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The turn of the screw
The turn of the screw
The turn of the screw ambiguity
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Escaping the Governess in The Turn of the Screw
At the end of The Turn of the Screw, great ambiguity exists surrounding Miles's death because serious questions remain about the credibility of the Governess who was the original author of the story. The ambiguity lies with the question of whom Miles was saved from at the end of the novel: the Governess or Quint. At the end of the novel the Governess holds Miles dead body in her arms and says, "...he has lost you for ever... We were alone with the quiet day, and his little heart, dispossessed, had stopped" (***). The "he" in "he has lost you for ever" could refer to Quint or the Governess. Additionally, the phrase "heart dispossessed" implies that some being lost possession of Mile's heart upon his death. Hence, someone was attempting to possess or had possessed Mile's heart during his life. At the end of the novel, there are only two beings in addition to Miles present: the Governess and possibly Quint. The Governess wants to believe that Quint is real and she is a maternal figure trying to save Miles from Quint's grasp, who may have introduced Miles to sexual information. The truth, however, is that Quint only exists in the mind of the sexually deprived Governess who creates Quint to help herself cope with her longings for relations with the master, who might be represented by Miles. Moreover, since the social position of the Governess forces her to live away from all men, her motherly feelings towards Miles blur together with her longings for the master. Upon critical examination it can be concluded that upon his death Miles is not saved from Quint, but from the erotic longings of the Governess.
The Governess characterizes Quint, who is only her hallucin...
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...e. As a result of the Governess's social position she is isolated from any males with the exception of Miles. Therefore, when Miles dies she is losing the object she uses for her sexual fantasies. The ambiguity about whom the "he" refers to is an essential part of the story. The story could never have been told without the ambiguity. The original author of the story is the Governess who is in denial that her motherly feelings for Miles have blurred with her own sexual desires that the social position of a Governess prevent her from fulfilling. She truly believes that her hallucination, Quint, is real. For this reason the truth about the Governess is not readily apparent through reading her story, but, after critical examination one must take the additional step and critically examine her story if one wants to find the truth hidden within her denial.
The classic ghost story, the Turn of the Screw, is filled with loose-ends and ambiguity. Are the ghosts real or imagined? Is the Governess a heroine or anti-heroine? Are the children really as innocent as they seem? In the novel, Henry James rarely provides an in-depth character that the reader actually gets to know. From the young romantic governess, to the intelligent ten year old, James keeps his characters morally ambiguous in order to further the “Unsolved mystery” style.
Miles Pruitt is the center of this story; he is going through life in attempt to avoid the hardships it throws at him. He has to cope with the misfortunes that come with love, and by the end of the story, Miles will finally come to realize that his decisions to go through life untouched will not pay off.
Ever since the new governess shows up to the household, Bly, in The Turn of the Screw, the story of the residents’ lives change forever. Things go from peaceful, beautiful, and orderly to chaotic, ugly, and messy. Every step the governess makes seems to worsen things, but why? Is it the children making things go awry? Or could it be the ghosts messing with the balance of the peace? Or maybe, is it the one person who you would expect to trust the most who is doing the most damage. The protector is the destroyer. The savior is the killer. In The Turn of the Screw, by Henry James, the governess is insane because all her actions from sleeping and sensing demons, to assuming far-fetched notions and being the hero in every situation demonstrates
Edgar Allan Poe was an excellent horror, suspense, and mystery writer of the eighteenth century. His use of literary devices and different literary techniques makes this writer important to American literature. This paper will show how Edgar Allan Poe has made an impact on Society and American literature as well as how Edgar Allan Poe developed the short story. I will also discuss and analyze some of his works and techniques he uses in his short stories and poems.
