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Character and characterization - the cask of amontillado
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In this paper I will be discussing, comparing, and contrasting how the language used in the short stories “A&P”, and “The Cask of Amontillado” help the reader(s) to understand the larger themes of the stories. “A&P” foreshadows the changes coming to America, with the rise of a rebellious generation of teenagers, and the decline of conformity, it carries the theme ‘growing up’ and ‘maturing’. “The Cask of Amontillado” depicts and illustrates the idea that even the nicest man is capable of the darkest deed, and carries the theme of ‘revenge’. “A&P” is a short story written by John Updike about a teenager named Sammy working in a general store in the early 1960’s. Sammy’s use of language and the actions he takes through the story “foreshadows the mood of the rebellious generation yet to come” (Updike 142). Much like an adolescent that is trapped somewhere he finds boring, Sammy finds many different ways to entertain himself, such as nicknaming the customers. The initial impression the reader will have of “A&P” is lighthearted due to Sammy’s comical naming and exhaustive details of the store. Beginning with the entrance of the three females in bikinis, we begin to see subtle changes in Sammy’s thoughts and behavior. Before, Sammy would refer to all of the customers in the store as “sheep”, however, he always refers to the girls as “girls”(Sammy 142). This is interesting to note because it is unlike the childish behavior that was depicted in the beginning of the story. It can be reasoned that the cause of this change is Queenie, the leader of the female trio, who we learn of through Sammy’s observation, “She kind of led them, the other two”, which is the reason he gives her that nickname (142). The first person viewpoint is extremely ... ... middle of paper ... ...ith it”, Montresor proceeds to finish burying Fortunato, and find out the story is being told in a past tense, Montresor is an old man speaking about a crime that occurred 50 years ago (A&P 146). The use of language in “A&P” and “The Cask of Amontillado are different in their core meanings and interpretations, where “A&P” utilizes a more lighthearted type of dialogue and instills a comedic feeling, “The Cask of Amontillado” has a much more dark and gloomy tale. These two stories are polar opposites in many ways. Sammy is a young and honest man who has his entire future ahead of him. While Montresor is an old and cunning man reflecting on his past. The Tones of these two stories are also opposites, while Sammy’s setting is bright, Montresors is very depressing. However both these stories masterfully use language that entices the reader to continually flip the pages.
Nathaniel Hawthorne’s “Young Goodman Brown,” and Edgar Allan Poe’s “The Cask of Amontillado” utilize character responsibilities to create a sinister plot. For Hawthorne, protagonist Young Goodman Brown must leave his wife at home while he partakes in a night journey. For Poe, ancillary Fortunato covets a pretentious manner towards his wine tasting skills, and after being ‘challenged’ decides to prove his expertise by sampling Amontillado. Hawthorne and Poe showcase a theme of darkness but differ in their approach to the setting, characters, and fate of entrapment.
While it's true that Sammy finds the three scantily-clad girls who enter the supermarket attractive, as would any normal nineteen-year-old male, what is most notable about his descriptions of the girls, and particularly of the "leader" of the group, is that Sammy holds them in contempt. Once we get beyond the descriptions of their bodies, we see nothing but derogatory comments directed at them, including the derisive nicknames that Sammy assigns to them. Nowhere is this more evident than in Sammy's description of the leader, "Queenie." The nickname assigned to her by Sammy points out the stereotypical snap judgment that Sammy makes about her personality and social status initially, and to which Sammy rigidly adheres despite no real evidence of its accuracy. From the description of her "prima donna" legs, to his imagining of ...
As they go about their errands, Sammy observes the reactions, of the other customers, to this trio of young women. He uses the word "Sheep" to describe the store regulars, as they seem to follow one and other, in their actions and reactions. The girls, however, appear to be unique in all aspects of their beings: walking, down the isles, against the grain, going barefoot and in swim suits, amongst the properly attired clientele. They are different, and this is what catches and holds Sammy's attention. He sees them in such detail, that he can even see the queen of the bunch.
Sammy is a 19-year-old boy conveying a cocky but cute male attitude. He describes three girls entering the A & P, setting the tone of the story. "In walk these three girls in nothing but bathing suits. There was this chunky one, with the two piece-it was bright green and the seams on the bra were still sharp and her belly was still pretty pale...there was this one, with one of those chubby berry-faces, the lips all bunched together under her nose, this one, and a tall one, with black hair that hadn't quite frizzed righ...
These three girls were wearing bathing suites that caught the attention of everyone in the store. In this small town such apparel is unacceptable to the residents. Sammy observes their bathing suites, their hair, and their bodies as they walk through the store. He becomes lustful of the leader of the girls and gives her the nickname “Queenie”. Sammy goes into detail feeling faint describing her breast like two smooth scoops of vanilla. The girls flow through the store going against the normal traffic to get a jar of herring snacks. Queenie leading the way arrives at Sammy’s register to check
Poe’s first-person narration style in “The Cask of Amontillado” allows the reader to experience a different type of story, from an unusual perspective. By making a killer the narrator, and by making him familiar with the audience, we can see the situation in different darker light. Rather than focusing on the actual physicality and action that takes place in the story, Poe focuses on the thoughts and emotions of the main character, thus making for a more intimately disturbing story for the
At the beginning of A&P, Sammy notices that three girls have walked into the store with only there bathing suits on. At first, poor Sammy cannot see the girls because he was at register 3 with his back toward the door. When they finally get into his sight, he immediately size the girls up. "The one that caught my eye first was the one in the placid green two-piece. She was a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it, where the sun never seems to hit, at the top of the backs of her legs." He also gives a description of the other two girls. He says one has "a chubby berry-faces, her lips all bunched together under her nose and the tall one, with black hair that hadn't quite frizzed right, and one of these sunburns right across under the eyes and a chin that was too long--you know, the kind of girl other girls think is very "striking" and "attractive" but never quite makes it, as they very well know, which is why they like her so much." This comments illustrate his immaturity. Sammy refers to one of the girls as queen. He calls her queen because she seems to be the leader. ...
