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Edgar allan poe techniques in the raven
Edgar allan poe techniques in the raven
Edgar Allan Poe writing style and techniques
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In Edgar Allen Poe’s “Cask of Amontillado” the first person point of view narration is essential to creating the . The reason this is so important in this particular story, is because when a sane killer, Montresor, is allowed to tell the story from his point of view, the reader gets a unique, disturbing look into the calmness of his mind. The audience can more clearly see how he thinks and feels which the audience does not normally get in mainstream, commercial literature. The reason the narration style is so important to the tone of the story, is because it lets the reader become personally acquainted with the thoughts and intentions of the main character, and since the reader somewhat knows the outcome from the beginning, it allows certain ironies to make sense to the reader. Furthermore, were it …show more content…
The motto is translated as “no one can provoke me and get away with it” (Arp and Johnson, 620). This coat of arms is representational of Montresor, the snake, getting revenge on the crushing foot of Fortunato, with a bite. It is made even more ironic when in response to the description, Fortunato says “good!” not realizing how bad the interpretation of the coat of arms is for him. Poe’s first-person narration style in “The Cask of Amontillado” allows the reader to experience a different type of story, from an unusual perspective. By making a killer the narrator, and by making him familiar with the audience, we can see the situation in different darker light. Rather than focusing on the actual physicality and action that takes place in the story, Poe focuses on the thoughts and emotions of the main character, thus making for a more intimately disturbing story for the
Edgar Allan Poe is one of the most celebrated literary authors of all time, known for writing very suspenseful, dramatic short stories and a poet; is considered as being a part of the American Romantic Movement, and a lesser known opinion is he is regarded as the inventor of the detective-fiction genre. Most recognized for his mystery and macabre, a journey into the dark, ghastly stories of death, deception and revenge is what makes up his reputation. The short story under analysis is a part of his latter works; “The Cask of Amontillado”, a story of revenge takes readers into the mind of the murderer.
One of the most famous authors in American history is Edgar Allen Poe, thanks to his intricate and unsettling short stories and poems. One of the strongest aspects of Poe’s writing style is the allure and complexity of the narrator of the story. These narrators, ranging from innocent bystanders to psychotic murderers, add depth to such a short story and really allow Poe to explore the themes of death and murder which he seems to have an unhealthy obsession towards. Furthermore, he uses these narrators to give a different perspective in each of his many works and to really unsettle the reader by what is occurring throughout the story. The narrators, whether an innocent witness of death as in "The Fall of the House of Usher" or a twisted murderer as in "The Cask of Amontillado" are used by Poe to discuss the themes of death and murder within these stories and, depending on their point of view, give a different take on such a despicable act such as murder.
When reading any of Edgar Allen Poe’s works, the reader can almost expect a reoccurring theme that focuses on the questionable sanity of the narrator and the overwhelming presence of death that drives the story to its resolve. The two stories being compared are no exception to this theme as both are built upon the thought driven narrative of a seemingly mad man with a fervor for revenge. In both stories the reader is told of the main character, “The Cask of Amontillado” gives us Montresor and “The Tell-Tale Heart” is simply the narrator of the story, who seek out a character to murder for vague reasons not fully explained to the reader in a way that builds a picture of the way their mind works. As both dictate how and why they plan to commit their crimes, the inner monologue that is provided by a first person narrative paints a picture of the unstable emotional state and irrational thought process that gives the reader insight to how unreliable their account of the story actually is. This unreliable narrative leaves the story open to interpretation on whether or not the act of murder was committed righteously, or simply just the misguided actions of two insane characters.
Edgar Allan Poe, a famous American writer and a poet, had written several short stories such as “William Wilson,” “The Fall of the House and Usher,” “The Cask of Amontillado,” and poems such as “The Bells” and “The Raven,” which was one of the most famous poems ever written in English. There is always something different about Poe’s writing. Most of the classical murders make a person ask “who’s done it?” but his writings such as “The Cask of Amontillado” makes one ask the why question “why did he [Montresor] do it?” (Baraban). Every “detail in his [Poe’s] works that appear” has a purpose behind it (Baraban) and he “rarely depended on much dialogue in constructing his stories (Benton). In “The Cask of Amontillado,” Poe uses setting, foreshadowing,
Furthermore, just as Fortunato's words may have caused Montresor years of distress, as does both characters fulfillment of Montresor's coat of arms. Montresor is the heel, crushing and ending the life of a serpent, which fittingly represents Fortunato.
In the opening lines Montresor explains what Fortunato has done to him: ?he ventured upon insult I vowed revenge?(75. The next line Montresor explains that he did not threaten him back and he did not reply to the threats. It was not in Montresor?s nature to do return the threat, ?You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat?(75).
Edgar Allan Poe’s short story “The Cask of Amontillado” is a literary classic for many reasons. The story is complex and full of all kinds of irony. As the reader gets deeper into the story, the relationship between the main characters becomes more and more ambiguous. The story revolves around a revenge, but the reader never gets to know what happened between the two men to warrant a murder as gruesome as this. The story includes several examples of dramatic and verbal irony.
