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Recommended: Importance of art
Dazzling new book celebrates the art of the Funfair The classic British funfair is many things to many people. For some a place of overwhelming wonder and sugary temptation, and for others, a nightmarish landscape lent even darker hues by decades of dilapidation. Whatever your opinion though, it can't be denied that there's something unique and oddly beautiful about the vivid colours, imposing figures and flamboyant fonts found on the funfair's most enduring thrill ride; The Waltzer. Nigel Edginton-Vigus has created a gorgeous new art book celebrating the art of the fairground Waltzer For those of you unfortunate enough to have never experienced one, a Waltzer is a staple of fairgrounds across the world. It's essentially a spinning tea-cups ride amped up to 11, and one of the ride's most endearing aspects has always been the art that accompanies it. Whilst the crudely drawn famous faces and heavily stylised shapes and logos that make up your typical Waltzer attraction might not be to all tastes, they are obviously to the taste of London-based copywriter Nigel Edginton-Vigus, who has created a gorgeous new art book celebrating the art of the fairground Waltzer. He feels that a Waltzer provides …show more content…
He recently took a sabbatical from his job in order to actually work on a travelling funfair and experience the highs and lows of that most noble and nomadic of professions. His experiences are what inspired the book, which explores a dizzying array of artistic and typographic styles, and aims to uncover the history and inspiration behind such an overlooked art form. Nigel kicked off his campaign in earnest 10 days before the Kickstarter opened, by unveiling a daily countdown from 10, which used numbers culled from the book itself. His aim is simple: to uncover the work of some of the most talented, yet unrecognised artists in the
The ‘Teacup Ballet’ is one of the first and best artworks Olive Cotton has exhibited outside Australia. It was created in 1935, a Gelatin Silver, 37.3cm x 29.6cm, photograph. Six identical teacups are laid out precisely, they each have pointed, triangular handles and slender bodies. Each teacup is placed on a circular saucer. In the centre, background two teacups are placed diagonally to each other, their handles pointing in the same direction, on the left hand side. In the middle ground, three teacups are placed in a diagonal line, parallel to teacups in the background. This time the teacup handles all point to the right hand side. In the foreground, right hand corner, there stands alone one teacup, its handle facing towards the left, pushed a little more inward, than the others. In the background, there is a light shining through lighting up the teacups, and shadows are formed. A curved line is also shaped contrasting the light from dark.
Adoration for even the most simple or ordinary matters is an aspect of ourselves that we cannot easily hide. Whether it was an evening by the fire, a trip to the bookstore, or even the coming of a beautiful season, activities that bring us joy can be evident by mere attentiveness or the reaction of it. In Juggler, a poem written in 1942 by Richard Wilbur, he brilliantly displays the wondrous and captivating act of a juggler that draws an incredible audience. Richard Wilbur uses lively, vivid imagery and figurate language to describe the entertaining juggler and reveal that the speaker thoroughly enjoys the juggler’s act and positively treasures the experience.
She allows her readers to ponder about the message she is displaying as she says, “…that the self can interrupt the self-and does- is a darker and more curious matter” (3). She then leads into a thought provoking statement, where she explains that there people that “…that make the world go around,” and those that don’t just make it go around “…but forward.” (4). With this statement, Oliver leads her readers into really thinking about the world and the fact that there are two kinds of the work, but also that they work simultaneously to have the world both “go around” and forward (4). To conclude her paper, Oliver beautifully adds a point saying, “ The most regretful people on the earth are those who felt the call to creative work… and gave to it neither power nor time,” which leaves her readers to truly rethink the way they should go at their creative work (7). Oliver uses strong points exquisitely throughout her paper, and in such a way that forces her readers to think more than they would do for other papers. With such strong points, Oliver displays her creative work message in such a way that causes her audience of hopeful and creative workers to take her words to heart if they want to be
Eric Carle, a widely known children’s book illustrator, was born in Syracuse, New York in 1929. His stylistic technique of collaging hand painted papers that are cut and layered to create cheery images has made him and his work distinct and easily recognizable. He grew up in Germany but moved back to the states where his advertising career began, followed by his work as an illustrator. Due to Carle’s love for nature and successful advertising career, his vibrant, simple, and animal-filled illustrations are clear pieces of evidence that reflect his past experiences.
