Drag: Trans-Gender Analysis

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“It's a sort of piss-take on culture, because a drag queen is a clown - a parody of our society. It's a sarcastic spoof on culture, which allows us to laugh at ourselves - but in a way that is inclusive of everyone.” (Ru Paul)
“Drag queen” is another term for a female impersonator, defined by the Oxford English Dictionary as, “A male entertainer whose performance consists of dressing and acting like a woman” (OED 2015). The term ‘drag’ originated in the 19th century, when men performing as women would comment that the long skirts they wore ‘dragged’ across the floor (Jones 2015) There is a lot of confusion between two very different things: men who publicly perform as women, and men who perceive themselves as existing in the wrong body. Trans-genders …show more content…

In 2015 the Hollywood gender wage gap was leaked, showing that women aren’t viewed as equal to men. Drag is now no longer found only in basement clubs but is now on mainstream TV. Both feminism and drag have come a long way in 100 years but now clash with each other. Feminists also may hold strong views about Transgenders. In recent news, leading feminist writer and activist, Germaine Greer has claimed that transgender women aren’t women because they don’t know what it’s like to have a “smelly vagina”. The feminist figure has previously caused controversy over her views on trans women, claiming “they seem to us ghastly parodies” – and claimed being trans was a “delusion”. She faced protests last year when she spoke at the Cambridge University Students’ Union, with members of the LGBT+ society encouraging a boycott of the event. According to a Cambridge University Student, when asked about her previous comments, she said: “I didn’t know there was such a thing [as transphobia]. Arachnaphobia, yes. Transphobia, no” (Morris 2015). These outspoken comments have got the world talking about what it means to be a woman and is it too far for men to mock the realities of being a woman through …show more content…

In Greek theatre, women were banished from public performance. As a result, men would play all female, as well as male, parts (Senelick 2000). The reason women weren’t even allowed to attend was because their role was considered to be obedient and domestic (Kluth). Even in Elizabethan times, women were not allowed to perform on stage. However this did not stop female characters being created. Boys of an age when they had not yet matured were cast to play womens’ parts. They didn’t have masculine bodies or features, and their voices had not yet broken, making them suitable replacements.
Eastern cultures have also made use of men in female roles. Kabuki is a traditional Japanese act combining dance, singing, mime, staging and costuming. It dates back to the 17th century, originally being performed by women. It was seen as too sexualized, causing prostitution. Young boys were cast instead, but yet again this was a cause for concern on the basis of morals. Kabuki is still performed today and older men now act out the roles (Britannica

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