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Character analysis in Othello by William Shakespeare
Comparing and contrasting characters in shakespeare
Character analysis in Othello by William Shakespeare
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Don John is a Credible Villain
Don John is a believable villain because he is a bastard which means that in Elizabethan times Don John would have been seen as evil. Don John’s legitimate brother on the other hand is wealthy and well respected by everyone. Don John hates Claudio because Claudio has taken his position as Don Pedro’s right hand man. Don John even acknowledges his own evil and he also shows no mercy. Don John’s character doesn’t alter throughout the play, meaning he is only there to cause trouble.
Don John dislikes Don Pedro because Don John is the illegitimate brother, a bastard child. This means that he isn’t recognised by the court of Messina or by anyone. Although Don John is of royal blood, his royal blood would’ve been respected but not him. In those times, Don John would have had the social status of a prostitute. This is no fault of Don John, but only because his parents weren’t married when he was conceived. Don John is always so gloomy because he isn’t respected, he says to Conrade “There is no measure in the occasion that breeds, therefore the sadness is without limit”. Don Pedro the legitimate brother is highly respected by everyone and is probably very wealthy, Don John would have had nothing. Don is jealous of his brother because of all the admiration he gets from others. In Shakespearean times, everyone would have expected Don John to be evil because he was a bastard. No one would been surprised when Don John tried to ruin Claudio’s hopes of mar...
Rumors can break and humiliate people’s lives. A good example of this would be when Don John was passing rumors to corrupt Claudio’s and Hero’s relationship. Don John brings out that Hero is disloyal to Don Pedro and Claudio so they would be tricked by a false statement and insult Hero in many...
He didn’t like lying to people it felt very wrong to him, unlike the other cowards in the town who have lied to stay alive. Towards the end of the play, he confesses to the court that he has had an affair with Abby saying “Elizabeth, I have confessed it!” (Miller 191). He knows that his wife Elizabeth is in trouble and he saves her because he knew she was going to lie for him. If John had not saved her then she would have died because of John’s mistakes. This shows what kind of a man John is, and shows how unselfish of a guy he also can be.
In the time of William Shakespeare where courtship and romance were often overshadowed by the need to marry for social betterment and to ensure inheritance, emerges a couple from Much Ado About Nothing, Hero and Claudio, who must not only grow as a couple, who faces deception and slander, but as individuals. Out of the couple, Claudio, a brave soldier respected by some of the highest ranked men during his time, Prince Don Pedro and the Governor of Messina, Leonato, has the most growing to do. Throughout the play, Claudio’s transformation from an immature, love-struck boy who believes gossip and allows himself to easily be manipulated is seen when he blossoms into a mature young man who admits to his mistakes and actually has the capacity to love the girl he has longed for.
Don John plays an essential role for nearly all of the trickery and deception in this play. He acts like a catalyst and an instigator for trouble, whose sole aim is to marmalize the love and happiness between Claudio and Hero. Shakespeare uses foreshadowing of Don John’s villainy to display the trickery and deception: ’It better fits my blood to be distained of all than to fashion a carriage to rob love from any, in this, though I cannot be said to be a flattering honest man, it must not be denied but I am a plain-dealing villain. I am trusted with a muzzle and enfranchized with a clog: therefore I have decreed not to sing in my cage. If I had my mouth, I would bite, if I had my liberty, I would do my liking.
All persons born or naturalized in the United States, and subject to the jurisdiction thereof, are citizens of the United States and the States wherein the reside. No State shall make or enforce any law which shall abridge the privileges or immunities of citizens of the United States; nor shall any State deprive any person of life, liberty, or property, without due process of law; nor deny any person within its jurisdiction the equal protection of laws; this brief description is known as the Fourteenth Amendment (Foner A-15).
It is apparent that Othello idolizes Desdemona, through the language he uses in describing her as well as how he treats her during their interactions. While most female characters in the play are oppressed and demeaned by their male partners, Othello’s respect for Desdemona is a testament of his feeling inadequate and strive to entice her. Although he has an alterior motive of evading a conviction of witchcraft to win Desdemona’s heart, he confesses to many noblemen including Barbantio, Desdemona’s father, that Desdemona does not love him, just his war stories. Incidentally, his war accomplishments were the only way a man of his background would be able to be so close to a prestigious woman such as Desdemona in a time plagued with so much racism. In the second scene of Act V, Othello has been pushed well beyond his breaking...
