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The role of ambition in life
The role of ambition in life
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Ambitions Gone Bonkers!
How far can your ambitions go before it comes to a fine line between hurting you or helping you? Aron Rolston, an ambitious mountain climber in the movie 127 Hours, decides to go canyoneering in Blue John Canyon. Climbing through confined spaces where boulders are suspended, crammed between mountainous walls of rock, he slips and falls into a canyon where his arm is trapped between the boulder and canyon wall. What a misadventure! One of the many moralistic themes that Mary Shelley’s Frankenstein is trying to convey is that ambition inevitably leads to disaster. Dr. Frankenstein, the Creature, and Robert Walton are the three most ambitious characters. They all have a goal they want to reach but do not put into account the consequences that will follow.
Dr. Frankenstein yearns to create life from death by creating what he pictures "a human being in perfection" (Shelley 40). Alan Rauch writes, in The Monstrous Body of Knowledge in Mary Shelley's Frankenstein, of how "Frankenstein's secretive approach to knowledge production [building the creature] can be taken as a sure sign that his discovery will be a disaster with respect to the public understanding" (Rauch 237). Rauch foreshadows that Frankenstein's creation of this "human being in perfection" (Shelley 40) would actually be a creation of disaster. Which the public, including Frankenstein, would reject to accommodate with. The public, will never want to be around a creature so hideous and intimidating, which leads reasons of how the public reacts to the Creature in a catastrophic manner.
Your ambitions can lead you into absurd conditions. Like Frankenstein, the Creature is also ambitious and does not think of the effects of his actions. Because a...
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...rney, Waltons ship gets stuck between thick sheets of ice, impossible for the ship to move. A couple of days pass, Walton realizes he is in a real pickle and that there is no hope for him to find this route and survive without putting his crew in risk of their lives. He takes the advice of Frankenstein and calls off the trip and returns home. Robert may have been as ambitious as Frankenstein, if it was not for Frankenstein to enter the ship and warn him about his own ambitious mistakes.
When their thoughts of knowledge and power get to them, their ambitions lead them to disastrous endings, like Mary Shelley's Frankenstein. The three main characters Victor, the Creature and Robert Walton, are very ambitious unknowing of what the future holds for them and their actions leads them to disasters. Likewise, the movie, 127 Hours where Ralstons arm was trapped by a boulder.
As Frankenstein is enroute to his pursuit of gaining more knowledge, he states, “I wished, as it were, to procrastinate all that related to my feelings of affection until the great object, which swallowed up every habit of my nature, should be completed” (Shelley 41). Frankenstein’s decision in allowing his intellectual ambitions to overpower everything else in his life leads him to be blinded to the dangers of creating life. He isolates himself from his society when creating the monster, letting himself be immersed in his creation while being driven by his passions, allowing nobody to be near him. The fact that he allows this creation of a monster to consume his total being reveals how blinded he is to the immorality of stepping outside the boundaries of science and defying nature. His goal in striving to achieve what wants to in placing man over nature makes him lose his sense of self as all he is focused on is the final product of his creation. He starts to realize his own faults as after he has created the monster, he becomes very ill and states, “The form of the monster on whom I had bestowed existence was forever before my eyes, and I raved incessantly concerning him” (48). His impulsive decision to make the monster leads him to abhorring it as it does not turn out to be what he has expected. Because he chooses to isolate himself in creating the
In Frankenstein, Mary Shelley highlights on the experiences her characters undergo through the internal war of passion and responsibility. Victor Frankenstein lets his eagerness of knowledge and creating life get so out of hand that he fails to realize what the outcome of such a creature would affect humankind. Mary Shelley’s novel, Frankenstein, highlights on how Frankenstein’s passion of knowledge is what ultimately causes the decline of his health and the death of him and his loved ones.
The two main characters, Victor Frankenstein and the creature that he builds, both seek, and occasionally find, solace in nature. At first, Victor believes himself superior to nature, and he builds a creature to prove his dominance. After gathering the information and materials needed to create life, Victor begins to fantasize about what he is about to do. He sees “life and death [as] ideal bounds, which [he] should first break through, and pour a torrent of light into [their] dark world.
“What is the point of being alive if you don’t at least try to do something remarkable?”-John Green, an American author of young adult fiction, such as The Fault in Our Stars, and the YouTube blogger of crash course history. The mythological character Prometheus and Victor from Frankenstein by Mary Shelley, try to influence mankind in a positive way, but instead the result is detrimental to society. Victor and Prometheus both want to help mankind, regardless, both overstep their bounds, and are severely punished. Although their true characters are revealed through how they handle their suffering.
