Frankenstein - Ideologies of Fire as Knowledge and Creation

941 Words2 Pages

Frankenstein is a diverse novel that confronts the reader with many different ideas and themes. Critics have described the text in many different, depending on their reading of the book. These include as a political allegory, an observation of human accountability, feminism, social prejudices and alienation, and even a narrative of the nature of human life itself. Some of these themes may be in part due to the influence of Shelley's parents: Mary Wollstonecraft and William Godwin, both very influential and radical political activists in their time. Around the period of its publication, new science was breaking down the barriers of old and the work and findings of scientists were challenging the steadfast ideas of religion and as such caused much controversy in general society.

Elements of this conflict can be seen in Shelley's novel in the character of Viktor Frankenstein. As a student of both the old science, which was based largely around the discovery of the elixir of life, and the theories of chemistry and bio-science engaged by new science, Viktor seems to be the embodiment of the society divided over knowledge. His desire to gain the glory of discovering the capacity for creating life and thus its continuation is founded in the idea of elixir. This, coupled with his interest in modern techniques that give him the ability to undertake such a task, give Viktor the motivation for such an colossal and divine mission.

At a time of industrial revolution, when electricity is an exiting new technology being harnessed by man, it is perhaps apt that it is a spark of electricity that brings Viktor's creation to life. 'I collected the instruments around me, that I might infuse a spark of being into the lifeless thing'. The monste...

... middle of paper ...

...ult of his own, evokes the sympathy of the reader. Such a circumstance could never have come about had it not been for the growth of science and it's mix with religion and myth. The idea of fire and science in Mary Shelley's great gothic novel are used in a reproachful manner. The combination of these two things along with glory result in the conception of the creature, who at society's injustice, was turned into a monster. Frankenstein can be seen as a rhetoric against science the quest for knowledge and the threat they pose when exercised with undue consideration. Fire is used as the symbol of knowledge, which, under control can be creative but destructive when out of control. The potential of inventive power to be devastating is one of the themes at the heart of Shelley's novel and was also a concern in the age of the developing industrial revolution.

1311 words

Open Document