Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
What are the film makers ethics
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: What are the film makers ethics
Zero Dark Thirty, directed by Kathryn Bigelow and written by Mark Boal, is a 2012 suspenseful action war film that is based on recent events surrounding the hunt for Osama bin Laden, leader of the infamous terrorist organization Al-Qaeda. Though the film has been regarded quite favorably by a majority of critics and has won numerous awards, it has also generated much controversy. Most of the controversy has centered on the film’s historical accuracy as well as questions about where it obtained certain classified information. In spite of the critiques, the film’s creators reported that the movie was “based on firsthand accounts of actual events” at the start of the film (Bigelow). However, there exists the question of just how accurate is Zero Dark Thirty? How much of the film is based on fact and how much is based on fiction to appeal to a general audience? While some argue that the film is purely a work of fiction that simply has a historical basis and should be treated as such, others argue that Zero Dark Thirty and its filmmakers have questionable ethics and that the film presents a bigger issue.
Prior to watching the film, I and other students at the University of Maryland, heard a speech given by William Braniff, Executive Director of The National Consortium for the Study of Terrorism and Responses to Terrorism (START). In his speech, Braniff highlighted the truth behind terrorism, what causes it, and the affects it has around the world. He also mentioned the film, Zero Dark Thirty, and how the media in general tends to depict terrorism to the public, who tend not to know too much about terrorism since it is often a private matter of the government. Another distinguishing factor of terrorism is that it is not just political...
... middle of paper ...
...hat was hidden from the public to light, which is ultimately what needs to be done as creating public awareness of the indicators of terrorism can help prevent terrorist related crimes.
Works Cited
Bigelow, Kathryn, dir. Zero Dark Thirty. Screenplay by Mark Boal. Columbia Pictures, 2012.
Film.
Braniff, William. “Ethics and a Movie: Zero Dark Thirty”. University Student Judiciary. Hoff
Theater, University of Maryland. 31 Mar. 2014. Speech.
Carnegie Council for Ethics in International Affairs. "Ethics on Film: Discussion of Zero Dark
Thirty”. Carnegie Council. Carnegie Council, 11 Mar. 2013. Web. 1 May 2014.
Dargis, Manohla, and A.O. Scott. "Hollywood vs. History." New York Times Upfront [New
York] 1 Apr. 2013: 10-11. Print.
Gorman, Siobhan. "Filmmaker Got Secret Information on bin Laden Raid." Wall
Street Journal [New York] 5 June 2013: A6. Print.
...mation there, the public may never know what has actually happened without the release of all of their findings.
The first word that comes to mind when thinking about Do the Right Thing is HOT. Everything about this movie was hot, from the weather down to the themes and issues it brought up. It’s interesting too watch this movie while living with a heat wave in NYC. There’s plenty of room for debate as to whether or not anyone did the right thing in this script, in my opinion most of the characters did the wrong thing. What’s interesting to me is to think about what Spike Lee considered the right and wrong thing to do in this screenplay. It’s not just his words as an actor playing a role, he also wrote, directed, and produced the vehicle for those words and actions to come to life. So it’s hard to separate Spike from Mookie, and I don’t think Spike would even want us to. I also wonder about some changes from the screenplay and the film, and the effect the have on the overall message of the film.
“INSTITUTE FOR HISTORICAL REVIEW.” Propaganda and Disinformation: How the CIA Manufactures History. N.p., n.d. Web. 14 May 2014.
As always, I’m your host Damien Carrick and welcome to yet another instalment of ABC’s The War on Terror: Behind the Battlelines. Tonight the ABC welcomes 2 very distinguished guests to explore this looming issue. We will be discussing the truth behind the lines: the grey-areas surrounding American foreign policy, the scepticism over extraordinary renditions and covert operations, and the role of hidden agencies such as the CIA. Has the United States government been fighting terrorism effectively and justifiably? To discuss all this I welcome Mr Jeremy Scahill, accredited author and journalist made famous for the Oscar nominated documentary Dirty Wars, based off the novel, and Blackwater: The Rise of the World’s Powerful Mercenary Army. Joining Mr Scahill, I am pleased to welcome Mrs Lisa Monaco from Harvard University, former assistant Attorney General for National Security and current Homeland Security Advisor to President Obama
Released on July 31, 1992, the two-year film production was meticulously researched, yet laid out simply and forcefully the case against the US government story, and won the Academy Award for Best Documentary Feature as a result. Made all the more timely by the recent war on terrorism (or errorism, as I like to call it), the “Panama Deception” shows how the U.S. killed between 3,000 to 4,000 people over the course of an invasion that the rest of the world was against (a theme duplicated in the War on Iraq and others prior to then Panama invasion).
