In the play Othello by William Shakespeare, we see a black man marrying a wealthy young white woman named Desdemona. The black man named Othello serves the Italian government, as a general, this man is a very a loyal and trusting person. Othello is easily persuaded as stated by Iago, his ancient, who wrights this passage about him ““The Moor is of a free and open nature, That thinks men honest that but seem to be so, And will as tenderly be led by the nose As asses are. (Act 1, 3,405.)“ This shows us the kind of man Othello is a trusting man, and thinks that everyone is telling the truth. This opens Othello, to believe on the lies that Iago, is telling him. However, Othello is not a stupid man, he is a general after all, and must be shown proof when people put up arguments especially against his own wife, cheating on him. Now the question is why did Othello not look for his own proof of the acquisition laid up against his wife cheating. He surly is not stupid, considering that he has such a high position. In this essay, I will explain why, Othello does not look for more proof, of his wife’s affairs and merely believes Iago.
Shakespeare’s tragedy, “Othello,” contemplates ignorance as an open mind as well as the fault in passion and trust. The apparent villain in the play Iago is adapt at weaving falsehoods and shrouds of doubt on even the most wise and understanding. Rebelling against a master is certain to bring only battle and refutation, but in Iago’s case, rebelling is as safe as whispering a lullaby. He exploits his master’s, Othello’s, virtuous characteristics and twists them creating fatal flaws which in many ways lead to Othello’s anguish and death. Iago decided that murdering Othello was not an adequate revenge. To ensure both Othello’s pain and demise, he progresses towards deceit. Othello is not of a false nature. In contrast, Othello trusts and cares for his fellows whether they are beneath or above him in status. He uses his passion to engage in battle and to win his love, Desdemona, yet his passion is found to be uncontrollable. Both his passion and trust, lead to his demise in moral conduct and in his worldly and heavenly assets. To die with everything is different from dying with nothing. Iago acknowledges this and proceeds to take away Othello’s love. To love is to give oneself away. It is to open one’s chest to a loved one and hand them a dagger, to either deliver pain or comfort. Iago’s plan essentially is to again hand that dagger back to Desdemona and deceive Othello into believing her rejection. Othello’s flaw results in Iago’s effectiveness to persuade him of his wife’s unfaithfulness. The fault in Othello’s character derives from his trustful interpretations of human conduct and his uncontrollable passion.
Iago is a triumphant villain within Shakespeare’s Othello. He is a complex character whose intentions are hidden underneath layers of deception, manipulation, and deviance that contributes to his “façade”. Iago is someone we love to hate, and Othello wouldn’t be more than a soft-hearted romantic drama. Iago is an incredibly multifaceted character, and is the instigator of all tragedies that take place in the play.
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance.
In everyones life there is always the one person who you think you can trust, and later come to find that they have been playing you all along. This is the exact case for Othello. Iago, whom Othello thought was a person he could trust, betrayed him in many horrific ways.As you read the famous Shakespearian play, Othello, the Moor of VeniceI, you come to realise pretty quickly that Iago is the evil charecter in this play. The readers do not actually get to see a good side of Iago, if there is any, because he is constantly using and playing people. Readers will also come to learn that no matter how evil Iago may be perceived as that he is very much a coward, using other people to do most of his dirty work for him.
Even though Othello is a highly respected general of the armies of Venice, but because he is a North African, a moor, he has deep insecurities because of his race. Even though he is so intelligent and a powerful figure, because of his self-consciousness and insecurities he is an easy target and these flaws are what let him be manipulated so easily by Iago. Othello’s idea that all men are as honest as he is and his open nature are what Iago uses to twist Othello’s love into the powerful jealousy that leads to him murdering Desdemona.
On the other hand, Othello is a vastly admired general in the service of Venice. Iago is Othello’s pushy friend. They promoted Othello which made Iago deadly jealous. Iago’s jealousy brought him to an evil and spiteful operation against Othello. Ultimately, Othello became jealous and disbelieving his wife, Desdemona. He informed Iago he will kill his wife in this sentence: “I will withdraw to furnish me with some swift means of death for the fair devil.”(3.3.474) fina...
In addition to inferring Desdemona’s unfaithfulness to Othello, Iago alludes to Desdemona's duplicitous deception of her father, Brabantio -- she was able to "seel her father's eyes up close as oak"-when he reminds Othello that "She did deceive her father, marrying you" (3. 3. 224, 220). As Othello makes his final desperate attempt at trust by saying, "I do not think but Desdemona's honest," Iago again exploits the line between thinking (or having trust) that Othello’s wife is faithful and knowing (through evidence) whether it is actually true (3. 3. 241). Othello fails to see that honor cannot be subject to empirical proof.
The Fall of Othello
The Othello of the Fourth Act is Othello in his fall. His fall is never complete, but he is much changed. Towards the close of the Temptation-scene he becomes at times most terrible, but his grandeur remains almost undiminished. Even in the following scene (III iv), where he goes to test Desdemona in the matter of the handkerchief, and receives a fatal confirmation of her guilt, our sympathy with him is hardly touched by any feeling of humiliation.
Othello: When Honor is Gone, What is Left?
This is the question we ask ourselves while reading Shakespeare’s Othello. Throughout the play Iago’s mission is revealed as trying to strip Othello of all honor, and reduce him to his bestial state. Iago sees Othello as a beat from the beginning of the play and is determined to expose him to everyone.