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An analysis of othello as character
Analysis of characters of othello
Iago manipulating othello
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The Noble Othello
This character is so noble, Othello's feelings and actions follow so inevitably from it and from the forces brought to bear on it, and his sufferings are so heart-rending, that he stirs a passion of mingled love and pity which readers feel for no other hero in Shakespeare, and to which not even Mr Swinburne can do more than justice. Yet there are some critics and not a few readers who cherish a grudge against him. They do not merely think that in the later stages of his temptation he showed a certain obtuseness, and that, to speak pedantically, he acted with unjustifiable precipitance and violence; no one, I suppose, denies that. But, even when they admit that he was not of a jealous temper, they consider that he was "easily jealous"; they seem to think that it was inexcusable in him to feel any suspicion of his wife at all; and they blame him for never suspecting Iago or asking him for evidence. I refer to this attitude of mind chiefly in order to draw attention to certain points in the story. It comes partly from inattention (for Othello did suspect Iago and did ask him for evidence); partly from a misconstruction of the text which makes Othello appear jealous long before he really is so; [Endnote 2] and partly from failure to realise certain essential facts. I will begin with these.
1. Othello, we have seen, was trustful, and thorough in his trust. He put entire confidence in the honesty of Iago, who had not only been his companion in arms, but, as he believed, had just proved his faithfulness in the matter of the marriage. This confidence was misplaced, and we happen to know it; but it was no sign of stupidity in Othello. For his opinion of Iago was the opinion of practically everyone who knew him: and that opinion was that Iago was before all things "honest", his very faults being those of excess in honesty. This being so, even if Othello had not been trustful and simple, it would have been quite unnatural in him to be unmoved by the warnings of so honest a friend, warnings offered with extreme reluctance and manifestly from a friend's sense of duty. [Endnote 3] Any husband would have been troubled by them.
2. Iago does not bring these warnings to a husband who had lived with a wife for months and years and knew her like his sister or his bosom-friend.
The man known as Muddy Waters was born McKinley A. Morganfield on April 4, 1913 in Jug's Corner, Issaquena County, Mississippi. Settling in Chicago in the 1940s, he would change the year to 1915 in an effort to look younger for showbiz, and the place to Rolling Fork, Sharkey County -- simply because Rolling Fork was where the train stopped, the nearest place "on the map". Although his now-famous nickname does date back to his childhood, the 's' at the end of Waters was only added in 1948, on the label of his first hit record "I Can't Be Satisfied"/"I Feel Like Going Home".
The struggle of Cuba to gain its independence from Spain, which began in 1895, has captured the attention of many Americans. Spain’s brutal repressive measures to halt the rebellion were graphically portrayed for the U.S. public by American newspaper publishers, William Randolph Hearst and Joseph Pulitzer which caused to shape the national mood of agitation against Spain. Hearst and Pulitzer exaggerated the actual events in Cuba and how did Spanish brutally treated their prisoners by adding sensational words to catch the emotions of readers. However, publishing stories against the atrocities of Spain did not convince President Cleveland to support the intervention with Spain. When President McKinley held the office in 1897, he wanted to end the revolt peacefully, and he tried to avoid the involvement of America to the conflict between Cuba and Spain. McKinley sent Stewart Woodford to Spain to negotiate for peaceful Cuban autonomy and it all went smoothly and the independence of Cuba was supposed to be awarded after the negotiation. However, the peaceful settlement suddenly vanished after the incident of February 1898 when a private letter for a Cuban friend written by the Spanish minister Enrique Dupuy de Lome was stolen by a Cuban age...
Because Iago had the public perception of being an honest man, Othello couldn’t ignore his
...e figured out that they were lies and it was actually “honest Iago” who was deceitful, not his wife. In this world we must be prepared to question everything and everyone because many everybody has some selfishness in them and will be willing to go to great extremes to reach the top, even if it means objectifying others and using them to their advantage. When we blindly believe others, we give them a power over us that only we should have, therefore it is best to keep their “truth” in consideration, but remember never to fail to at least attempt to confirm that truth and create our own. When we do fail to attempt this is when we give up our individuality and become as equally inanimate as a
Othello: The Father/Daughter Conflict Brabantio, father of Desdemona in William Shakespeare's "Othello," is not happy that his daughter is marrying the title character. This father/daughter conflict impacts the work significantly by foreshadowing the climax, giving antagonist Iago material for his evil plot. Brabantio is a Venetian Senator with definite ideas on the subject of his daughter. He wants to choose a husband for her who he feels is of her caliber and who can provide her a good life, as well as raise the family's esteem in Venetian society. At that time, this was his right as Desdemona's father.
By 1850, the institution of slavery was tearing the United States apart. The Republican Party began trying to stop the spread of slavery (Anderson 42). In 1856, Abraham Lincoln helped organize the Illinois branch of the new Republican Party. At that time, Lincoln was a political moderate who only wanted to ban slavery in the new territories, but at least the beginning of this party. He tolerated it in the South (Oakes 39). Both Lincoln and Stephen Douglas, who debated each other many times, were ambitious and wanted slavery to end (Oakes 5).
Beginning with the lowest rank of women, Emilia and Desdemona, Iago insults them with misogynistic and commanding comments to reveal the stark dichotomy of power between men and women in Shakespearian times. Targeting pathos, Iago uses controlling and degrading remarks to put Emilia down and to gain spousal dominance. In two scenes where Emilia expresses her true feelings, Iago snaps at her by first stating, “You are a fool, go to”, and then later orders, “Go to, charm your tongue” (4.2. 147, 5.2. 182). By telling Emilia that she is a “fool”, not only does Iago abruptly insult her, but he does so publicly, thereby reinforcing male superiority over women in their society (4.2. 147). This type of rhetoric serves Iago strategically as Iago’s public
Now, when Othello and Desdemona, get the hesitant approval of their marriage by Desdemona’s father by blessing their marriage, the Father of Desdemona says “She has deceived her father, and may thee (Act 1, 3, 294).” This may not at first give Othello concern that his wife might cheat on him, but later with the help of Iago’s lies, this line becomes more relevant to Othello, giving him the idea that Desdemona may not always stay loyal. Now here Othello has some proof, of Desdemona’s betrayal but it is not very strong proof, at lest not enough to go to the extreme the Othello went to. Now, Iago also makes h...
In the play Othello, there are many jealous and selfish characters. Each of the characters at one point or another let their jealousy take over. It seems like they all have these plots and plans on how to hurt another character in the play either physically or emotionally, as an act of selfishness, so that they can feel better about themselves. One main character who seems extremely jealous in this play is Iago. Infact, probably the most jealous. Many bad things happen because of Iago. The first bad thing that Iago did, was tell Barbantio (Desdamona's father) that Desdemona has married Othello, the Moore. Iago was mad at Othello, because Cassio had made Othello a higher position and not Iago. Iago thought that he was the one who qualified for the position as general, not Othello. Iago was jealous because of this, so he decided to tell Barbantio about Desdemona and Othello. This was bad, because Barbantio did not know yet, and something like that should have been said by his own daughter, not someone who was not part of the family. The way Iago went about telling him was also bad. He called to his house in the middle of the night. He yelled it to Barbantio from downstairs into his window in a rude manner. " quote from Othello here." He wanted Barbantio to be upset about what had happened, and most of all, he wanted Barbantio to be mad at Othello and do something bad to him.
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In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
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The second stanza seems to be asking where the Tyger originated. The phrase “Distant deeps or skies” suggests a place very far away or perhaps even extra-terrestrial (ll. 5). And the “fire of thine eyes” is another ins...