1. In the scene with Don and Lina acting in the silent film (31:51), what role does the director play? How is it different from and similar to directing a film today?
The director is trying for the scene to come out the way that he particularly wants it to look. It is different from directing a play because since a film isn't live, there is a little more freedom and not such a time crunch while directing. However at the same because there is acting involved in both.
2. In the musical scene that begins at time code 34:42 and continues to 38:47, what do you think the filmmaker's purpose is for this scene? Do you think the function is achieved? If you were the filmmaker, would you make any changes to this scene? If so, what would you change? If not, why not?
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The filmmakers purpose for this scene achieved its goal by adding humor to the song, which made people smile.
3. In the scene that begins at time code 41:35 with Don and Kathy on the stage, what theatrical elements does Don add to the stage? How do these elements change the stage/scene? Which one do you think has the biggest impact? Why?
Don brings lavender lighting to resemble moonlight, a fan to resemble a evening breeze. These elements added a romantic vibe to the scene, which brought traumatic affect to the mood of the scene.
4. If you were casting for the role of Don, what characteristics would the actor need to have? How well do you think this role was cast in the film? Why?
The character Don in the film “Singing in The Rain” plays an arrogant selfish person, who soon realizes his flaws and becomes a caring person. The actor Gene Kelly excellently portrayed his character, not only were his features spot on, but as well as his attitude for the character.
5. In Don and Lina's film (55:40), what challenges does the film have in terms of sound? How does this affect the film and its reception by the
Especially with the new emerging technological tools, such as home theater surround systems, IMAX movie theaters etc, film has become more than just a visual experience. The film music does not necessarily mean something to the audience; it tells them how to feel, how to make sense of this crazy fantasy they are watching. It works on the unconscious mind.
In this essay I am going to explore the unique collaboration between director and composer and how much a long-term collaborative process between the two can influence the establishment of the former as an author. An author, in this case, stands for an authority actively shaping the film’s story and message but at the same can be understood as an author of music, I will try to consider both factors. In this process I want to begin with filmmaker’s general relationship to music, then while answering the main question I will give examples of the European collaboration of Theo Angelopoulos and Eleni Karaindrou, focusing on their approach of using music in new ways, as well as examples from the more known collaborations between Alfred Hitchcock and Bernard Herrmann and David Cronenberg’s collaboration with Howard Shore. Furthermore, I am going to include conclusions from my personal experience I have had with my friend and director Nuno Miguel Wong. Concurrently this Essay is not an analysis of the music in the films of the above-mentioned collaborations, but rather focuses on their distinct working relationship and how it might have affected their musical approach and productivity.
The music and sound effects are in the same pont with what the author nedded to say in that play. In the smok and sword fight on the first act we thought will be a play where every body is confusing and fight each other. The phone ringing all the time and this help the actors to play around in the hury and action come up with rehearsal process. The purposes of the phone is any time we heart that something is going to happen, so we expectin to change the sequence in the play. Ringing the phone open a problem, hanging up the phone close the problem. Opening and shoutting the door of dressing room as a slamming it create for the audience understanding the flow of the show and leaves the flexibility as we see white and black to the performance. Crying with tears make the player dramatic, but afraid of discover which it trying to keep things together laughting and
The character of Terry Malloy, portrayed by Marlon Brando, proves to present himself as a very complicated individual within the film. While being surrounded by a variety of strong influences, Terry is forced to make complicated choices that permanently alter his psyche as well as mental outlook on his life situations. One of his most strong influences would be the prominent supporting characters within the film: Edie Doyle, Father Barry, and his brother Charlie.
A joyous celebration of the sanctity of life is generated through the element of Mood and atmosphere. The clip begins with a soft orchestration of piano and violin, creating a magical melody. The choice of melody creates the mood and atmosphere that influences the audience to feel joyous from the outset. The use of lighting adds dramatic effect to the mood and atmosphere of this scene; a warm yellow beam of light streams out of the barn, cutting through the dark and rainy morning, which
The film’s portrayal of the characters display an accurate representation of Cal, however lacks depth of some other major characters in the book. James Dean’s portrayal of Cal Trask brings his character to life through his acting and exchanges with other characters.
This essay shows the subtle differences that can occur between directors, even when they are basing the movie off of almost the exact same script. Almost no two movies are exactly alike, no matter how hard the directors and actors might try. Minor personality differences and scene changes greatly affect the atmosphere and meaning of the same movie. One example of this is the movie Romeo and Juliet. This movie tells the gripping story of two young lovers who are forbade to see each other because of a viscous feud between the two families. I'll be looking at the older 50's version of Romeo and Juliet and comparing it to the newer version of Romeo and Juliet.
Music plays a critical role in the narrative films as it is important technique that filmmakers use to support the narrative and influence the way that the viewer interacts, responds and interprets the events as they unfold. The godfather, which is one of all time Hollywood movies, represents a good use of music that succeeded in supporting the dramatic events that take place in the movie. Moreover, both diegetic and non-diegetic music in the godfather movie are used to achieve the overall purpose by using the different principles and functions of film music that range from setting the mood of the viewer to providing continuity within the movie. In this essay, we will take part of the godfather movie in which we can observe and analyse the role of the music in the film (00:30:52- 00:35:52)
In his documentary Classified X, Martin Van Peebles describes three areas where African-Americans could be receive some sanctuary from the racism that pervaded almost all Hollywood films. These three places were: the Hollywood version of an all-Black film, the church, and entertainment. Black culture and music is prominent in mainstream society, but the people behind this culture don’t always receive recognition and respect for their creations. Mainstream White pop culture excitedly consumes and appropriates Black culture, but disrespects the source.
I chose to analyze Despicable Me, an animated film geared towards a younger audience, because I was interested in examining underlying theories and messages that this film would be relaying to its viewers. Often times, when watching animated films, children are not aware of these messages, as they are absorbed by the characters, special effects, and humor. But as we have learned throughout this semester, our brains are subconsciously primed by the various surroundings we are exposed to. Since we also studied the impacts of entertainment, such as television and video games, on children, I wanted to see how a popular children’s film might also affect them.
Marlon Brando was a kid who thought there was no hope but turned into the best actor of his time. He was very handsome, famous, and rich. These things did not bring happiness in his life. Brando died a bitter lonely old man.
I particularly enjoyed about the directing was the way in which the characters on stage
Sound is an incredibly relevant part of filmmaking. Although often misunderstood, it helps to generate a more realistic episode by recreating the sonic experience the scene needs. Its main goal is to enhance the emotions that each section is trying to convey by adding music and effects alongside moving images. Psycho (Hitchcock, 1960), is one of the most popular films of the XX Century (Thomson, 2009). Commonly recognised as a masterpiece for its cinematographic, editing and musical values, it changed cinema forever by “playing with darker prospects (…) of humanity such as sex and violence (Thomson, 2009)”. This paper will analyse the sound effects used in the shower scene and its repercussions
Today, most movie goers categorize ‘silent films’ into one genre and discard the stark differences that make Arrival of a Train at La Ciotat, The Great Train Robbery, and Broken Blossoms vastly dissimilar. In my opinion, these films clearly illustrate the evolution from silent film projection on a cafe wall to the birth of the hollywood that we know today. The profound contrast is most apparent in their stories, their performances, and the emotional response each film invokes. Collectively these films provide viewers with a clear perspective on how early film progressed from silent stills into what we call today, The Classical hollywood “silent” film era.
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?