The Art Bulletin, Vol. 57, No. 2 (Jun., 1975), pp. 176-185. (College Art Association), accessed November 17, 2010. http://www.jstor.org/stable/3049368.
Nash, Susan. Oxford History of Art: Norther Renaissance Art. 2nd. New York: Oxford University Press, 2009. 30-65. eBook.
classic nineteenth century Waltz. With heads thrown back and ribbons flowing, their movement seems light and fully of energy, yet the image still portrays a sense of finesse and refinement. The young woman’s hair is neatly pulled back in an updo while the male’s hair is carefully combed and controlled. Additionally, their arms are precisely placed while their legs and motions are in perfect unison. Both thin framed, they illustrate a sense of whimsy and attractiveness. Although the artist was sure to portray the movement of the couple’s clothing, their outfits remain smooth and reserving. Even the distance between the dancers’ heads prevents the dance from seeming too sexually suggestive. By portraying such a composed couple, the artist implies
With the Southern Ohio Fair Association taking over the fairgrounds in 1874, the grounds were divided up into nine departments: Horses, Cattle, Sheep, Agricultural, Mechanics, Textile, Farm, Speed, and Grounds. When hearing this information, one would look at the fairgrounds present day and be a little confused. Back in the 1800’s the way to have fun was to race, sell, and buy horses. “The Southern Ohio Fair Association built the Exhibition Hall and a Machinery Hall. The track was enlarged and other improvements were made” (Drury 808). The Exhibition Hall became the focal point of the fairgrounds, and still is today.
Gardner, Helen, and Fred S. Kleiner. Gardner's Art Through the Ages: The Western Perspective. N.p., 2014. Print.
In “The Old Acrobat,” the flanuer is lured by the naturalistic and crude appearances of the street performers caused by society’s need for abstract stimulation. The acrobat is physically and mentally drained from performing straining and exhausting tasks for the gratification of others. The dominant scent at the carnival is “a frying odor”2 which hints that the performers are sacrificing themselves and literally “frying” their souls away to satisfy their hungry audiences. Even the acrobat is described as being “illuminated all too well by two burned-down candles”3 which are “dripping and smoking.”4 There is a sense of...
The next work of the program, Courtly Airs and Dances, is a multi-movement work composed by Ron Nelson. The piece is split into six movements: Intrada, Basse Danse, Pavane, Saltarello, Sarabande, and Allemande. Each of these present distinct characteristics that separate it from each other movement, yet all are united by being a style of dance. The first movement, Intrada, presents a fanfare-like opening to the multi-movement work. The trumpets and brass section as a whole lead this, as they create a sense of nobility. The key is major and the tempo is one that could be described as allegretto—it is not a fast tempo, yet more brisk than an andante pace. The texture is homophonic, as there are different parts being performed by different
Graphic designer and typographer Stefan Sagmeister has always had a unique way of viewing the world, therefore has created designs that are both inventive and controversial. He is an Austrian designer, who works in New York but draws his design inspiration while traveling all over the world. While a sense of humor consistently appears in his designs as a frequent motif, Sagmeister is nonetheless very serious about his work. He has created projects in the most diverse and extreme of ways as a form of expression. This report will analyse three of Stefan’s most influential designs, including the motives and messages behind each piece.
The story explores many vital concepts accompanied by beautiful illustrations. I felt a strong sense of cultural understanding, spirituality and connection to family and land as though I was on this journey too. I could sense an underlying meaning in each dance, holding great importance to Bertie’s family and a strong connection to their culture. Pryor has attempted to fuse the then and now, by speaking of changes in the land, from a once spiritual gathering place, to a now busy town street where through food, they keep the culture alive (Pryor, 2010).
From scandalous to classy, the waltz is a famous type of traditional ballroom dancing that has greatly influenced dance styles around the world. Throughout history, this lovely couples’ dance waltzed through the hearts of millions of people of all backgrounds.
Stokstad, Marilyn. “Castles.” Art A Brief History. Pearson Education (2004): 272. Print. 13 Dec. 2010.