The death of Miles (presuming he is dead and not just unconscious) has a number of possible interpretations, too - he could have died from his fall, from Quint's extended hand or from some other cause. However, it omits the most important possibility as shown in the book, as a consequence of the removal of the strangulation subtleties; that of whether the governess herself killed him. Without this, the book's stunningly powerful ending, whereby the reader is left reeling from shock and subsequently disbelief (as the other possibilities come to the surface, such as the line "and his little heart, dispossessed, had stopped• is referring to an emotional heart rather than a physical one, and that the child is, in fact, still alive) is disappointingly absent. Whilst the žlm's ending is effective, it lacks the sheer power of the book's žnale. As with many book-to-žlm adaptions, a desire to change the ending is the žlm's
We learn that Jane is a young girl who is a victim of emotional and
One of the most critically discussed works in twentieth-century American literature, The Turn of the Screw has inspired a variety of critical interpretations since its publication in 1898. Until 1934, the book was considered a traditional ghost story. Edmund Wilson, however, soon challenged that view with his assertions that The Turn of the Screw is a psychological study of the unstable governess whose visions of ghosts are merely delusions. Wilson’s essay initiated a critical debate concerning the interpretation of the novel, which continues even today (Poupard 313). Speculation considering the truth of the events occurring in The Turn of the Screw depends greatly on the reader’s assessment of the reliability of the governess as a narrator. According to the “apparitionist” reader, the ghosts are real, the governess is reliable and of sound mind, and the children are corrupted by the ghosts. The “hallucinationist”, on the other hand, would claim the ghosts are illusions of the governess, who is an unreliable narrator, and possibly insane, and the children are not debased by the ghosts (Poupard 314). The purpose of this essay is to explore the “hallucinationist” view in order to support the assertion that the governess is an unreliable narrator. By examining the manner in which she guesses the unseen from the seen, traces the implication of things, and judges the whole piece by the pattern and so arrives at her conclusions, I will demonstrate that the governess is an unreliable narrator. From the beginning of The Turn of the Screw, the reader quickly becomes aware that the governess has an active imagination. Her very first night at Bly, for example, “[t]here had been a moment when [she] believed [she] recognized, faint and far, the cry of a child; there had been another when [she] found [herself] just consciously starting as at the passage, before [her] door, of a light footstep.” The governess herself acknowledges her active imagination in an early conversation with Mrs. Grose, when she discloses “how rather easily carried away” she is. Her need for visions and fantasies soon lead her to believe that apparitions are appearing to her. It is from this point on that she begins to guess the unseen from the seen, trace the implication of things, and judge the whole piece by the pattern. After the first appearance of Peter Quint, the governess begins to make infe...
Charlotte Bronte’s Jane Eyre chronicles the growth of her titular character from girlhood to maturity, focusing on her journey from dependence on negative authority figures to both monetary and psychological independence, from confusion to a clear understanding of self, and from inequality to equality with those to whom she was formerly subject. Originally dependent on her Aunt Reed, Mr. Brocklehurst, and Mr. Rochester, she gains independence through her inheritance and teaching positions. Over the course of the novel, she awakens towards self-understanding, resulting in contentment and eventual happiness. She also achieves equality with the important masculine figures in her life, such as St. John Rivers and Mr. Rochester, gaining self-fulfillment as an independent, fully developed equal.
...as. “The Tell-Tale Heart”, “The Murders in the Rue Morgue” and “The Purloined Letter”. Each of these tales have depth that explains the train of thought that one experiences in critical situations. The horror allows one to emotionally connect and observe the situation. The puzzling effect that Poe leaves one with really puts one in a rational state of mind that is needed in committing crimes. Finally, the psychological theme puts it all together as Poe gives a detailed path of mental positions and how they come about. As the reader goes on, he or she realizes that Poe uses indirect messages too. This is seen in “The Fall of the House of Usher”. Edgar Allan Poe uses the themes of terror, puzzles and psychology in his written adventures to show and prove that the human mind is something that is in constant change. Every action has a consequence.