A&P by John Updike is a short story from the account of a 19-year-old checkout boy at the local supermarket. Through their different perspectives, M. Porter, Lawrence Dessner, and Corey Thompson provide seperate interpretations of John Updike’s short story, with three different articles reveal contrasting understandings of literature and interpretation. Porter understands the short story as a narration of Emersonian freedom from the Establishment, and nonconformity to the loss of individuality, Dessner as an ironic underrating of adult life and Thompson as a release from the grips of inevitable future adult oppression.
Amontillado can warp the reality of its drinker, but it is plausible for one’s reality, as revealed to others, to be distorted even without the use of it. Short stories written in the first person point of view, particularly those of Edgar Allan Poe, enable readers to reach insightful conclusions about a narrator’s reliability by allowing for individual interpretations of the text. One of Poe’s prominent works, “The Cask of Amontillado,” tells the morbid story of Montresor, an obsessive narrator who seeks revenge against a jovial oenophile named Fortunato. He avenges himself by luring Fortunato into his palazzo, walling him in the catacombs, which eventually kills him. Therefore, Fortunato’s confinement resembles that of the readers within the narrator’s unreliability, in which they are forced to blindly empathize with Montresor unless they can alter their perspectives from his. Woven in throughout the narrative, Edgar Allan Poe’s intricate character development portrays the narrator’s unreliability through his verbal implications, unique mentality, and abnormal behavior.
Lengel, the manager of the store, spots the girls and gives them a hard time about their dress in the store. He tells them, “Girls, this isn’t the beach.” He says that they are not dressed appropriately to come into this grocery store. Lengel’s words cause Queenie to get embarrassed and start to blush. Sammy cannot believe this and gets frustrated at his boss. He doesn’t believe that it is right to prosecute these innocent girls for the way they are dressed. He also states at this point that the sheep are piling up over in Stokesie line trying to avoid all the commotion the scene has caused. I believe Sammy takes this as the last straw in a long string of aggravations.
As people dance alongside men wearing striped party dresses and bell-capped jester hats, Montresor and Fortunato cascade through the cobwebbed vaults of a dark, underground resting site in search of the disclosed cask of amontillado. Although the activities above ground are full of joy and life, the quest for amontillado and revenge underneath the streets of carnival lead to the potential of vanquishment and death. Edgar Allan Poe’s short story, “The Cask of Amontillado”, is an example of how setting can present itself in a way that completely alters a writing. Poe is able to influence the plot, mood, and characterization of “The Cask of Amontillado” by the establishment of the narrative’s setting.
Edgar Allen Poe’s tale of murder and revenge, “The Cask of Amontillado”, offers a unique perspective into the mind of a deranged murderer. The effectiveness of the story is largely due to its first person point of view, which allows the reader a deeper involvement into the thoughts and motivations of the protagonist, Montresor. The first person narration results in an unbalanced viewpoint on the central conflict of the story, man versus man, because the reader knows very little about the thoughts of the antagonist, Fortunato. The setting of “The Cask of Amontillado”, in the dark catacombs of Montresor’s wine cellar, contributes to the story’s theme that some people will go to great lengths to fanatically defend their honor.
In Edgar Allan Poe’s “The Cask of Amontillado,” Montresor sets out on a vengeful mission that will end Fortunato’s life in an untimely fate. Montresor appeals to Fortunato’s love for wine to tempt the unsuspecting fellow to his impending doom. While Montresor tricks the foolish Fortunato frightfully, it is ultimately Fortunato’s pride that leads to his demise in the crypt. Poe uses several literary devices to foreshadow this murderous exploit of Montresor. Through the use of irony, symbolism, and imagery, the story entices readers to delve into the relationships and differences between Montresor and Fortunato.
Edgar Allan Poe’s “The Cask of Amontillado” is a frightening and entertaining short story about the severe consequences that result from persistent mockery and an unforgiving heart. Poe’s excellent use of Gothicism within the story sets the perfect tone for a dark and sinister plot of murder to unfold. “The Cask of Amontillado” simply overflows with various themes and other literary elements that result from Poe’s Gothic style of writing. Of these various themes, one that tends to dominant the story as a whole is the theme of revenge, which Poe supports with his sophisticated use of direct and indirect factors, irony, and symbolism.
Though Poe’s fame did not come in his life time he has truly been an inspiration and his writing style a model for writers today (work – cited poe museum). Analyzing Poe’s work takes time to understand what is happening and why the characters has the motivations for the task they did, this becomes very apparent in Poe’s “most perfect short story”, “The Cask of Amontillado” (work cited – cliff notes).