The Brothers Karamazov deals with many facets of life. Fyodor Dostoyevsky was a great thinker, a manipulator if you will, of deep philosophical questions concerning the existence of man and/or God. More importantly though, the novel peers into the mind and its response to death. The characters all run from death in some way, and only those who can accept the suffering find justification. In addition to the theme of death, the novel acts as an autobiography of Dostoevsky, expounding his various beliefs and values. To get his theme across, Dostoevsky utilized several stylistic devices, such as imagery, irony, and dreams. Yet, his ability to write down what a character was thinking at certain moments helped shed light on that person's beliefs …show more content…
He went to Siberia to reexamine his soul and find answers to his tormented life. Living in this filthy, desolate area helped him find meaning in life and religion, including his theory on suffering. Along with new found values, epileptic seizures, marital problems, and debt plagued his life until death. These problems become significant when explaining the relation between Dmitri and Smerdyakov to Dostoevsky. In some ways he found a new life, but in other ways his life ended blindfolded and tied to the stake ready to be pierced with a blazing bullet through his sweaty forehead. Yet through it all, he shared what he thought the world and especially his beloved Russia should be like in order to surpass the strength of the western nations. Ironically, Russia did rise above the world, but probably not in the manner that Dostoevsky had liked it to be. Fyodor Karamazov becomes the first character presented in the novel, whose vulgar and ill-natured personality quickly erase any sympathy of his grizzly murder. Unlike his children and Father Zosima whom Dostoevsky personally relates to, Fyodor Karamazov embodies the Russian
As Rodya analyzes Luzhin’s character, he realizes that intellect unrestrained by moral purpose is dangerous due to the fact that many shrewd people can look right through that false façade. Luzhin’s false façade of intellect does not fool Rodya or Razumikhin, and although they try to convince Dunya into not marrying Luzhin, she does not listen. Rodya believes that Luzhin’s “moral purpose” is to “marry an honest girl…who has experienced hardship” (36). The only way he is able to get Dunya to agree to marry him, is by acting as if he is a very intellectual person, who is actually not as educated as he says he is. This illustrates the fact that Rodya knows that it is really dangerous because he knows that people can ruin their lives by acting to be someone they are not. Rodya also knows that people will isolate themselves from others just so that no one will find out their true personality. This is illustrated in through the fact that Luzhin tries to avoid Dunya and her mother as much as possible. The way he writes his letter, exemplifies his isolation, for Luzhin does not know how to interact with society. He has no idea how to write letters to his fiancée and his future mother in law. This reflects on Rodya’s second dream because he is unable to get Dunya married off to a nice person. He feels isolated from everyone else because his intellect caused him to sense that Luzhin is not telling the truth about his personality. However, it was due to his lack of moral purpose that Rodya berates his sister’s fiancé. He is unable to control himself, and due to his immoral act of getting drunk, Rodya loses all judgment and therefore goes and belittles Luzhin. Although Rodya’s intellectual mind had taken over and showed him that Luzhin wa...
In Frederick Nietzsche’s The Death of God, his madman cries, “God is dead. God remains dead. And we have killed him. How shall we comfort ourselves, the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under our knives: who will wipe this blood off us?”(The Madman) To Nietzsche, the phrase "God is dead" is not to be take literally in the sense that he believed in an actual God who existed and then died. Rather, he is implying that the Christian God is no longer the go to for absolute moral principles. In a way, Nietzsche’s The Death of God is explaining that because people are starting to no longer believe in god, their morality isn't tied up in the idea of some imaginary being. It seems that Nietzsche's intended purpose was to do away with the traditional idea of “Christian” morality as he believed that because people were evolving to a place where they could create their own morality, God was unnecessary and irrelevant.
Dostoyevsky's writing in this book is such that the characters and setting around the main subject, Raskolnikov, are used with powerful consequences. The setting is both symbolic and has a power that affects all whom reside there, most notably Raskolnikov. An effective Structure is also used to show changes to the plot's direction and Raskolnikov's character. To add to this, the author's word choice and imagery are often extremely descriptive, and enhance the impact at every stage of Raskolnikov's changing fortunes and character. All of these features aid in the portrayal of Raskolnikov's downfall and subsequent rise.
Fear is only one of the emotions that drive people. Society and even religion uses fear in the form of consequences to persuade people to control their EGO. The Death of Ivan Ilyich by Leo Tolstoy allows the readers to learn the consequences of living a completely selfish, non-Christian life without actually having to make Ivan’s mistakes. At face value, The Death of Ivan Ilyich by Leo Tolstoy is not a Christian novel. There is no mention of spirituality until the final chapter of the book, ****** there are only vague references to life after death with no mention of Christianity. However, fiction is about telling a story; it is about leaving the reader changed by the end of the book. In this regard, Tolstoy’s The Death of Ivan Ilyich is a masterpiece and should be celebrated by Christians as a work of art.
