Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Protest music and its impact on racial issues
Protest music and its impact on racial issues
Essays about racism in songs
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Protest music and its impact on racial issues
Modern music reveals a pervasive level of racial tension presently plaguing the United States. The issue is so widespread that it has driven several famous artists to collaborate in lyrical expression in songs such as “Don’t Shoot” (The Game, Rick Ross, 2 Chainz, Diddy, Fabolous, Wale, DJ Khaled...TGT, 2012-2014). The unity seen in this song is mirrored in the response from the African-American communities following the riots in Baltimore. These riots, caused by a startling recent increase in police shootings, have involved prominent figures, such as Reverend Al Sharpton, religious groups-including local churches, and even average citizens to join forces to protest the disparages facing their community (Shipp, 2015). Many may believe that …show more content…
Over time, Americans should have been making changes left and right towards equality, but this has hardly happened. The article, Everyone 's Watching Baltimore: So, Now What?” (Shipp, 2015), the song "Don 't Shoot” (The Game, 2012-2015) and “I’m Black and I’m Proud” (Brown, 1968), are composed of similar qualities that intertwine the article and songs together. “Don’t Shoot” is an expression and an outcry reflecting on recent Ferguson riots and Michael Brown shooting. This is evident in the lyrics: “Mothers crying stop the riots, we ain 't got to chalk the city” (The Game, 2012-2015, line 15). The song cries for peace among all races, not specifically between African-Americans and Caucasians. Something as universal as motherhood and wanting their child to be safe appeals to all listeners. The song focuses on various aspects of racial tensions, such as mutual hardship, unity, justice and the continual decline of the African-American social situation. This is so common that African-Americans feel the need to stick together in the face of racism: “Yo, come on we gotta stick together” (The Game, 2012-2015, line 19). This is also largely portrayed in “I’m Black and I’m Proud”, whose lyrics read: “I say we won 't quit moving Til we get what we deserve” (Brown, 1968, line 6-7). The same emotions that existed nearly 50 years ago are also felt in the present. This exemplifies how America has not been steadily progressing. Grievously, America followed the same paths months later; the same frantic and chaotic riots in Ferguson occurred in Baltimore, causing the nation to propose a tedious question: What can we do? Similarly to the song “Don’t Shoot” (The Game, 2012-2015), the article paints a picture for the readers pertaining to the events occurring in Baltimore. After the Baltimore riots that began as peaceful protests, seen nationwide on every
In one of the chapters, ‘Where Did Our Love Go?’ the author reveals how blacks in America use the music to express their anger and commitment to emerge as great people in an unfair community. Most songs are written to educate the society on the negative effects of racism. They encourage the society to love one another and embrace unity. The human nature is founded through a social platform where philosophers claim that people were created to love one another and live with peace and unity. Through this book, it is clear that the blacks in the hip-hop generation are money minded. However, this is expected in a world where the economy is tough. The author claims that the youth are the people who are majorly affected by racism. Many of them have been arrested for pity mistakes which are magnified in the courts due to the impression that the society has on the black people. They engage in dirty activities like drug dealings that that put them on the wrong side of the
Racial discrimination in our society has reached its tipping point such that rioting has become a last resort. After the deaths of two young African American males that occurred due to police brutality , the public has been in an uproar, fighting and hoping for change;however the means of fighting aren’t seen as appropriate. The majority of the population argues that the rioting that had occurred in Baltimore and Ferguson, where the shootings happened, were unjustified. The media depicted the rioting to be criminalized and unrelated to the cause. It was portrayed that African Americans took the deaths of Michael Brown and Freddie Gray as an excuse to loot and raid.On contrary to popular belief, the rioting in Baltimore and Ferguson were adequate actions that took place. It wasn’t until the rioting occurred that investigations of these cases followed. Because of the investigation it was found that the problems at hand were more than racial issues highlighted by police brutality, but racial abuse in the system of the cities.
Racism is an attribute that has often plagued all of American society’s existence. Whether it be the earliest examples of slavery that occurred in America, or the cases of racism that happens today, it has always been a problem. However, this does not mean that people’s overall opinions on racial topics have always stayed the same as prior years. This is especially notable in the 1994 memoir Warriors Don’t Cry. The memoir occurred in 1957 Little Rock, Arkansas and discusses the Melba Pattillo Beals attempt to integrate after the Brown vs. Board of Education court case. Finally, in Warriors Don’t Cry, Melba Pattillo Beals discusses the idea that freedom is achievable through conflicts involving her family, school life, and friends.
One of Williams main topics of concerns is the wrong messages that “public airwaves” are sending to their listeners and followers. Williams claims rap and other medias are representing and sending the wrong message about African American communities. She mentions that rap music once held a positive message but now rap music is bombarding the public with the use of profanity, violence, and obscenity throughout their lyrics and music
Black men have been taught from a young age to be wary of how they speak to the police (Hughes, 2014). Grandparents of millennials have told their grandchildren firsthand stories of segregation. Flags of the Confederate Army still fly high in some of the South’s state capitals. It didn’t take the highly publicized deaths of Trayvon Martin or Jordan Davis for Southerners to realize this country’s systematic injustices, as the South has been well aware of the countries racial injustices since the days of slavery.
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
Police brutality has been an apparent mark on the struggles, trials, and tribulations of people of minorities for years, primarily Black people. From the times of slavery to the present unlawful targeting and murders of black citizens with no justification, police brutality has been an enema in Black American culture for hundreds of years. Seen both in James Baldwin’s “Going to Meet the Man” and in the current happenings of the United States. The hashtag “#BlackLivesMatter” has been a focal point in the current struggle for equality of the races. The current outpouring of support for black lives and
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
Hip-hop music is the best base form of music to invoke change because songs can be written quickly by rappers to address their communities. Hip-hop started in the early 1970’s in minority-filled neighborhoods that were surrounded with poverty, crime, and drugs. Over time, hip-hop has been changed to express different messages. At its beginning the message was positive addressing the problems of poor neighborhoods and now the message is flashy and unclear. With this change
They got caught up in a shootout between two gangs. Politicians and Ministers were quick to point the finger at today’s music. influencing gun crime in the U.S. The minister for tourism said, ‘The hateful. lyrics almost connote a culture killing is a fashion accessory”.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
These are the kinds of music that often use violent lyrics and violent beats, depicting urban street gangs. Typical themes and ideas deal with street life including pimping, and hustling as well as killing and shooting (Malek 108). “I’m bout to bust some some shots off. I’m ‘bout to dust some cops off” (Ice-T). The lyrics of Ice-T’s Cop Killer evoked a loud outcry about whether ideas about killing police officers should be expressed publicly. It is not only the violent ideas expressed within the lyrics, but the context of which they are expressed. Rap is criticized because rappers are known to “sing of guns with almost lascivious glee”. They talk about their “pieces” or “glocks”, “ninas” or pistols as the “object of their affections”
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .
...ey for African-Americans. 12 Million Black Voices could not have depicted it better. Their unhappiness, shown on their faces in the photo, their weariness, fear, hopes, and highlights talked of in the text worked together to give us a look into the African-American life then. Today, our lives are better. African-Americans’ lives are better. We have more opportunity and more equality. What we do not have, we fight for. Yet we still see the traces of the past sufferings of our people’s lives today. We still see those traces of racism they were subjected to being repeated in our kin’s lives. And so the struggle continues, but with time it gets better. And this is the new hope. That one day racism will not exist and that no other will suffer like they did.