Victor Frankenstein is originally a happy character that loves to learn and read a large variety of books. He was a fiery individual who sought to understand all knowledge; regardless of how practical the information was. Evidence of this is when his father tells him not to worry about fictional writers like Cornelius Agrippa. Yet, Frankenstein states, “But here were books, and here were men who had penetrated deeper and knew more. I took their word for all that they averred, and I became their disciple” (21). Frankenstein embodies the movement in science to understand everything, and that is not necessarily a good thing (Storment 2). Frankenstein only understands that this train of thought is bad when he reaches the pinnacle of knowledge and produces the creature. The fruits of Frankenstein’s labor end up costing him the lives of his friends and family, as well as his own sanity. The feeling of guilt thrives in Frankenstein because he knows his work was the direct cause of the chaos in his life. In Frankenstein’s case, his goal of total enlightenment led to his pitiful demise. Frankenstein’s creature was not originally a monster. He is born with good intentions and is a gentle- although atrocious looking- being until he learns of the sins of the human race. The ultimate factor in the creature’s progression from harmless to
In conclusion, Mary Shelley’s Frankenstein shows readers how irresponsibility and the excessive need for knowledge can cause suffering among others as well as oneself. Victor never intends to cause such harm; however, he is not cautious and observant with his actions, which ultimately leads to his classification as a tragic hero. The desire to learn is most definitely a wonderful trait to have, as long as one’s knowledge doesn’t reach the extent that Victor Frankenstein’s unfortunately does.
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
An idea becomes a vision, the vision develops a plan, and this plan becomes an ambition. Unfortunately for Victor Frankenstein, his ambitions and accomplishments drowned him in sorrow as the result of many unfortunate events. These events caused Victor's family and his creation to suffer. Rejection and isolation are two of the most vital themes in which many dreadful consequences derive from. Victor isolates himself from his family, friends, and meant-to-be wife.
In Mary Shelley's Frankenstein, the concept of "discovery" is paradoxical: initial discovery is joyful and innocent, but ends in misery and corruption. The ambitions of both Walton and Frankenstein (to explore new lands and to cast scientific light on the unknown, respectively) are formed with the noblest of intentions but a fatal disregard for the sanctity of natural boundaries. Though the idea of discovery remains idealized, human fallibility utterly corrupts all pursuit of that ideal. The corruption of discovery parallels the corruption inherent in every human life, in that a child begins as a pure and faultless creature, full of wonder, but hardens into a self-absorbed, grasping, overly ambitious adult. Only by novel's end does Walton recognize that he must abandon his own ambition (the mapping of previously uncharted land), out of concern for the precious lives of his crew.
Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment. Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise.
...Frankenstein and the creature. The situations that each character experience are lessons about how seeking prohibited intelligence comes with extreme consequences. Frankenstein is a Gothic novel which means it involves the supernatural; however, because it contains religious qualities it is more appealing to the common people’s idea of knowledge. Mary Shelley achieves her goal of informing the audience that man should not seek or possess the level of knowledge that God acquires. One should learn from the situations present in the novel because life comes with an enormous amount of knowledge; going after the unknown is an act of rebellion against God.
...the downfall of Frankenstein and the monster. Frankenstein found the secret to life, though he applies his gained knowledge and ambition to his own selfish goals, which wind up destroying him and those closest to him. Walton has something in common with Frankenstein; his ambition to achieve something that no man has ever accomplished before. The difference between Victor and Walton is tat Walton decides to turn back. The monster on the other hand never wanted any fame or glory; his ambition was motivated by the thirst for revenge. Ultimately even Frankenstein, on his deathbed, realized the harsh consequences of his actions. Victor states, "Seek happiness in tranquility, and avoid ambition..." (Shelley 229).
During the first four letters of Frankenstein, Walton's ambitions are revealed. He is on a journey and takes himself and his crew through treacherous conditions, and yet, he continues. His ambition causes him to disregard the possibility of death and the danger he is putting himself and others in in order to reach his goal. Unlike Victor though, Walton is able to save himself, all thanks to Victor himself. After spending some time with Walton on the ship, Victor realizes that Walton shares his ambitious nature. He asks him, “Unhappy man! Do you share my madness? Have you drunk also from the intoxicating draught? Hear me; let me reveal my tale, and you will dash the cup from your lips!” After telling him about the dangers of ambition, Victor tells Walton, “Farewell, Walton! Seek happiness and tranquility and avoid ambition, even it it be only the apparently innocent one of distinguishing yourself in science and
Victor Frankenstein’s scientific endeavor, Robert Walton’s search for the North Pole, and the creature’s kind heart but scary features creates this whole theme of dangerous knowledge. The search for knowledge is encouraged and at times pushed by others. In Frankenstein is shows quest can lead to too much knowledge and drive him or her to his fate.
The novel Frankenstein is about a man named Victor Frankenstein who wanted to tamper with life and death by "exploring unknown powers, and unfold to the world the deepest mysteries of creation." (Frankenstein, pg.40). He acquired the knowledge of science when he attended the university of Ingolstadt, and once the knowledge of science was gained, Frankenstein went to his secret laboratory to create a creature with gigantic stature. At first, Frankenstein had doubts about creating a human being; however, with "the improvement which every day takes place in science and mechanics, [he] was encouraged to hope [his] present attempts would at least lay the foundation of future success." (Frankenstein, pg.47) Once Frankenstein created his human being, his dream was vanished because he had accomplished his dream. His dream of creating a human being soon turned into a nightmare.