The most popular of F. Scott Fitzgerlad’s novels, ‘The Great Gatsby’ is a story of two men; the eponymous Jay Gatsby and the narrator, Nick Carraway. The novel is set in the fictional West Egg village in Long Island, New York. The story takes place during the ‘roaring twenties’. It was a time of glamour, money, and obsession with materialistic desires. People of that time felt that their own society’s wellbeing and moral stance was being sacrificed for the sake of money, sexual desires, and materialistic possession. I have therefore chosen Freudian psychoanalytic theory as the appropriate form to study to explore the wonder and depth of the characters in the ‘The Great Gatsby’. Psychoanalytic theory is defined as “a se of concepts and ideas that investigate the unconscious and conscious psychological thought process”. I feel like psychoanalytic theory is the most appropriate choice because it not only determines ‘the what?’ but also ‘the why?’. It offers insight into what makes people act like they do. Also, Fitzgerlad and Freud lived during the same time. Therefore, Fitzgerlad may potentially have been affected by Frued’s ideas and theories. Using a psychoanalytical form of study to analyze ‘The Great Gatsby will allow us to dig deep in the plot, and more importantly the characters. Psychoanalysis will allow us to explain every word, phrase, and sentence the character says, every one of their motives, and every one of their achievements can be traced back to their depths of their unconscious. In my extended essay, I will look act the role fear plays in causing the characters to act and think in certain ways, identify the motivations and drives behind the characters, and examine the Oedipal triangles and other Freudian concepts...
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...a false idealistic image of his relationship. According to Freud, idealization is a common ‘side-effect’ of distorted grief. Gatsby’s idealization drives him to pursue his life with Daisy against all odds. He completely ignores the fact that she is married and that he had already lost his chance with her. The green light emitting from the Buchannans’ house across the bay from Gatsby’s can be interpreted as being symbolic for his ideal image of his life with Daisy; distant and unreachable. Gatsby constantly looks out across the bay to the Buchannans’ green light. It becomes apparent to us in the novel that the more Gatsby tries to recapture his lost past, the more grief and destruction happens to him and the people around him. Gatsby paralyzation between the past and the future is one of the aspects that make him truly interesting subject for Freduian psychoanalysis.
By acknowledging Gatsby’s fixation for his future with Daisy, Nick conjoins Gatsby’s boundless desperation with the novel’s theme that the power of hope cannot determine a dream, or in this case, Gatsby’s dream. Because he is so consumed with his delusion, Gatsby does not realize that his dream is unreachable whereas no amount or power of hope can create his perfected fantasy of the future. In continuation to the green light’s relationship with the theme, not only does the green light illustrate Gatsby’s desperation for the dream but the light furthermore acts as a symbol of Gatsby’s hope for the future. Gatsby’s longing for the light affirms and “embodies the profound naïveté of Gatsby’s sense of the future” as he pursues this unattainable relationship
The Great Gatsby is a book filled with dynamic characters, written by a dynamic person. Throughout the book, the themes and situations are on many symbolic levels. The Great Gatsby is such a novel, that the hero is portrayed to the reader by a man who, with seemingly no effort, will not judge a man easily. He perceives him, takes him in, and analyzes him. This man’s name is not, in fact, Gatsby, but Nick Carraway, the narrator of the story. The man who is being perceived, of course, is Jay Gatsby, our hero.
Symbolism is immensely spread through this novel, as well as an immerse amount of color. For example, the green light gatsby strives for. Gatsby states that the "single green light" on Daisy's dock that Gatsby gazes wistfully at from his own house across the water represents the "unattainable dream," the "dream [that] must
The green light at the end of the Buchanan’s dock symbolizes Gatsby’s lust for wealth and power, and also his dream of having Daisy. The interpretation that stands out the most of any is that green is the color of money, therefore Gatsby’s motivations are fueled by the wealthy status of someone on the East Egg that he would wish to have as well. However, just like his dreams, the light is very “minute and far away” (30). Gatsby throws lavish parties, lives his life in luxury, and fools himself into believing he is upper c...