Edgar Allen Poe most commonly known for his short stories, poems, and descriptive language in is writings, also wrote the story of "Cask of Amontillado". Mr. Poe uses several different descriptive words to set the tone for his story. From the very beginning of the story we know that it will be an eerie, sadistic, vengeful story. Mr. Poe speaks of revenge against a drunken jester who hurt his pride and humiliated his narrator.
"The Cask of Amontillado" is a macabre short story set during carnival, a time of supposed merriment, but takes a dark twist when the narrator decides to use it as a guise to exact revenge on an acquaintance. The narrator’s perspective on the story remains entirely subjective, giving no motive for deciding to murder his friend, only a vague allusion to "thousands of injuries" and insults (Poe 115). Edgar Allen Poe’s peculiar narrative choices of limited perspective and heavy imagery and foreshadowing give the short story his classic sensations of dread and mystery.
“The Tell-Tale Heart,” published in 1843, and “The Cask of Amontillado,” published in 1846, are two literary works of Gothic fiction written by Edgar Allan Poe. Both of these compelling stories have many prominent similarities and differences. Poe has developed unstable narrators in both “The Tell-Tale Heart” and “The Cask of Amontillado,” but the circumstances in each story are distinctively different. While an old man’s hideous eye drives the narrator to madness in “The Tell-Tale Heart,” the thirst for revenge influences the narrator in “The Cask of Amontillado.” Although both stories contain a disturbed narrator, the narrator’s personality, the narrator’s motive for murder, and how the narrator displays their guilt is drastically different.
“The Cask of Amontillado” is a ravenous and dark story by Edgar Allen Poe. The story tells of a man bound to find vengeance for the heinous crime of humiliation. Poe’s beautiful imagery and stunning symbolism only add to this already impeccable story. Edgar Allen Poe’s “The Cask of Amontillado” displays multiple symbols through Montresor in three key ways: his thoughts, his words, and his actions.
Montresor, one of the protagonist, his name means “my treasure” in French and his secret murder plan to kill Fortunato was his perfect treasure. Fortunato, the second protagonist, his name means “fortunate” in Italian and that’s an ironic name for someone who is going to be murdered and killed in the catacombs. When Poe concludes with “a huge human foot d’or, in a field azure; the foot crushes a serpent rampant whose fangs are imbedded in the heel” (176), allows the reader to see how Poe uses the image of a serpent as a symbol of revenge. Fortunato, it’s obviously the snake and Montresor is the foot that it’s going to crash and kill him. Following this quote, Poe concludes with “Nemo me impune lacessit” (176), a Latin sentence that means “no one provokes me without impunity” (176). The Montresor’s family had that sentence as their logo, and Montresor felt that his family was insulted by Fortunato and that’s why he wants
For instance, Montresor’s family crest is a serpent biting into an ankle treading upon it. The emblem is symbolic of Montresor’s response to being bitten by Fortunato’s foolish pride. The snake on the crest and the family’s motto, “No one wounds me with immunity,” both address Montresor’s seemingly inherited nature to retaliate. Another instance of symbolism in the story, is the reference to the secret society, the Freemasons. As a sign to prove his fellowship, Montresor pulls out a trowel to show his brotherhood. Ironically, this is the same trowel that will seal Fortunato’s tomb. The final major symbol in “The Cask of Amontillado,” is the Amontillado wine. The way the wine is created is through the deprivation of oxygen, the same way Fortunato is killed. The thought put into the murder portrays Montresor as a genius, but also shows the regard he has for his victim. Montresor sees his victim like a cheap bottle of sherry instead of the fine Amontillado that is revered and mature. Taking it upon himself, Montresor decides to mature Fortunato and views it as a masterpiece. The death of Fortunato is Montresor’s art (Lewis
The first-person narration style of "The Cask of Amontillado" is essential in creating the original quality of the story. The reason this is so important in this particular story, is because when a sane killer, Montresor, is allowed to tell the story from his point of view, the reader gets a unique, disturbing look into the calmness of his mind. The audience can more clearly see how he thinks and feels, which the audience does not normally get in mainstream, commercial literature. The reason the narration style is so important to the tone of the story, is because it lets the reader become personally acquainted with the thoughts and intentions of the main character, and since the reader somewhat knows the outcome from the beginning, it allows certain ironies to make sense to the reader. Furthermore, were it told from a different perspective, I do not believe the story would have been as psychologically powerful.
James Gargano, a famous critic, said The Cask of Amontillado was a masterpiece; a powerful tale of revenge; one of Edgar Allan Poe 's richest aesthetic achievements; deserves more analysis than it has received; and that critics have rightfully expressed admiration for the tale (Gargano). Like Gargano, many critics give Poe’s The Cask of Amontillado great acclamation. Though few critics are displeased with the narrator, The Cask of Amontillado is widely praised by most critics. "The Cask of Amontillado" is a work of art, and not just an ingenious Gothic exercise” (Milne). Other critics such as Bettina Knapp and Charles Dana, did not like The Cask of Amontillado or that Montresor felt no guilt. Poe 's characters murder and commit heinous crimes and feel no remorse towards their victims. "Bettina Knapp places ‘The Cask of Amontillado’ among Poe 's ‘shadow tales,’ which do not offer values. No judgmental forces are at work. Crime is neither a negative nor a positive act. Poe 's psychopaths do not distinguish between good and evil, nor do they usually feel remorse or guilt”