One of the last poems Edgar Allan Poe wrote was one he titled “For Annie.” Written in 1849, the same year as his death, “For Annie” is a rather interesting piece. As most of Poe’s works are, “For Annie” is centered around death. But in an unorthodox take on this well-worn topic, Poe writes of death not as something to be averse to, but instead as something inviting. A rescue in and of itself; the only thing able to save the speaker from the painful throngs of life. The poem begins with “Thank Heaven! The crisis, The danger, is past, And the lingering illness, Is over at last.” Without any other information, the reader would naturally draw the conclusion that the speaker has been cured of a deadly sickness. However, when they continue reading …show more content…
Yet the setting is still somewhat unclear, until the second stanza gives us a little more imagery concerning it. The lines “I am shorn of my strength, And no muscle I move, As I lie at full length” give a clear picture of the speaker’s limp body on his deathbed. It still is not clear whether the speaker is writing as a hovering spirit over his dead body, or on the brink of death, yet still inhabiting his body. The next stanza starts “And I rest so composedly, Now, in my bed.” Were these lines unaccompanied the reader might still draw no conclusions, as the word “rest” could easily refer to death (R.I.P.), or it could just refer to the stillness of the dying speaker. The next lines provide a shred of clarity: “…any beholder, Might fancy me dead, Might start at beholding me, Thinking me dead.” Were the speaker truly dead, these lines would sound strange to the reader. In the speaker’s choice of words (namely ‘fancy’ and ‘thinking’) it gives the impression that his …show more content…
The speaker’s feelings toward death are explained to us so we might understand his relief. The use of figurative language, descriptive imagery, and also some symbolism accomplishes this, enabling us to try on the speaker’s view for ourselves (almost as tangible as one might try on a pair of shoes). In the sixth stanza a “naphthalene river of Passion accurst” is described to us. Naphthalene was commonly used industrially and found in many products, though it is well known to cause poisoning. And so the reader is given this picture of Passion, a river of poison, a curse to the speaker. He describes his “torture of thirst” for this river, Passion, and so we begin to understand he is afflicted in some way with emotion. He goes on to speak in stanza seven of a different water he drank, one “that quenches all thirst:” “From a cavern not very far, Down under ground.” This different water he speaks of is death, the only water that will quench his thirst for painful passion. We begin to understand the relief that it brings him, such as that of cool water cascading down our own thirsty throat. And he describes it as not very far away; it’s as if this escape of his has always been just out of reach for him. It’s a strange reminder of how close we all are to death. Just when the reader feels uneasy about this, the speaker brings the next stanza along, in which he says “And ah! Let it never, Be foolishly said, That
In this first stanza, the scene of a deathbed is set. No specifics are given about the room, the dying speaker, or the people that wait in the room for an outcome. The fly is introduced and its significance is not explained as of yet. One detail that is heavily stressed is "stillness in the room." The word stillness is repeated and compared with the calm in a storm. This suggests two things: the motionlessness of death and the anticipation of something yet to come. The calm within t...
It suggests that the poet is thinking about the possibility of death and thinking about life after death. I think that the poet has opted for the word "heavenward" as it states that the poet is looking at life after death. The metaphor "I will not feel, until I have to" begins the third stanza. This suggests that the poet is trying not to fe... ... middle of paper ... ...
To start of, the poem has an appeal of imagination and has many features that show this. First of, we have numerous metaphors, "I am a thousand winds that blow" and "I am the diamond glints on snow" are examples. These metaphors are indirectly comparing him to the greatness, to the amounts of them, trying to relate to us by telling us how he is everywhere. He might not be here in person but he is all around as used in the metaphors the wind, in the snow, in sunlight that ripens the grains everywhere. Second, the poem has the symbol of "do not stand at my grave and weep/ I am not there" this is a symbol that works on many levels and has many meaning. The first meaning is that he is saying he has past away so therefore he is not there. Not there not meaning physically but virtually. Thus meaning that his body is there but his soul is not. His soul is everywhere. This takes us back to the metaphors used wi...