The attacks that occurred on 9/11 took place on September 11th, 2001. In this devastating event, four different attacks had taken place. Each of the attacks were carried out by terrorists. The group responsible for the attack was Al-Qaeda, a militant Islamist organization that is known to be global in present day. The group itself has a network consisting of a Sunni Muslim movement that aims to make global Jihad happen. Furthermore, a stateless, multinational army that is ready to move at any given time. This terrorist group focuses on attacking non-Sunni Muslims, those who are not Muslim, and individuals who the group deems to be kafir. Ever since the late 1980s, Al-Qaeda has been wreaking havoc all around the world. The leader of the group once being Osama bin Laden. Three planes were bound for New York City while another plane headed towards Washington, D.C. which was supposed to take out the U.S. Capitol. Two of the airplanes crashed into the World Trade Center. One plane hitting the North Tower and the other hitting the South Tower. The third plane had crashed into the Pentagon taking out the western side of the building. The last and final plane was focused solely on taking out the U.S. Capitol in Washington D.C. but failed due to passengers of the plane coming hijacking it from the hijackers. The passengers attempted to take out the hijackers but sadly failed, crashing it into a field in Pennsylvania. Throughout the content of this paper, we will be focusing on the role of media when it comes to 9/11; more specifically: how the media's coverage of 9/11 manipulated our feelings towards 9/11, how it affected Islamophobia in America, and the lasting effects of 9/11.
Earley, P. (2014). CIA Traitor Aldrich Ames — The Story — Crime Library. Retrieved April 10, 2014, from http://www.crimelibrary.com/terrorists_spies/spies/ames/1.html
As a viewer, the documentary’s intention to inform is more completely fulfilled by research conducted beyond the scope of the camera lens. Had I never written this paper, for instance, the reason for all the violence embedded within the subject matter would remain as enigmatic as the documentary itself.
Being the oldest daughter of a Senior ATF Agent, I have been exposed to domestic terrorism all of my life. My father has investigated thousands of bombings, fires, and explosions for more than twenty years now. Many of these incidents were examples of the terrorism that I speak about. His experiences have taught me countless lessons and informed me of many current events. The information that I have obtained from him is far more valuable than anything that the media could ever possibly convey. Though he is always strictly guarded with the confidences of his profession, he has always provided me with a firsthand knowledge of the impact that domestic terrorism has on the citizens and law enforcement. Through him, I learn the facts of these incidents without the media’s exaggerations. Today I will share with you some of these facts. I will talk to you about the impact that domestic terrorism has on our citizens. These impacts include: the monetary damages that terrorism inflicts, along with the injuries to the victims, the shocking repercussions that are embedded into the minds and souls of the people who come to sort through the rubble to find the survivors and the remaining evidence.
Your skin pigment or the amount of melanin in you skin has the ability to change your whole outlook on life and determines if you will possibly have fewer or more challenges to face during your lifespan. The amount for melanin that an individual has according to society can determine if you are either the ugly duckling through societies eyes or if you are a beautiful swan. In this short paper I will be discussing the Dark Girls documentary.
“The hunt for KSM: Inside the Pursuit and Takedown of the Real 9/11 Mastermind, Khalid Sheikh Mohammed” by analytical reporters Terry McDermont and Josh Meyer, is an attention-grabbing account of how one of Al Qaeda’s most outstanding terrorist, KSM, took part in one of the deadliest terrorist operations in history. The book includes an intense description of the decade-long determination of the CIA and FBI investigators to the successful capture of KSM and his acquaintances. However, as portrayed by the authors, it took a long time in their pursuit to identify KSM and take him into custody.
Terrorism and the Media . (2008, July 23). Transnational Terrorism, Security & the Rule of Law. Retrieved February 28, 2014, from https://canton.sln.suny.edu/AngelUploads/Content/201402-CAN-JUST-375-0W1/_assoc/2DFCEDA2E5D74D41AF54078C9174402C/Terrorism_and_the_Mass_Media.pdf
Mingst, Karen A., and Jack L. Snyder. Andrew H. Kydd and Barbara F. Walter, The Strategies of Terrorism. Essential Readings in World Politics. N.p.: n.p., n.d. N. pag. Print.
This documentary as nominated for the Best Feature Documentary Academy Award. It showed the world the actual crimes and events that were happening in society that otherwise would have been overlooked after the initial shock. The moral, values and importance of these events being spread by mass communication can lead to awareness and hopefully avoidance of familiar events in the
Herman, E. & Sullivan, G. O.1989. The Terrorism Industry: The Experts and Institutions That Shape Our View of Terror. New York: Pantheon.