Female Oppression in the Jewish Community

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Women's oppression in the Jewish society works strongly in the system of marriage, but, ironically, the oppression is acquiesced in by women themselves. For example, the father's kind look is enough to make the mother happy: "His kind look was like the sun shining on her" (11). Therefore, even though she keeps complaining about his not taking care of his family, Sara's mother can even say to the father, "I'm only a sinful woman . . . I'm willing to give up all my earthly needs for the wine of Heaven with you" (12).

However, although Reb Smolinsky embodies the heritage of orthodox Jewish patriarchy against which Sara must struggle, the father himself seems to suffer a transformation, influenced by the money-seeking American society, from an eccentric whose piety is outmoded and economically disastrous to a shrewd neighborhood leader whose piety is a vehicle for mobilizing family and community. He begins to sell his services as a rabbi not through devout religious practice but through the abstraction of his faith into a symbol that generates success (Ferraro 554-55). His transformation is suggested in the chapter title, such as "Father Becomes a Businessman in America." But even though he partly accepts the American way of life, it does not necessarily mean that he gives up his tyranny in his family. On the contrary, his tyranny seems to become stronger when he tries to frustrate his daughters' love for the sake of making more money. Not any sort of ‘bread giver,' he interferes with each case of love-affair of his daughters to earn more money by selling off each of his daughters to one unsuitable husband after another, and literally sells off Bessie to a fish peddler for five hundred dollars. When he urges his daughters to obey his will, he ceaselessly emphasizes woman's inferior status in the world: "What's a woman without a man? Less than nothing---a blotted-out existence. No life on earth and no hope of Heaven" (205).

Meanwhile, on the part of the daughters, marriage is the only recourse to escape from home, the bedrock of oppressive patriarchy. It is evident in their explanation of the real reason for their marriage. For example, Fania says that ". . . even if Abe Schmukler was a rag-picker, a bootblack, I'd rush into his arms, only to get away from our house . . . . If I seem so excited about Los Angeles, it's only because it's a dream city at the other end of the world, so many thousands of miles away from home" (80), while Mashah says that "I didn't care about any man any more.

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