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Electronic music in the early 20th century
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Recommended: Electronic music in the early 20th century
Track one of the album New Music for Electronic and Recorded Media: Women in Electronic Music, Music of the Spheres, was recorded in the year 1938 by Johanna Beyer. The piece begins with an odd electrical noise resembling the sound one makes when they trill their lips. The low pitched sound occurs in constant intervals, starting off with a low amplitude before it crescendos into a loud roar with a high amplitude. It slowly fades out in the distance as it reverts back to the amplitude it began with, a low one. What seems to be an acoustic triangle is played at specific points throughout the piece. It should be noted that this is the only acoustic instrument used within Music of the Spheres. This recording of sounds from nature pays homage to the form of electronic music Musique Concrete. As the low pitched trills come to an end, sine waves make their way into the mix, increasing and decreasing in pitch dramatically throughout the entire piece. With the introduction of these sine waves, I really felt as if this piece resembled the type of music one would expect to hear in a science fiction movie. It is almost as if this track is completely accompanying the visuals to a movie consisting of aliens invading earth. I felt that the slow changes in the sine waves’ pitch emitted a sensation of dark mystery and wonder, while the loud trills in the beginning gave off a feeling of suspense and excitement. All in all, Music of the Spheres, was quite different from the type of electronic music we hear in today’s day and age, but nevertheless it was quite entertaining to listen to.
The track succeeding Music of the Spheres is called World Rhythms, a piece composed by Annea Lockwood. It begins with a sound similar to an old car engine trying to ...
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...roduction of a loud violin about halfway through the piece. Even so, I felt as if the combination of instruments and timbres within Time to Go worked well together, creating a fluid and enjoyable composition.
To conclude, I felt as if New Music for Electronic and Recorded Media: Women in Electronic Music, contained a large array of musical styles and compositions unlike anything I have ever heard before. I would not recommend this album to today’s generation as I believe they would be opposed to the oddity many of these tracks exhibit. However, there are particular tracks within the album that I would definitely recommend because of certain characteristics that make them an enjoyable listening experience. Overall, New Music for Electronic and Recorded Media: Women in Electronic Music, gets a five out of ten rating since it possessed a good mix of duds and diamonds.
This is how I heard the music, piece by piece with some help to understand and ...
The first movement is in sonata form - Allegro ma non troppo, un poco maestoso. Strings and horns appear from the distance as if they had been already playing out of earshot. The music gradually intensifies in volume until the final explosion into the first subject. Then this whole process is repeated. The first movement shows a contrast of emotion that seems to return in the recapitulation befor...
This song tended to sound like a bossa nova piece with a mixture of hard bop included. During this performance, the trumpet player, Josh Holland, tends to vibrate at the ends of the notes, which seemed to have a slight vibrato, with a linear tone to it. The drummer, Ryan McDaniel, used the technique of ‘drum bombs’ in the performance as well. The pianist, J. Paul Whitehead, played with his right hand giving the ‘oom-pah’ sound and his left hand doing the comping. There were solos played by the trumpets, pianist, bass player, and drummer, in that order. This piece of jazz tended to get us in the feel of era of music they were
The second piece played was a Symphony in B-flat by Paul Hindemith. This piece begins with a cacophony of sounds and is fortissimo like the first piece. The piece decrescendos into piano and stays this way for a few phrases until it crescendos back to forte. The tempo sounds as if it is allegro throughout the first movement. The second movement is more solemn than the first. Its dynamic is a piano to forte. There are periods of both dynamics through movement to of the symphony. As the second movement ends there are crescendos and decrescendos. The third movement begins fortissmo, and then decrescendos into piano. The ranges of the instruments make the movement sound very magical, yet ominous. The flute for ...
that it was angered from being forgotten for over a decade and now it's back,
... began the piece, and the beat of the drum was frequent. After the introduction, the rest of the musicians joined. The pianist also had a solo part with the companion of the drum. The pace of the song was moderately fast, and the song ended with a climax.
Music is something that I believe we could not live without. There is a quote by a philosopher named Friedrich Nietzschethat says “without music, life would be a mistake”. I interpret this to mean that humans would not be creative if it were not for music. There is a reason that music can take us where word cannot. When you hear so many different sounds coming together to make a perfect harmony it is obvious that no words can make you feel the same way as the music. The best thing about music is that there are literally too many genres to choose from. There are different genres of music for any mood you are in. The origins behind these different genres is an interesting and rich history that is begging to be studied and written about. Let me explain....
This composition starts out on a very dark note. On the initial few notes, it sounds like it is enacting a depressing tale. One can imagine it to be like the soundtrack of a horror movie of current times. Nevertheless, as you progress through the track, it picks up its pace and also the mood of the track to that of a pleasant one. Further into the track the artist uses skilful note play with abrupt highs and lows. As the song proceeds one can feel the emotion the artist tries portraying with the
...re was very interesting transitions between the variation, for example, string section plays the variation from low to high, when they reach the highest note, the brass family takes over and continue with the scale and make it more higher. Tremolo style was used in this piece, which is a quick ups and downs stroke mode. The music were very soothing and attracted the audience. Lastly, they end the piece with the same variations that was played at the beginning.
Mishima, Yukio. The Sound of Waves. Trans. Meredith Weatherby and Yoshinori Kinoshita. New York: Vintage, 1994. Print.
Music and the relationships of music have changed drastically in our society. The course of studies and the evaluations of the applications of the technology of music, the making and the listening of music have changed in the way we listen to music, the styles of music in our society and in the media. The importance of the technology in music today, has, over the past century been charted through the study of musical examples and through viewing how human values are reflected in this century's timely music. There are very many different types of music that are listened to. There are readings, writings, lectures and discussions on all the different types of music.
Pollack, Alan W.. “Notes on "Revolution" and "Revolution 1".” soundscapes.info. 1997. 3 October 2009 .
The unheard sounds came through, and each melodic line existed of itself, stood out clearly from all the rest, said its piece, and waited patiently for the other voices to speak. That night I found myself hearing not only in time, but in space as well. I not only entered the music, but descended, like Dante, into its depths (Ellison 7).2
Worlds of Music: An Introduction to the Music of the World's Peoples [Book] / auth. Titon Jeff Todd and Mark Slobin. - New York : Schirmer Books.
Throughout this semester we have discussed an array of musical periods ranging from the Middle Ages and Renaissance to more recent modern times. As music progressed through time certain concepts such as melody, harmony, and texture changed along with the introduction of different instruments. In the early phases of music it was more directed toward religious ceremonies, but as time went on it became integrated into everyday life. Even though musical dynamics seem to change as the years go on, it has never failed to create some form of emotional response such as laughter or sadness.