It wasn’t just when the news was delivered but also how it was delivered. It had an influence because of the great personalities of Dick Smyth, Lee Marshall, Grant Hudson and others who dramatically and entertainingly delivered the news. They reported the news “dramatically” and with the “same energy as disk jockeys had snappy writing with alliterations, and a lot of short sound bites.” They were deejays without music. This dynamic combination of news reporting made for an amusing news report; that not only captured the audience, but also kept them tuning in.
The battle between Journalist Edward R. Murrow and Senator Joseph McCarthy is a fight that went beyond limits on television in 1954 (http://www.theguardian.com/film/filmblog/2015/mar/30/ggod-night-and-good-luck-george-clooney-edward-murrow-reel-history). Edward R. Murrow earned his fame from his career with CBS News that began in 1935 (SITE MOVIE). Following World War II, Murrow worked with a fellow reporter, Fred Friendly on a program called Hear It Now. Both were successful in the sense that the program was popular and showed on television, which was later called See It Now. Although Murrow and Friendly televised many new reports in their careers, the most recognized and historically remembered contribution was the battle they had with Senator McCarthy on See It Now (http://www.coldwar.org/articles/50s/Murrowvs.McCarthyism.asp). Murrow used his career in
Words came from readers in Cleveland that “‘the impression soon prevails in your mind that Ernie Pyle… is the President of the United State’” (Tobin 29). In the midst of World War II Ernie Pyle stood out from the crowd of journalists with a style that hadn’t been seen before but spoke to American readers all over both on the home front and abroad. One writer and historian, Jordan Braverman, puts it into perspective however the lack of truth of some reporting by saying, “Soldiers were known to have huddled in foxholes under heavy aerial bombardment, while their radios were telling them that U.S. forces had complete control of the skies in their battle sector” (Braverman 84). It wasn’t just radio that did this but also print media that both wasn’t always accurate and could be seen as having alternative motives in their writing. One reader summed it up as “you read Lippman for wisdom. Pegler for controversy, Winchell for gossip, but Pyle you read for sustenance in difficult times” (Tobin 28). Echoing this feeling, one deliveryman proclaimed “‘the trouble with these column guys is they want to organize the world… except Pyle. Throw the rest away, but gimme Pyle’” (Tobin 28). Ernie Pyle began his career as a columnist before World War II had begun, and so did his development of distinct aspects of journalism that he carried through his Word War II columns and brought with them a new light to journalism. Roy Howard himself the head of the Scripps-Howard Publishing company wired Pyle a message during the war. It read, “‘ YOUR STUFF IS NOT ONLY GREATEST YOUR CAREER… BUT MOST ILLUMINATING HUMAN AND APPEALING DESCRIPTIVE MATTER PRINTED AMERICA SINCE OUTBREAK BATTLE BRITAIN…YOUR STUFF TALK OF NEW YORK’” (Tobin 57-58). Pyle gathered inform...
In his editorial "Words Triumph Over Images," Curtis Wilkie blames today’s media for being “reckless” and “a mutant reality show”. He believes that television and radio are “unfiltered”, which causes the quality of journalism for newspapers to be unmatched. Yet, it is unfair to label all media that is not print as lesser because the quality of any media relies on the viewers and the individual journalists, and in drastic situations like a hurricane, reporters may have many road blocks. Any of these aspects can affect the quality of journalism, which invalidates Curtis Wilkie’s claim.
In “Reporting the News” by George C. Edwards III, Martin P. Wattenberg, and Robert L. Lineberry, the main idea is how the media determines what to air, where to get said stories that will air, how the media presents the news, and the medias effect on the general public. “Reporting The News” is a very strong and detailed article. The authors’ purpose is to inform the readers of what goes on in the news media. This can be inferred by the authors’ tone. The authors’ overall tone is critical of the topics that are covered. The tone can be determined by the authors’ strong use of transitions, specific examples, and phrases or words that indicate analysis. To summarize, first, the authors’ indicate that the media chooses its stories that will air
Epstein, Edward J. News From Nowhere: Television and the News, Vintage, New York NY. 1973, pp. 16; Pearson, David. “The Media and Government Deception.” Propaganda Review. Spring 1989, pp. 6-11.
The term “muckraking” was coined by Theodore Roosevelt because according to Roosevelt the journalist “raked up “filth” at his feet”. Before the 1880s, quality magazines were expensive and had poor circulation around the nation. Newspaper on the other hand were more popular with the public and of course they were cheaper. Entering the 1880s, technological developments made the circulations of magazines popular and affordable for
Stevenson, Kerry, “The Technology, Business, and Ethics of News,” International Broadcast Engineer (IBE), Oct 1999: 44.
Murrow states “one of the basic troubles with radio and television news is that both instruments have grown up as an incompatible combination of show business, advertising and news” (7). Top management does not have time to give mature and thoughtful consideration to the abundant problems that confront those who are charged with the responsibility for news and public affairs, but they still do any ways and put little to none effort towards doing so. According to Murrow if there is a disagreement between the public interest and the corporate interest it will always go the way of the corporate almost every
Woodward and Bernstein's undertaking constructed the cornerstone for the modern role of the media. The making of the movie about the Watergate Scandal and the ventures of the two journalists signify the importance of the media. The media’s role as intermediary is exemplified throughout the plot of the movie. The movie is the embodiment of journalism that guides future journalists to progress towards the truth, no matter what they are going up against. It was the endeavor of Bob Woodward and Carl Bernstein that led them to the truth behind the president’s men. They showed that not even the president is able to deter the sanctity of journalism in its search of truth. The freedom of speech, the freedom of the press, and people’s right to know account for the same truth that journalists pursue; the truth that democracy is alive and will persist to live on.
Today’s mass media has been molded by hundreds of years of reporting, journalism, and personal opinions. America’s mainstream media thrives upon stretching the truth and ‘creating’ interesting stories for the public. Tactics like this can be credited to people such as William Randolph Hearst, a newspaper mogul from the late 19th to the 20th centuries. Hearst greatly influenced the practice of American journalism through his wealth, short political career, and use of unorthodox reporting methods such as yellow journalism.
Rose, Howard Lester, "Edward R. Murrow: His Life, Legacy and Ethical Influence" (2010). Theses and Professional Projects from the College of Journalism and Mass Communications. Paper 2.
The author provides a rough timeline of the objective norm emerging in American journalism, and explains the inner origin of these co...
During the Vietnam War, a rift between government officials and journalists emerged. The American government felt the need, for various reasons, to censor many war developments. In an attempt to act ethically, the press fought the censors, trying their hardest to report the truth to the general public. Despite claims of bias and distortion by several prominent government officials, these journalists acted completely ethically, allowing the general public to obtain a fair, informed opinion.
Sabato, Larry J. Feeding Frenzy: Attack Journalism and American Politics. Baltimore: Lanahan Publishers, Inc., 1991.