Emotions Of Death In George Orwell's Nineteen Eight-Four

The act of dying is quite simplistic, whereas the concept of death is overly complex. For this reason, it is a common theme for novels and articles to include. Death is not only inevitable, but it is also relatable. Almost everyone will experience the death of another person, pet or plant. So, incorporating some variation of that within a text will instantly give a connection to its readers. Of course, the perused death may be sorrowful, but it is often the emotions and reactions from spectator that intrigue readers. This is because it is typically the characters who have witnessed a death that advance a story’s plot. However, the prime exception to this is when there is a death from within a character—when a piece of someone’s identity dies. Incidentally, George Orwell’s novel Nineteen Eight-Four exhibits both of these

Despite the situational differences, both communities have citizens who have experienced internal deaths. From either independent thoughts or conforming ones, these people have repressed their identities. This is extremely dangerous. So much so, that it often leads to a physical death. This may be from a suicide or from an authorized murder. Either way, it is the privileged and tyrannical leaders that drive these deaths, and at the very least, do nothing to prevent them. Simultaneously, spectators may take it upon themselves to make sure that these deaths are acknowledged. This is typically represented through protests. However, there can not be an absolute prediction to if people will react that strongly. With death being such a global theme, there are endless possibilities to how it is accepted. Even though death is inevitable and indisputable, the responses to it can be subjective. That is what makes it equally as simplistic as it is complex. Death is richly