The lavish items that he buys are not for his happiness though, he is trying to attract Daisy. His house was picked solely because it is directly across the bay from Daisy 's house. At night her house can be seen by the green light that flashes at the end of her dock. The green light is a recurring symbol in the book and is stated that "In his own private world past and future can be held captive in the present"(Fitzgerald 117). The green light symbolizes Gatsby 's attempt to retrieve his past love for
The Great Gatsby, written by F. Scott Fitzgerald, is a book of love and tragedy that all leads back to dreams and ideas, but never reality. Gatsby is a man of great wealth and is truly rich. Or is he? The Great Gatsby has many disguises that play a major role in several characters' lives, but mostly Gatsby's'. Gatsby believes that he will be very successful and get what he wants, including Daisy, if he is rich. He succeeded in getting money and living a life of luxury, but is never truly rich. He is always so set on the future and what things could be if this, or if that happens, that he never lives in the present. Because Gatsby never lives in the present, he ends up doing that permanently, and by the end of the book, he lives no more. When Gatsby was alive, he seemed never to be happy, because he was never satisfied with himself; Gatsby tried to change himself. He always tried to reach for his vision, which is represented by the green light, but never seemed to achieve it because he didn't ever live in the life he had; Gatsby lived in the life he wanted. F. Scott Fitzgerald uses green light to represent the unreachable dream in the future that is always being sought after and wanted by Gatsby, but never obtained.
At the beginning, the green light illustrates the great distance between Gatsby and Daisy, and also his hope to be with her again. Nick spotted Gatsby as, “He stretched out his arms toward the dark water in a curious way, and, far as I was from him, I could have sworn he was trembling. Involuntarily I glanced seaward – and distinguished nothing except a single green light, minute and far way, that might have been the end of a dock” (21). In this quote, Gatsby is actually physically reaching his arms across the bay, towards Daisy, at the green light and shows the symbolism between the green light and Daisy for the first time. The color green is often associated with envy showing Gatsby’s lust and envy to relive the past and be with her once again. Later on in the novel, we find out that "Gatsby bought that house so that Daisy would be just across the bay" (149). This quote shows that the only reason Gatsby purchased that house was to be able to see Daisy and in hope for them to be together once again. Gatsby threw extravagant parties only inspite of his optimism that Daisy would one day wonder in and they would be reunited once again. Every decision and move that Gatsbys makes is for a reason; everything that Gatsby does is to regain his relationship with Daisy.
to him, something for which he can strive, so he puts all of his energy into
Past is that puzzle that can be delightful to remember but trying to chase it is like a dog chasing its own tail, and throughout the novel F. Scott Fitzgerald shows how abnormal the minds become when it is still beating in the past.The narrator introducing the main character for the first time, but not countering a verbal conversation but has a sight of him where he “decided to call to him, but for he gave a sudden intimation that he was content to be alone- he stretched out his arm toward the dark water in a curious way.” (Fitzgerald 20). This caused Gatsby to have the motive of reach out for the past before he met the sources that led to his goal or love of his life Daisy Buchanan. As a result his ego and his anxiety increases to a point where he tries to grab more than fate wrote for both of them, and when the person or thing have moved on or belongs to someone else then it is never too late to move on with your life. Gatsby stretched out his arm towards the green light; minute or far way, that was the dock of Daisy’s house. Along the same line the light does not represent the past but it was a light of hope for Gatsby that Fitzgerald convey that even it is across the bay he tends to try to reach for her even its physically impossible to do. Hence the disillusionment is what Fitzgerald is trying to convey that if a mind is still living in the past then it disarrays from the present along with the future. “His [Gatsby] tragedy lies in the ...