...ssion and intrusiveness. John’s lack of having an open mind to his wife’s thoughts and opinions and his constant childish like treatment of his wife somehow emphasizes this point, although, this may not have been his intention. The narrator felt strongly that her thoughts and feelings were being disregarded and ignored as stated by the narrator “John does not know how much I really suffer. He knows there is no reason to suffer, and that satisfies him” (Gilman 115), and she shows her despise of her husband giving extra care to what he considers more important cases over his wife’s case with a sarcastic notion “I am glad my case is not serious!” (Gilman 115). It is very doubtful that John is the villain of the story, his good intentions towards doing everything practical and possible to help his wife gain her strength and wellbeing is clear throughout the story.
When being an illegitimate child like Don John, one begins to think of themselves the way people treat them. Therefore, when Don John acts in his villainous ways, one blame it on Don John or rather the people who made him feel that he is less than human. Don John believes that his only way to be acknowledged is to act in a way no one will forget, therefore he acts as the villain in Much Ado About Nothing, because that what society made him out to be.
Mental health is an issue that has been bombarded with unanswered questions and cursed with a social stigma. Throughout history this has created a social divide between mental health issues and the mainstream media. This disparity doesn’t only create a social separation, but a lapse in ethics, making it tolerable to look down on people in the mental health community. Historically, patients have been placed or forced into mental institutions in order to “cure” them of their mental obscurity so that they can function normally in the society, yet for centuries this has proven to be an ongoing struggle for the mental health community. With all of the new advancements in medicine and our ability to cure more physical and mental ailments than
Continuing budget cuts on mental health care create negative and detrimental impacts on society due to increased improper care for mentally ill, public violence, and overcrowding in jails and emergency rooms. Origins, of mental health as people know it today, began in 1908. The movement initiated was known as “mental hygiene”, which was defined as referring to all things preserving mental health, including maintaining harmonious relation with others, and to participate in constructive changes in one’s social and physical environment (Bertolote 1). As a result of the current spending cuts approaching mental health care, proper treatment has declined drastically. The expanse of improper care to mentally ill peoples has elevated harmful threats of heightened public violence to society.
Although many arguments could take place over the blame of Othello’s fate, the one murderer no one doubts is jealousy. Although Othello’s insecurities and “blindness” along with one of the most duplicitous villains in all of literature definitely catalyze the deaths at the conclusion of the play, in the end Othello must suffer the consequences manipulated or not. Despite the number of uninteresting characters in the play, Othello, the Moor of Venice contains one of the most intricate characters in any of Shakespeare’s plays, and will be discussed and intensely argued forever.
I will talk about the he five main characters of this play and they are all encased with jealousy in their own way. They are: Iago (the antagonist), Emilia, Bianca, Roderigo and Othello (the protagonist), who all display their sense of jealousy throughout the play. They all find different ways to sustain them. Iago enunciates his jealousy in the beginning of the play. He decides to plot his revenge on those who he feels has done him wrong. The first two jealousies he expresses are of Cassio, because he keeps his job as a lieutenant and gets promoted. He feels this should be his job (e-notes 2011). The second is of Othello; he believes that Othello slept with Emilia (his wife). “It is thought aboard that ‘twixt my sheets” (I.iii.369-370). As he becomes fixed with revenge he speaks by saying, he will not be satisfied “’Til I am evened with him/wife for wife/ At least into jealousy so strong/ that judgment cannot cure (2.1.299-302). In the end Iago is forced to expose his actual nature.
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
William Shakespeare’s Othello is a play about the downfall of the Moor of Venice induced by evil villain Iago. The characters are put into focus by their moral virtue, all except Iago because he is a Vice. The English Oxford Dictionary defines Vice as immoral or wicked behavior (OED). The motive of being passed over for a promotion is not enough to pin the cause of Iago’s wickedness. It is Othello who needs to be scrutinized, in terms of passion. Leo Africanus describes the Moor as honest, trusting, but jealous and given to passionate vengeful rage when wronged. (Vitkus, 161) This is extremely evident in Shakespeare’s play. Othello causes his own downfall being blinded by jealously. William Shakespeare’s use of jealousy and deception are partnered with the themes of appearance versus reality. Othello’s greatest conquest in this play is not Iago but his own vice, Jealousy.
Rodrigo’s character serves as an example of true jealousy over love, rather as a facade to cover-up another motivation, as seen with Othello and Iago. He displays a decline in power once wrought with jealousy, rather than the upshot seen in the other two. Iago and Othello take matters into their own