted, at al. "JFK The Untold Story of the Warren Commission." U.S. News & World Report 17 August 1992: 28-42.
Hamlet is extremely proud of Old King and respects him.“He was a great human being. He was perfect in everything. I’ll never see the likes of him again” (I.ii.185-188). Hamlet loves his father and gives the greatest praise at the funeral. Grief driven by love tempts Hamlet to think his father’s goodness, and more, the loss of such a favorable figure. Hamlet believes that the ghost that is said to look like the dead king is indeed his father.”He waxes desperate with imagination”(I.ii.92). The Prince, who is deep in sadness and does not think sufficiently, is convinced that the spirit is the Old Hamlet, he is the only person that can physically communicate with the ghost. Hamlet for the second time talks to the apparition in his mother’s chamber, where Gertrude does not see any. What Horatio and other witnesses encounter at the gate at night proves the possibility of the existence of the ghost, Hamlet later in the play is considered to be truly mad on the account of his unusual ability to see and talk to the spirit, which is obviously conjured up by his mind. Rising actions in both the book and the play are implied at the beginning of the stories: Amir’s memory of 1975 and Old Hamlet’s death. The journey of redemption or revenge takes actions of concealing their true emotions and implementing devised
On November 22, 1963, at 12:30 in the afternoon, President John F. Kennedy was shot at and killed while participating in a motorcade in Dallas, Texas. The most important question that arises from this incident is ‘Who killed President John F. Kennedy?’ This is an issue which has been debated by scholars, The Government, and even common people alike. Many people seem to feel that it was a conspiracy, some large cover-up within a cover-up.
It is often said that characters who are in constant conflict are different in nature. Although this is often true, it does not apply to William Shakespeare’s Hamlet, as characters who are very similar to each other are also involved in constant conflict. While some may argue that Hamlet and Laertes have distinct differences, it is evident that there are noticeable similarities between them. These similarities are evident when looking at their deep love for Ophelia, their desire to leave Denmark, and their domineering attitude towards females throughout the play.
Nearly a thousand years ago, the country we now know as Japan was in the early stages of development. During that time China was considered the “center of the world,” therefore many other countries, including Japan, envied China’s power and wanted to borrow elements of their culture to become more like China. One of the many things that Japan “borrowed” from China was the high art of poetry. In this paper I will discuss elements in two major Japanese works of poetry: Man’yōshū and Kokinshū. By examining literary components of both anthologies I plan to make educated inferences about the roles they played in the time period they were compiled.
Kurtz, Michael L. Crime of the century: the Kennedy assassination from a historian's perspective. Knoxville, TN: University of Tennessee Press, 1982.
William Shakespeare’s Hamlet revolves around Hamlet’s quest to avenge his father’s murder. Claudius’ first speech as King at the beginning of Scene 2, Act 1 introduces the themes of hierarchy, incest and appearance versus reality and plays the crucial role of revealing Claudius’ character as part of the exposition. The audience is left skeptical after Horatio’s questioning of King Hamlet’s ghost in the first scene of the play. By placing Claudius’ pompous speech immediately after the frightening appearance of Hamlet’s ghost, Shakespeare contrasts the mournful atmosphere in Denmark to the fanfare at the palace and makes a statement about Claudius’ hypocrisy. Through diction, doubling and figurative language, Shakespeare reveals Claudius to be a self centered, hypocritical, manipulative and commanding politician.
This alignment involves the assessment of implementing the chosen business strategy through appropriate IT strategy and the articulation of the required IT infrastructure and processes. This strategy is not constrained by the current organization design, but instead seeks to identify the best possible IT competencies through appropriate positioning in IT marketplaces.
Many would perceive madness and corruption to play the most influential role in Hamlet. However, it could be argued that the central theme in the tragedy is Shakespeare's presentation of actors and acting and the way it acts as a framework on which madness and corruption are built. Shakespeare manifests the theme of actors and acting in the disassembly of his characters, the façades that the individuals assume and the presentation of the `play within a play'. This intertwined pretence allows certain characters to manipulate the actions and thoughts of others. For this reason, it could be perceived that Shakespeare views the `Elsinorean' tragedy as one great puppet show, "I could see the puppets dallying".
Shakespeare’s Hamlet is a tale of betrayal and revenge, attrition and tragedy. One sees this theme throughout the interactions between each character. While the play’s main tragedy is the death of King Hamlet at the hand of his brother Claudius, the accidental death of Polonius truly initiates the demise of the others. In a tragedy, audiences often seek someone to hold responsible. Polonius is a trusted advisor, Lord Chamberlain, for the king and queen. He has one son and one daughter. His son, Laertes, is a classmate and friend of Prince Hamlet. His daughter, Ophelia, holds the prince’s heart and loves his as well. An old, foolish man whose trite and meddlesome personality cost him his life, Polonius is easily the most loathsome character
Upon examining Shakespeare's characters in this play, Hamlet proves to be a very complex character, and functions as the key element to the development of the play. Throughout the play we see the many different aspects of Hamlet's personality by observing his actions and responses to certain situations. Hamlet takes on the role of a strong character, but through his internal weaknesses we witness his destruction.
The univariate measures of mean, standard deviation are used primarily to understand the nature of the distribution of the variables. In the second stage, correlation analysis is applied to assess the association between the variables. Finally, for the purpose of assessing the research hypotheses and conceptual model, structural equation modeling is used as the multivariate analysis. Cronbach’s alpha coefficient is calculated to ensure the internal consistency and composite reliability. Two step approaches are considered to complete the data analyses (Anderson & Gerbing, 1988). Confirmatory Factor Analysis is used to estimate the measurement model as the first step. The purpose of the analysis is to ensure the reliability and validity of the concerned constructs in the study. Structural model consisting hypotheses is tested using the structural equation modeling as the second step. The purpose of this testing is to test the hypotheses involved in the conceptual