First, Dostoevsky gives the reader the character, Raskolnokov. He is the main character, whom Fyodor uses to show two sides of people their admirable side and their disgusting side. He loves Raskolnokov, which is why Fyodor uses Raskolnokov’s point of view throughout the whole novel. Personally, Fyodor dislikes some of his qualities but understands that all people are plagued with some bad traits, and that Raskolnokv is trying to make emends for some of his wrong doings, i.e. the murder of the pawnbroker and her sister. He knows that what he did was wrong and is willing to suffer for his crime, and he does throughout the whole book with his constant depression. Dostoesky believes in punishment for your crimes, this is why he shows Raskolnokov suffering through most of the novel, to show his great love for penance. Dostoevsky likes the kind giving nature of people; this is why he portrays the main character as a kind, gentle, and giving, person. Often, Raskolnokov thinks only of others benefits such as when he helped Katerina by giving her all his money for Marmelodov, as well as his caring about what happens to his sister with her marriage to Luzhin. Raskolnokov hates Luzhin’s arrogant and pompous attitude, which reflects Dostoevsky’s animosity of the same qualities in people in the real world.
identical. Both characters were in isolation prior to the initial plot of the books, but for
In such poor living conditions, those that the slums of Russia has to offer, the characters in Fyodor Dostoevsky’s Crime and Punishment1 struggle, living day to day. Raskolnikov, the protagonist, experiences multiple layers of suffering (the thought of his murder causes him greater suffering than does his poverty) as does Sonia and Katerina Ivanovna (1). Through these characters as well as Porfiry Petrovitch, Dostoevsky wants the reader to understand that suffering is the cost of happiness and he uses it to ultimately obliterate Raskolnikov’s theory of an ubermensch which allows him to experience infinite love.
...’s disbelief in God, indeed justifies Smerdyakov for murdering Fyodor, and when Ivan realizes it, he loses his mind. It is certain that Ivan’s philosophy may represent Dostoevsky’s thoughts and feelings at times but ultimately, his faith in God remains stronger than ever.
Dostoevsky’s St. Petersburg is a large, uncaring city which fosters a western style of individualism. As Peter Lowe notes, “The city is crowded, but there is no communality in its crowds, no sense of being part of some greater ‘whole.’” Mrs. Raskolnikov initially notices a change in her son marked by his current state of desperate depression, but she fails to realize the full extent of these changes, even after he is convicted for the murder. The conditions and influences are also noticed by Raskolnikov’s mother who comments on the heat and the enclosed environment which is present throughout the city. When visiting Raskolnikov, she exclaims "I'm sure...
Within the tortured mind of a young Russian university student, an epic battle rages between two opposite ideologies - the conservative Christianity characteristic of the time, and a new modernist humanism gaining prevalence in academia. Fyodor Dostoevsky in the novel Crime and Punishment uses this conflict to illustrate why the coldly rational thought that is the ideal of humanism represses our essential emotions and robs us of all that is human. He uses the changes in Raskolnikov's mental state to provide a human example of modernism's effect on man, placing emphasis upon the student's quest for forgiveness and the effect of repressed emotion.
Russian author Fyodor Dostoevsky was among those philosophical thinkers who grappled with the task of explaining why evil exists in a world created by a perfect god. Despite the powerful influence of Christianity in his early childhood and throughout his life, Dostoevsky encountered difficulties in answering this question, which he described, “Nature, the soul, God, love – all this is understood by the heart, not by the mind” (Gibson 1973, 9). Nevertheless, Dostoevsky not only felt obligated to discover a solution to the problem, but also “responsible to his fellow believers for its success or failure” (Gibson 1973, 169). This quest for a solution to the problem of theodicy ultimately led Dostoevsky to write The Brothers Karamazov, a novel that attempts to explain the need for evil in the world. In posing his solution to this problem, Dostoevsky explains the necessity of suffering for the realization of human redemption, as well as the role of Christ’s atoneme...
Anna Karenina by Leo Tolstoy is a novel about love and marriage among the Russian aristocracy in the 1870s. Anna is young, beautiful woman married to a powerful government minister, Karenin. She falls in love with the elegant Count Vronsky and after becoming pregnant by him, leaves her husband Karenin and her son Seryozha to live with her lover. Despite the intervention of friends such as her brother Oblonsky, an adulterer himself, she is unable to obtain a divorce, and lives isolated from the society that once glorified her. As a man, Vronsky enjoys relative social freedom, which causes Anna to have increasingly intense fits of jealousy. Because of her constant suspicion, she thinks that Vronsky’s love for her is dwindling. Their story is ended by an exciting finale that moves the reader.
The story of In "The Death of Ivan Ilych", was written by Leo Tolstoy around who examines the life of a man, Ivan Ilyich, who would seem to have lived an exemplary life with moderate wealth, high station, and family. By story's end, however, Ivan's life will be shown to be devoid of passion -- a life of duties, responsibilities, respect, work, and cold objectivity to everything and everyone around Ivan. It is not until Ivan is on his death bed in his final moments that he realizes that materialism had brought to his life only envy, possessiveness, and non-generosity and that the personal relationships we forge are more important than who we are or what we own.
In his novel Crime and Punishment Fyodor Dostoevsky uses Raskolnikov as a vessel for several different philosophies that were particularly prominent at the time in order to obliquely express his opinions concerning those schools of thought. Raskolnikov begins his journey in Crime and Punishment with a nihilistic worldview and eventually transitions to a more optimistic one strongly resembling Christian existentialism, the philosophy Dostoevsky preferred, although it could be argued that it is not a complete conversion. Nonetheless, by the end of his journey Raskolnikov has undergone a fundamental shift in character. This transformation is due in large part to the influence other characters have on him, particularly Sonia. Raskolnikov’s relationship with Sonia plays a significant role in furthering his character development and shaping the philosophical themes of the novel.
This man is the absolute opposite of everything society holds to be acceptable. Here is a man, with intelligent insight, lucid perception, who is self-admitted to being sick, depraved, and hateful. A man who at every turn is determined to thwart every chance fate offers him to be happy and content. A man who actively seeks to punish and humiliate himself. Dostoyevsky is showing the reader that man is not governed by values which society holds to be all important.