Gender inequality will always affect the way women are portrayed in society, the weaker, unnecessary, and other sex. It is not just a subject of the past, but still holds a name in society, however in the olden eras the way women were treated and are looked at, in a much more harsh condition. In Shakespeare’s Othello and Shelley’s Frankenstein women’s roles in the books are solely based on the way they are treated in their time period. The way women are portrayed in these books, demonstrate that they can never be in the same standing as men, considered the second option, and therefore will never have the same respect as men. In both Othello and Frankenstein women are treated as property, used to better men’s social standards, and lack a voice, …show more content…
Which is why Othello a man of colour, one that many do not consider part of society quickly managed to elope with Desdemona without permission. Furthermore proving that upon treatment of a possession he also considers Desdemona a desired women to many, to land in his hand, making many respect Othello even further now. This is why Barbtino questions the roots of the relationship when he states “Of years, of country, credit, everything-/to fall in love with what she fear’d to look on !” (1.3.97-98). Thus showing why a highly desired women fell in love with a man with no respect or money. Thus making the fact that men not only waging women is important, but them being desire for beauty and class makes one women better than the other. In Frankenstein it is conspicuous that men marry women for a better social standard, as Elizabeth is steady engaged to Victor from a young age. However women in the Elizabethan era do not have men lining up to ask for a hand in marriage, but rather the engagement comes to a man. In Frankenstein Elizabeth is beautiful and fair yet, living with peasants, and after Victor’s mother learns the story that she is actually the daughter of a Milanese nobleman one with high class. “ Among these there was one which attracted my mother far above all the rest.. Her hair was the brightest of gold, and …show more content…
This is evident in Othello, as Desdemona being a ideal women stays quiet, respects men, and therefore knowing her place does not get mistreated. However a woman such as Emila defys these laws, but again being a women results in consquences. Right before getting killed for speaking too
For centuries, women have been forced to live life on the outskirts of a male-dominated society. During the 1800’s, the opportunities for women were extremely limited and Mary Shelly does an excellent job portraying this in her gothic novel, Frankenstein. Furthermore, in this novel, Mary Shelly shows how society considers women to be possessions rather than independent human beings. In addition, the female characters rely heavily on men for support and survival, thus proving their inability to do it on their own. Lastly, the female characters in this novel are in many ways victimized by the male characters.
The two societies found in The Yellow Wallpaper and Othello are both patriarchal in nature; the stories themselves take up the issue of women’s oppression in each society. Patriarchy “is defined as the source of women’s oppression and gender inequalities in which men, as a group, dominate women as another group” (Johnson as cited in Ravari 155 ). Male superiority is demonstrated in the two texts in the way female characters serve and obey their husbands, and how the male characters patronize and cause detriment towards the female characters. Although there are similarities in the effects and consequences the women feel, the differences in culture, era and location of the two stories causes a discrepancy in the experiences of the women from
Most Americans have some idea of who Frankenstein is, as a result of the many Frankenstein movies. Contrary to popular belief Mary Shelley’s Frankenstein is a scientist, not a monster. The "monster" is not the inarticulate, rage-driven criminal depicted in the 1994 film version of the novel. Shelley’s original Frankenstein was misrepresented by this Kenneth branagh film, most likely to send a different message to the movie audience than Shelley’s novel shows to its readers. The conflicting messages of technologies deserve being dependent on its creator (address by Shelley) and poetic justice, or triumph over evil (showed by the movie) is best represented by the scene immediately preceding Frankenstein’s monster’s death.
If someone were to ask people who Frankenstein is they would probably describe a tall, hideous monster with bolts sticking out of its neck. But long before movies reinvented their version of the monster, there was a novel by Mary Shelley entitled Frankenstein. In her novel, the monster is shown as child-like and uneducated. But what really makes someone a monster? Who is the true monster of Mary Shelley’s novel? Victor and the Creature present similarities and differences in their action and character throughout the novel.
In Mary Shelley's Frankenstein and Oscar Wilde's The Picture of Dorian Gray women are often portrayed as passive and weak characters. During the 19th century when these books were written, the proper domestic ideology was that women were naturally squeamish, defenseless, innocent beings, who needed protection from the male worlds of business and politics (Stepenoff). This theme is demonstrated throughout both of these novels through major and minor characters. In the case of Frankenstein, Shelley, who is a feminist herself, covers her book with submissive women who suffer calmly and eventually die. Similarly in Wilde's story, there are a few female characters that do not show much immediate importance, but they ultimately have a major impact on the story. Both authors portray their female characters as weak and passive, yet, despite their minor roles, these women strongly influence the men and greatly alter the course of events in each novel.
Violence and discrimination against women shown in Othello is also a global phenomenon that has been present throughout history. The Bible states that “God made the woman out of the man” (Gen 2:22) and is also a similar idea demonstrated in various cultures and religions. Today, the biggest influence on these differences come from the ways that society perceives the...