Gatsby moves to West Egg so that he can watch “the green light at the end of Daisy’s dock” (180) which represents the wonder of Daisy and the future that he so badly wants with her. The green light is so blinding to Gatsby that he does not realize that Daisy is no more than a vision that he has made up for her. To him, the wonder of Daisy is his past, present, and future. Even though Daisy is no more than an image made up by the delusions of Gatsby’s wonder, when he is reunited with her, “he literally glowed; without a word or a gesture of exultation a new well-being radiated from him and filled the little room” (89). Daisy’s enchanting and wondrous voice is reflected in Gatsby’s glowing appearance. The wonder that Gatsby feels is so strong that it is visible on his body. When they are reunited, his body and mind are completely overcome by Daisy’s wonder. When they are together, Gatsby cannot control his actions or his sense of reality because in Daisy’s “actual and astounding presence none of it was any longer real” (91). Even though Daisy married Tom and did not wait for Gatsby, he is still completely taken by Daisy because of the wonder that she bestows on him. His wonder is so deceptive that he believes in the Daisy who is a figment of his imagination. Gatsby believed in “the green light, the orgastic future” (180) to such an extent that he was unable to see the reality of Daisy before his
F. Scott Fitzgerald’s novel, The Great Gatsby is generally regarded as an excellent novel which expresses much more than the superficial plot. The Great Gatsby could be, however, more complex than the average reader might imagine. The Great Gatsby is often interpreted as the corruption of the American Dream. In this framework, the Buchanans are viewed as the example of irresponsibility and degradation, and Gatsby the embodiment of idealism and sentimentality. In this essay, I want to offer another reading of The Great Gatsby in Freudian frame of reference.
Gatsby can achieve his dream once he marries Daisy Buchannan, a young woman he met in Louisville, where he falls in love with the opulence that surrounds her. Throughout the book, the motifs of the green light and fake facade are used to signify Gatsby's hope and never ending lust for status respectively. Gatsby's obsession with restructuring his past leads to his failure. Fitzgerald uses these motifs of the green light, fake facade and past to showcase Gatsby's objectification of his American Dream. The green light at the end of Daisy Buchannan's dock signifies both hope and the difficulties Gatsby encounters while pursuing his dream.
The Great Gatsby, a novel by F. Scott Fitzgerald, when looked at through the lenses of Psychoanalytical Criticism and New Historicism, expose the stasis and uncaring state many of the characters appear to be in as a result of the great war. Psychoanalytical Criticism explains certain human behaviors shown by the characters of this novel: especially Nick Carraway, whose time in the war clearly affected him as he is unable to return to his life after. New Historicism shows how the trauma of the war affected American society through the desolation of the previously glorified ideal of the American dream. This deconstruction is most clearly seen in the idea of the “self-made man” used throughout the novel. In using these two theories to analyze
Gatsby’s dream of winning Daisy has been deferred for long enough, that it seems impossible to everyone else around him. He pursues the past while he is in the future. He pines for Daisy after losing her to another man. Gatsby’s elaborate parties were all thrown in hopes that someday Daisy would wander inside. Nick finds out Gatsby’s intentions when he says, “Then it had not been merely the stars to which he has aspired on that June night. He became alive to me, delivered suddenly from the womb of his purposeless splendor” (Fitzgerald 83). All the extravagant spending, the house, the new identity, the illegal activities, were all for Daisy. He throws everything he has into this charade as he tries to adapt to Daisy’s world of high society. The problem is that Gatsby is so close, but yet so far away, “he stretched out his arms toward the dark water in a curious way... I glanced seaward- and distinguished nothing except a single green light, minute and far away, that might have been the end of a dock” (Fitzgerald 25). Gatsby tries to embrace the light that emits from the end of Daisy’s dock. The light is something that he cannot hold, just like he cannot hold Daisy Buchanan in his arms. He attempts to pursue his dream that is nothing more than an illusion. Despite being blinded with his infatuation with her, “He hadn’t once ceased looking at
Nick Carraway, the narrator of the novel, first sees Gatsby standing outside of his mansion, “standing with his hands in his pockets regarding the silver pepper of the stars” (20). He is standing with his arms outstretched towards a green light. Nick says “he stretched out his arms toward the dark water in a curious way, and, far as I was from him, I could have sworn he was trembling” (20). Gatsby is staring at the light on the end of Daisy’s dock as it is later revealed. Gatsby is standing there, with his arms stretched out, to welcome the love of Daisy and to give his love to her. He is reaching toward her, trembling because of the power of his love and the pain from their years of separation. The light represents how close Daisy is to him, but still so far away, in separate worlds. It could also be thought of in the sense that his love is still burning bright for Daisy. “Green is the color of hope” (Einem), and can represent “Gatsby’s hope to meet Daisy again and a chance to win her back” (Einem). Gatsby has been separated from Daisy for many years, but he still loves her deeply. When Daisy and Gatsby later reunite, they are standing in Gatsby’s bedroom, looking out across the bay. Gatsby points out the green light and says “If it wasn’t for the mist w...