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Frankenstein novel analysis literary
Frankenstein novel analysis literary
Frankenstein novel analysis literary
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In Frankenstein, written by Mary Shelley, the monster exclaims multiple times that he wants, and needs friends. As the monster learns more about his past, he realizes he has no one to turn to. He knows that he is one of a kind, and needs a companion. The creature states, “I sympathized with and partly understood them, but I was unformed in mind; I was dependent on none, and related to none” (Shelley 91). He is talking about one of the books he found in the woods, Sorrows of Werter. He compares himself to the main character, but he realizes that he has no one to talk to. He realizes that he is alone without any friends or family. He compares himself to many other people throughout the chapters. One of the main people he compares himself to is Adam, …show more content…
The monster exclaims,” But it was all a dream; no Eve soothed my sorrows nor shared my thought; I was alone. I remembered Adam’s supplication to his Creator. But where was mine? He had abandoned me, and in the bitterness of my heart I cursed him” (93-94). The monster is saying that his comparison was all a dream, he really wasn’t like him at all. He realizes that he is alone on this Earth and that there is no one like him. He has no one to make him feel happiness. He remembers Adam’s request to God, but he can’t ask his creator because he was abandoned. This made him so mad, that he cured the name of his creator. After finishing his story he ask Victor to do one thing for him. He remembers how Adam was alone, and then received Eve. Thus changed how Adam was, and the monster wants to be like him. The monster says,” I am alone, and miserable; man will not associate with me; but one as deformed and horrible as myself would not deny herself to me. My companion must be of the same species, and have the same defects. This being you must create” (103-104). The monster is trying to get the point across that he is alone, no humans will react to him in a positive
Frankenstein is a horror movie that tells the story of Dr. Henry Frankenstein’s experiment. In search for the fame and glory of playing to be god, he reaches a point where he is able to revive dead people. In this version of Frankenstein’s monster we see a selfish and careless scientist that created a creature with his intelligence. The way the character is shown reflects how ambitious someone can be to reach to be known in the world. This movie makes the people who are watching to feel empathy on the poor creature. This poor creature that did not want to live in a life where everyone is going to hate him for having a horrible aspect and not following rules that he has no idea about.
that is to label people or things we do not like. When a person is
In her novel Frankenstein, Mary Shelley and the film Edward Scissorhands by Tim Burton their creations have a desire to be loved. Which leads them on a journey of acceptance for themselves and others. Everyone has felt the need to find why they are here on earth; we all search for answers we are no different from them.
After reading and taking notes on both Mary Shelley’s “Frankenstein” and Chinua Achebe’s “ Things Fall Apart” I have come to the conclusion that the common theme is: “ Even in reaching for your goals you should value others and yourself so there is no form of destruction or self destruction involved.” I say this because both men in these stories wanted to gain power or reach a certain goal in life. Okwonko’s goal was to be one of the most powerful men in his clan and for his sons to be the best and follow in his footsteps. Frankenstein’s goal was to be the first man to make non-living or dead things come to life. Then somewhere at the beginning of the story another character creates fear or misplacement of some sort in the book; therefore, there is competition between the protagonist and other character that eventually results in their doom . Frankenstein and Okwonko both reminisce on memories.
Grendel and the fiend in Frankenstein are characters from two different stories. Even though they entered the world in different ways, they can be seen as being the same character because of the amount of qualities they share like: showing interest in art, living their life as outsiders, and growing up innocent then turning into the true monsters they are.
James Whale's Frankenstein is a VERY loose adaptation of Mary Shelley's 1818 novel. The spirit of the film is preserved in its most basic sense, but the vast majority of the story has been entirely left out, which is unfortunate. The monster, for example, who possesses tremendous intellect in the novel and who goes on an epic quest seeking acceptance into the world in which he was created, has been reduced to little more than a lumbering klutz whose communication is limited to unearthly shrieks and grunts. Boris Karloff was understandably branded with the performance after the film was released, because it was undeniably a spectacular performance, but the monster's character was severely diminished from the novel.
Gender inequality will always affect the way women are portrayed in society, the weaker, unnecessary, and other sex. It is not just a subject of the past, but still holds a name in society, however in the olden eras the way women were treated and are looked at, in a much more harsh condition. In Shakespeare’s Othello and Shelley’s Frankenstein women’s roles in the books are solely based on the way they are treated in their time period. The way women are portrayed in these books, demonstrate that they can never be in the same standing as men, considered the second option, and therefore will never have the same respect as men. In both Othello and Frankenstein women are treated as property, used to better men’s social standards, and lack a voice,
Many times throughout history, one person has tried to prove themselves better than God or nature. Nature, however, always prevails in the end. The Romantics of the eighteenth and nineteenth centuries believed that nature was a glorious and powerful force that was one with God, and emphasized this point in their works. Two such romantics were the couple Percy and Mary Shelley, who through their works Ozymandias and Frankenstein, showed the disastrous consequences defying nature could have. Both authors had experienced loss; the loss of some of their children and later Mary’s loss of Percy in a boating accident. These experiences showed them how powerful nature was, and how pointless it was to defy it. Both Mary and Percy’s belief in this showed through in their writing. So, despite how different Frankenstein and Ozymandias seem at first, both works reveal a common lesson: One should never believe themselves to be above nature, and if one does it will never end well.