During this time period, the men would work to support their family. Additionally, the woman would stay at home and care for her husband and children. This society thought of women as weaker than men. They were often treated as possessions of their husbands, “This concurs with Othello 's own insight when he describes murderous jealousy as innate in the husband-wife relationship which posits the wife as the exclusive possession of the husband and is thus at odds with the human condition wherein one can never know another person 's inmost thoughts and desires” (Vanita 342).The language Shakespeare uses in the play supports that men seemed freer than women. When Brabantio speaks of his daughter he describes her as obedient. Likewise, Desdemona obeyed Othello’s orders and stated she is indeed obedient to him. When Othello was convinced Desdemona was cheating on him he proceeded to murder
Gender inequality has been a disadvantage for women in society for many centuries. Women have always had a disadvantage in society, even though there's been many years of time for improvement. Women in the time of Shakespeare, were treated like possessions and how a man treated a women and how he controlled his women, was how masculine he was. Women in some work places get paid less than men do. In 2011, for every $1.00 a male worker earned, a women worker earns 74 cents. In today's society, people who are called Feminists, stand up for the rights of women and the issue of women being treated as equals compared to men. This topic of gender inequality, is very prominent in the play Taming of the Shrew, by William Shakespeare. Even in the title
During the Elizabethan era women had a status of subordination towards men. They had a role to marry and oblige to their husband’s wishes. Shakespearean literature, especially illustrates how a woman is psychologically and physically lesser to their male counterpart. The play, Othello, uses that aspect in many different ways. From a Feminist lens others are able to vividly examine how women were subjected to blatant inferiority. Being displayed as tools for men to abuse, women were characterized as possessions and submissive; only during the last portion of the play did the power of women take heed.
Many consider Shelley as an early feminist. Certainly her mother’s views on the issue cannot be doubted. In her book “A Vindication of the Rights of Women” Mary Wollstonecraft criticizes society’s treatment of women. Similarly in Frankenstein Shelly, more than simply telling a story, challenges a dominant patriarchal value system. In the novel the women are constructed as victims of male egotism and selfishness. Caroline Beaufort, Victor Frankenstein’s mother, lived in ‘poverty’ due to her father’s ‘abominable pride’ that refused to accept help or charity. Safie, daughter of the Turkish merchant is almost kept from the one she loves by her father’s ‘treachery’. Thus we can see that Shelly presents us with a s...
In the book Frankenstein by Mary Shelley, the women are portrayed as inferior to men in several different ways. Of the few female characters in this book, very few of them are mentioned throughout the entire book and none of them are considered main characters. The ideals of Romanticism emphasize the secondary nature of women to men. In addition, Shelley’s portrayal of the inferiority of women parallels Romantic ideals and some of today’s values but also contrasts some values of today’s society. Shelley uses these Romantic ideals in Frankenstein because all of the female characters are clearly subordinate and secondary to the male characters throughout the story.
In Mary Shelley’s Frankenstein, Shelley characterizes the female characters as passive, disposable and serving an utilitarian function. Women such as Safie, Elizabeth, Justine, Margaret and Agatha provide nothing more but a channel of action for the male characters throughout the novel. Meaning, the events and actions acted by them or happen to them are usually for the sake of the male character gaining new knowledge or sparking an emotion. Each of Shelley’s women serves an important role by way of plot progression are otherwise marginal characters. Yet, this almost absence of women is exactly the reason why they are important. This use of the female character introduces a concept of feminism; here, female politics exists due to the vacancy of a “role model.” Women such as Justine, Agatha, Elizabeth and Margaret in Mary Shelley’s Frankenstein play a key role, whether it’s for mere plot progression or by their absence.
“When I looked around, I saw and heard of none like me. Was I then a monster, a blot upon the earth, from which all men fled, and whom all men disowned?” (Shelley, Frankenstein 109). In Frankenstein, the Monster receives a life in which he cannot control the outcome, even though he tries to. While the Monster deals with fate, Antigone in Antigone exhibits full use of her free will. The two characters possess free will and both of them can claim victim to fate. However, the Monster has more of a right to make the plea of destiny while Antigone should own up to her deliberate actions. The Monster’s denial of acceptance by both his creator and society as well as his responding acts of violence can claim to exist as results of fate while Antigone’s actions exhibit free will from her decisions to break the law and act upon her pride.
As Othello is known in the play as the Moor, he often faces discrimination that his peers did not face. When Brabantio finds out that Othello married his daughter, he claims that Othello must have “enchanted her” (1.2.64) and that his daughter “…t’incur[ed] a general mock,” (1.2.70) by “run[ning] from her guardage to the sooty bosom.” (1.2.71) In other words, Brabantio is saying that he is in disbelief as to why Desdemona would marry a Moor when her socioeconomic status was so much higher. As a result of being treated as an inferior due to skin colour, Othello puts more weight on honour and reputation. Since his high ranking position in the army set him apart from other Moors, he uses it as compensation towards many aspects of his life such as marriage. For example, Othello associates the “…services which [he] has done the seignniory” (1.2.17) to Brabantio’s criticisms about him. Othello knows that his position holds power, and he is able to confidently articulate why he is suitable candidate to marry Desdemona. Unfortunately, Othello’s confidence does not last later in the play when his honour is suddenly threatened by presumptions that Desdemona is engaged in unfaithful acts. Soon thereafter, he loses his
In “Frankenstein” penned by Mary Shelley, one cannot help but notice the role of women in the novel compared to men. Even though Mary Shelley is the daughter of Mary Wollstonecraft, a mother advocating for women’s rights in society, she displays the roles of Caroline, Elizabeth, and Justine as passive women. This may be the time period when women were considered inferior to men. Caroline, Elizabeth, and Justine are depicted as possessions by men, admired for their superficial beauty, and do not take action without the permission of men. On the other hand, Shelley illustrates Safie as a woman who speaks up for her own rights when her father forbids her to find Felix. The three points that contribute greatly to the passive role of women are the lower of rank women in society compared to men, women being seen as possessions for men to protect, and women admired for their superficial beauty.