Written in iambic form, the meter alternates from tetrameter to trimeter, which when incorporated with quatrain creates the same form and verse as that in “Amazing Grace, how sweet the sound, / that saved a wretch like me.” Although the poem lacks much rhyme, the speaker rhymes “me”, “immortality”, and “eternity” to reinforce her description of life after death. In the fourth stanza, the speaker seems to stumble or have a lapse in concentration, realizing that she is in the process of dying, as she uses slant rhyming, reverses the meter, and has a misstep in form, such as in, “The Dews drew quivering and chill—,” (line 14). The meter and form returns to normal in the next stanza as the speaker recovers from this realization and it remains normal
Although, I wished that the poem included more about the resurrection. It was good that it discussed Jesus return and the Day of Judgment, to encourage man’s repentance and salvation in Christ. I wondered if this poet who must have lived sometime in the Early Middle Ages actually had a dream where he imagined a tree speaking to him about the death and resurrection of Christ and then he wrote it down. If that was the case, then I can understand why the poem is not perfectly accurate and somewhat jumbled, when compared to scripture. Often our thoughts are jumbled, when we dream. The order of events seems to be a little offset. For example, the earth did not tremble, until after Jesus spirit left Him. The poem appears to put the trembling ahead of Jesus death. However, there is a lot of the good, the true, and the beautiful in this poem. It celebrates the sacrifice that Jesus made on the cross and it encourages us to look to Him on the cross, so we don’t forget how much He loves us. Also, it encourages us in our faith and knowing that Jesus will return someday, to take us into eternal glory with Him. It was good that the poem concluded with the Dreamer feeling enthusiastic about the cross, looking forward to eternal glory, and desiring to share the good news with others. This is the way that
One of the more confusing parts of the poem for me was the last two lines in the second stanza. Stephen Mitchell has a mystic almost dark tone when he is translating the following:
The “fat and …bone” are compared to symbolize the difference between whites and blacks. The second stanza compares black and whites to rivers and the sea; one is fresh and the other salty, but both are bodies of water. The third stanza uses a metaphor to compare living out lives alone while pitching a tent in solitude, all alone in our own little world. It also uses the “sun and shadow” to symbolize whites and blacks. In stanza four grief and joy are contrasted with the use of personification. While joy only favors a few, grief is a common factor shared by all people, making it a common ground one in which anyone can come together. The fifth stanza or the last uses similes to give the message that although it is sometimes painful and unpleasant to share other’s grief it is something that must be done in order for everyone to live in harmony. It also relates grief to a weapon, calling it a “blade shining and unsheathed that must strike me down”. It also compares sorrow to a crown of “bitter aloes wreathed”. The overall poem contains Biblical allusions. It sends the message that everyone should rejoice with those who rejoice and mourn with those who mourn. Cullen is calling all Americans to do as Jesus did and be a man of the people
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
Throughout Edgar Allan Poe’s life, death was a frequent visitor to those he loved around him. When Poe was only 3 years old, his loving mother died of Tuberculosis. Because Poe’s father left when he was an infant, he was now an orphan and went to live with the Allan’s. His stepmother was very affectionate towards Edgar and was a very prominent figure in his life. However, years later she also died from Tuberculosis, leaving Poe lonely and forlorn. Also, later on, when Poe was 26, he married his cousin 13-year-old Virginia, whom he adored. But, his happiness did not last long, and Virginia also died of Tuberculosis, otherwise known as the Red Death, a few years later. After Virginia’s death, Poe turned to alcohol and became isolated and reckless. Due to Edgar Allan Poe’s loss of those he cared for throughout his life, Poe’s obsession with death is evident in his works of “The Tell-Tale Heart”, “The Black Cat”, and “The Fall of the House of Usher”, in which in all three death is used to produce guilt.
In poetry, death is referred as the end of literature and it is associated with feeling of sorrows. However Emily Dickinson demonstrates that death is not the end of literature or feeling of sadness but death is a new element of inspiration in poetry and is the beginning of a new chapter in our life. In the poem ‘’Because I Could Not Stop for Death’, she discusses the encounter of a women with death, who passed away centuries ago. Dickenson uses metaphors and similes to show that the process of dying can be an enjoyable moment by appreciating the good moments in life, and by respecting death rather than fearing it. Also Dickinson portrays death in a humorous way as she compares it to man seducing her to go to her death as well, to childhood games that show the innocence of this encounter (Bloom). The poem is a reflection of how unpredictable death can be. Death is a scary process in life that should not be feared because it should be celebrate as new start.
Predominantly the poem offers a sense of comfort and wisdom, against the fear and pain associated with death. Bryant shows readers not to agonize over dying, in fact, he writes, "When thoughts of the last bitter hour come like a blight over thy spirit, and sad images of the stern agony, and shroud, and pall, and breathless darkness, and the narrow house, make thee to shudder, and grow sick at heart -- go forth under the open sky, and list to Nature 's teachings." With this it eludes each person face their own death, without fright, to feel isolated and alone in death but to find peace in knowing that every person before had died and all those after will join in death (Krupat and Levine
Edgar Allan Poe’s 1849 poem, “Annabel Lee”, explores the common themes of romance and death found in many of Poe’s works. The poem tells the story of a beautiful young maiden named Annabel Lee who resides by the sea. The maiden and the narrator of the poem are deeply in love, however the maiden falls ill and dies, leaving the narrator without his beloved Annabel Lee. Contrary to what many might expect from a poem by Poe and yet still depressing, the poem ends with the narrator accepting Annabel’s death and remains confident that they will forever be together despite her parting.
Edgar Allan Poe was a man who unfortunately was born into a life full of morbidity and grief. The stories and poems that he created reflect the experience he has with agonizing situations, in which Poe’s dark side developed; his evil reasoning and twisted mentality allowed Poe to develop extremely vivid and enthralling stories and works. Due to not only his family members but also his wifes to passing from tuberculosis, morbidity and grief is present in almost every work that Poe created. From major works such as “the Raven”, “Black Cat”, “Annabel Lee”, and the Tell- Tale Heart, Poe utilized themes such as death, premature burials, body decompositions, mourning, and morbidity to enhance his point an the image he attempted to convey.
There are several death related motifs present in the poem. For instance, the poem opens with a passage from Dante’s Inferno, foreshadowing the theme of death in the poem. The speaker says “I know the voices dying with a dying fall.” He also references Lazarus from the Bible, who was raised from the dead, further developing the death motif. The speaker also seems to be looking back on life, referring to past experiences and his aging, as if he believes his death is imminent. He seems to have an obsession with hiding his age. According to the Psychoanalytic Criticism Chapter, the greater our fear of something is, the greater our obsession becomes (24). The speaker's fear of death has lead him to wear clothes that are fashionable for young people, such as rolling his trousers, and goes to great lengths to cover his age in other ways, such as parting his hair behind to cover a bald spot. The last stanza of the poem has a rather depressing and sad ending, a result of fear of
Jumping right into the first line of the poem one sees that it begins by stating, “Because I could not stop for Death”. Since this line was selected for the title of the piece, it can be inferred that it must hold some strong significance. Over the course of this poem the reader is drawn to the concl...