Not only did he feel contempt because of the way he was treated, but it was also compounded by the extreme feeling of isolation that he had. "Being lonely can produce hyper-reactivity to negative behaviors in other people,” says John Cacioppo, a psychologist who specifically studies the biological effects of loneliness, “so lonely people see those maltreatments as heavier” (Gammon). The monster was alone since the day he was created, so his mind and mental state were undoubtedly damaged, making him more prone to turning his negative feelings into something far worse, like murder. “But where were my friends and relations? No father had watched my infant days, no mother had blessed me with smiles and caresses,” laments the monster (Shelley). His lack of relationships made him socially inept, and made it hard for him to think rationally about how to react to negative comments. In the seventeenth chapter of Frankenstein, the monster returns to Victor after living alone in his cave for a while and asks Victor to create a female companion for him to ease his lonesomeness (Shelley). He begs Victor, using the argument that companionship will ease his pain and reduce the hatred he feels for humans: “If I have no ties and no affections, hatred and vice must be my portion; the love of another will destroy the cause of my crimes” (Shelley). According to John Cacioppo’s findings, the monster would be correct in
...ime, such as reading, speaking, and how to find shelter. More importantly however, he learns something that affects his entirety of his short life: how humans truly are. Frankenstein learns that humans can be kind and moral, but more often are cruel, brutish, unfair, and unsympathetic. He learns that he will never be accepted, and learning this drives him to do rather evil human-ish acts. Even as he does these bad things though, he still experiences regret, longing for companionship, and the drive to do good things and be a good person. This inner conflict is present in all humans, as we struggle to do the right thing and avoid temptations and violence. This struggle is what causes the creature to truly be human, encompassing all of humanity’s aspects, including both the good and bad.
In Mary Shelley’s Frankenstein, Victor Frankenstein and the monster that he creates are very similar. For example, Victor creates the monster to be like himself. Another similarity is that the anger of both Victor and the monster is brought about by society. One more parallel between Victor and the monster is that they both became recluses. These traits that Victor and the monster possess show that they are very similar.
God and Frankenstein's creations stunningly resemble each other. The monster relates to Satan, Adam, and Eve. Victor quotes, "You may render me the most miserable of men, but you shall never make me base in my own eyes," this is when the monster asks for a companion, Victor refuses. The monster also shows that he will go to any extent to be happy and complete vengeance when he goes on a murder spree. Adam quotes " for with thee/ Certain my resolution is to die; /How can I live without thee?" Resembling the monster, hence he wants a companion, Eve.
The phrase, “opposites attract” occurs in the thoughts of all the hopeless romantics available in the world. However, what is factual in life is also disturbingly accurate in books. Mary Wollstonecraft Shelley encompasses the thoughts that hinder the sleep of many individuals across the world in her novel, Frankenstein, or the Modern Prometheus. Victor Frankenstein’s foil, or opposite, happens to be his childhood friend Henry Clerval. Their relationship portrays the themes of life, or existence, and the pursuit of science.
I have heard about your creation and the demand he made of you. I believe that you should not give him a mate. There has been two deaths as a cause of this thing being brought into the world. You have no control over your creation, even though he could have killed you many times before he hasn’t. I understand that he is lonely and sad. Because no one wants to be near him so you feel like you owe him a this. But if you bring another monster into this world it would be worse. There will be two angry monsters that no one can control. There is a possibility that she won’t want to be with him. This may make him even more angry that the one person that was made for him doesn’t even want him. You have seen what happened when you, his father ,left
The pursuit of knowledge and scientific discovery throughout the ages has always been tightly woven with the morals of those that have pursued it. Whether for fame, fortune or more personal gains the responsibility of this knowledge and discovery is where moral boundaries may be crossed. The pursuit of knowledge can never be criticized, just the necessity for society and scientists to be responsible with their discoveries and creations. Shelly’s Frankenstein and Scott’s ‘Blade Runner’ both centre on the challenge of moral conscience, and the consequences when man attempts to play God. Mary Shelley and Ridley Scott are influenced by the different contexts of their times. Blade Runner and Frankenstein both draw on simular ideas but due to the difference in context and influences, the way these ideas and values are presented differ.