In the story Everyday Use by Alice Walker, we learn about a family that includes a mom called “Mama” and two very different daughters named Dee and Maggie. One daughter, Dee, has had a much easier life than her sister, Maggie, in many aspects. The relationship between Mama and her daughters provides the basis for Mama’s actions. The story is told from the perspective of Mama, allowing readers to learn about her thoughts and the motivation behind her actions. At the beginning of the story, Mama worries about what Dee thinks of her and tries to please her by giving her anything she asks for. By the end of the story, we see Mama changes because she stands up to Dee, resulting in her finally able to give Maggie something she desires. Mama changes because she realizes Dee shouldn’t control her actions and that Maggie deserves better treatment. Mama’s choice to stand up to Dee is crucial to understanding her character because we’ve seen how Dee has controlled Maggie and Mama for a long time and this action shows a turning point in all of their lives.
In his 1948 essay, Robert Heilman explores the suggestion that The Turn of the Screw is a symbolic representation of the conflict between good and evil. Heilman interprets the apparitions of Peter Quint and Miss Jessel as evil forces. He explains that the ghosts only appear to the governess because evil lurks in subtlety before it strikes. It is the duty of the governess to "detect and ward off evil." She must protect the children from the awful ghosts. The governess describes Miles and Flora as beautiful little cherubs whose only fault is their gentleness (James, 18-19). Heilman views the children's beauty as a "symbol of the spiritual perfection of which man is capable." Heilman explains the ghosts' attempts to reach the children by explaining that evil forces will always try to conquer and possess the human soul. Heilman continues to draw from the descriptions of Miles and Flora to support his theories. He points out that the two children are described as having an "angelic beauty" and a "positive fragrance of purity" (James 9, 13). The governess describes them as if they are perfect and beautiful in every way. This repeated vision of beauty, radiance, and innocence parallels the image of Eden. The house at Bly also resembles this image, "I remember the lawn and the bright flowers..." (James 7). The governess makes mention of the "golden sky" and of Flora's "hair of gold," which Heilman believes connects Bly and Flora with these images of golden hues (James 7, 9).
Emily Bronte was born on July 30, 1818 in Thornton, Bradford. (Haworth Village- Emily Bronte Biography) As a child she was fifth of the six children in her family. (Pettinger) When she was six years old she moved to Haworth where most of her writings were inspired. (Pettinger) As soon as she moved to Haworth her mother died. (Pettinger) Soon after her mother died they were enrolled in a school called Clergys Daughter School. (Pettinger). A few years later Emily's sisters, Maria and Elizabeth died due to an illness. Soon after her sisters died she went back home where she was taught by her father and aunt. (Pettinger) When Emily was seventeen years old she attended...
Most women in Mrs Mallard’s situation were expected to be upset at the news of her husbands death, and they would worry more about her heart trouble, since the news could worsen her condition. However, her reaction is very different. At first she gets emotional and cries in front of her sister and her husbands friend, Richard. A little after, Mrs. Mallard finally sees an opportunity of freedom from her husbands death. She is crying in her bedroom, but then she starts to think of the freedom that she now has in her hands. “When she abandoned herse...
In The turn of the Screw, the characters often communicated very indirectly with one another, hinting toward certain situations but never explaining them fully. At the beginning of this story, one of the first vague quotes, “he had been left, by the death of their parents in India, guardian to a small nephew and a small niece” depicts that Miles and Flora’s parents died in India (James 158). However, the details around their death are unknown and mysterious.
The first reader has a guided perspective of the text that one would expect from a person who has never studied the short story; however the reader makes some valid points which enhance what is thought to be a guided knowledge of the text. The author describes Mrs. Mallard as a woman who seems to be the "victim" of an overbearing but occasionally loving husband. Being told of her husband's death, "She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance." (This shows that she is not totally locked into marriage as most women in her time). Although "she had loved him--sometimes," she automatically does not want to accept, blindly, the situation of being controlled by her husband. The reader identified Mrs. Mallard as not being a "one-dimensional, clone-like woman having a predictable, adequate emotional response for every life condition." In fact the reader believed that Mrs. Mallard had the exact opposite response to the death her husband because finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow. "Free! Body and soul free! She kept whispering." We can see that the reader got this idea form this particular phrase in the story because it illuminates the idea of her sorrow tuning to happiness.