"For the love of God", is a saying usually used when something goes wrong. However when writers Stephen King and Edga Allen Poe use it in their stories, the meaning going from that of exasperation, to something more along the lines of vengeance, success and finite. That is because when King and Poe use it, the protagonists in their stories have just finish burying their respective victims, leaving them to die of suffocation, dehydration or any number of horrible aliments. King's story is "Dolans Cadilac", a tragic tale of a man taking revenge on his wife's murderer. While Poe's "The Cask of Amontillado" is a sinister tale of a man exacting his revenge on his friend for insulting him, though the reader never learns what the friend did to deserve such a grizzly fate.Overall both are interesting in a twisted sort of way and have unique characteristics so they are great stories, one writer is clearly better than the other, Stephen King. Though nobody can deny than Edgar Allen Poe is a good writer. "The Cask of Amontillado" does boasts a sense of darkness "Its walls had been lined with human remains" and madness "I reechoed (his screams) and surpassed in volume". Yet it lacks the emotional color-wheel of "Dolan's Cadilac" which displays sorrow "'She was in pieces' I croaked 'I loved her and she was in pieces''" and that causes the reader to feel sorry for Robinson. On the other hand when crazy and sinister side of Robinson "'Whos there?' 'Me' I said 'But I'm not the help you need Dolan " so this forces the reader to feel either pity for Dolan or a sick sense of gratification because Robinson's plan is working. Thus from sorrow to sinister to a sense of calm when the story ends with Robinson saying"". The emotional rol...
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...han "The Cask of Amontillado". Thus making Stephen King a better author than Edgar Allen Poe. Both writers,through the use of imagery, attempt to transport their readers to a blazing desert ("Dolan's Cadilac") and dark, damp catacombs of europe. While both Poe and King do manage that to some extent, as already discussed King's use of imagery exceeded that of Poe's. Equally important is King's development of his character, it is King and not Poe who give a back story and motive making the act seem less horrific. However one cannot help but notice the stark similarities between the two stories. Both have a theme revolving around the idea of how cruel a seemingly normal human can be, and how the reader can find themselves anticipating for the "fly to reach the web". On the whole King and Poe, while similar in style, each has their own key elements that make them great.
In Edgar Allan Poe’s works, there are many similarities between them and his life. There are plenty similarities to find when only focusing on two of his stories, The Tell Tale Heart and The Cask of Amontillado. When paying close attention, it is easy to notice the similarities and differences between Poe‘s life and his stories..
Is there really a perfect crime? This is the main point in Edgar Allen Poe’s “The Cask of Amontillado.” The story is a dark tale of a presumably insane man who suffers from, according to him, “the thousand injuries of Fortunato I had borne as I best could” (Poe 75). One of the major factors in telling this story is the setting. The story is set primarily in the Montresor family catacombs, which provides the dark setting, filled with human remains, and this reflects where Montresor commits his crime, where no one will expect. Furthermore, the narration also helps in telling the story. It is first person point of view, so the story is heard entirely from him. Readers will go into Montresor’s thoughts and be curious about why he wants to kill Fortunato so badly. Furthermore, the symbolism of the story is very important and many symbols in symbolizing Montresor killing Fortunato. Finally, the insane Montresor tried to pull the perfect crime but fails; he does not pull the perfect crime, he fails his goal when he realizes he is doing a bad thing.
The Cask of Amontillado, written by Edgar Allan Poe, is a chilling story about two men named Fortunato and Montresor. The story begins with a narrator voicing his anger and resentment towards a man named Fortunato for “a thousand injuries” and insults. Our narrator sees Fortunato and lures him down into his vaults, or “catacombs,” on the premise of verifying that some wine is a certain type. Fortunato was already drunk, and had a cold. Eventually, the men reach a crypt, and the narrator chains Fortunato to the wall. Not stopping there, the narrator begins to trap him in the hole by filling it with bricks. Fortunato is quiet, until the hole is nearly filled, when he screams and then tells the narrator that it was a good joke. The narrator’s name is revealed to be Montresor. Montresor calmly takes the last brick and prepares to slide it into place, but stops and listens. All he hears are the jingling of bells. Then Montresor puts in the last brick, hence sealing Fotunato’s fate. There is chilling irony woven all throughout The Cask of Amontillado. It isn’t until the end of the story that we discover the tale took place fifty years before. Montresor’s vile deed’s motivation can be largely attributed to social class, fulfilling what he considered to be “just retribution” for the unnamed insult that was given him by Fortunato.
Set in an unspecified Italian city and an unidentified year, the Cask of Amontillado is a short story that majorly revolves on revenge. Written by the much-celebrated literary expert Edgar Allan Poe, the short story is centered on the narrator who is hell bent exerting revenge on a friend who caused him great pain.
In the ten years following 1836, Edgar Allan Poe established himself as a short story writer, writing the well known stories “The Tell-Tale Heart” in 1843 and “The Cask of Amontillado” in 1846. As dark as his nature was, the two stories were equally dark, one about a man killing an elderly man with a creepy eye, and the other about a rich dude killing someone who insulted him. As both of the tales possess main elements of murder and death, both of them also have elements that link the stories even more such as their protagonists, character motivations, and resolutions.
"The Cask of Amontillado" is a good example of stories where irony plays a big role. The irony in the characters and situations that occur makes the story really stand out. Poe's plan of making the characters names is ironic put a completely different spin to the story. Both verbal and dramatic irony made "The Cask of Amontillado" more interesting. "The Cask of Amontillado" shows that any friendship can take a turn for the worst whether one expects it to or not. It is the perfect example of the saying "keep your friends close but your enemies
Poe’s first-person narration style in “The Cask of Amontillado” allows the reader to experience a different type of story, from an unusual perspective. By making a killer the narrator, and by making him familiar with the audience, we can see the situation in different darker light. Rather than focusing on the actual physicality and action that takes place in the story, Poe focuses on the thoughts and emotions of the main character, thus making for a more intimately disturbing story for the
“The Cask of The Amontillado” is not the short story you want to read to your child at bedtime. It is a creepy tale of a man who plots revenge on an acquaintance who has supposedly wronged him, a plot similar to other Edgar Allan Poe stories. This story is full of interesting characteristics such as hidden meanings, cunning dialogue between characters, and strange ironies, all assembled in a dark gothic setting. These details create an intriguing read, which is why this story needs to be analyzed to discover deeper meanings created in the mind of Poe and revealed in the lines of the story.
Edgar Allan Poe is a comedian. To some people, his humor may not be as appealing compared to that of a stand-up comedian, but he is wise in his ideas nonetheless. His dark sense of humor goes hand-in-hand with the sick, twisted thoughts that produce his ingenuity. His humor is sly in style yet complex in content, and he makes this extremely evident in his works. In “The Cask of Amontillado”, Poe cleverly flashes his comedic bravado in front of his audience’s face through interactions between the characters and their surroundings. He leaves subtle hints which are meant to cue the readers into discovering the humor in his perverted puns. Although puns may not be his literary forte, Poe is able to utilize his uncanny sense of dark humor and add
Gothic literature is known for captivating readers by bringing to light the dark side of humanity. The Gothic possesses many key elements such as paranoia, anxiety, death, etc. It strikes fear and suspense in the reader not by creating fictional monsters, but showing the reader the types of monsters that lurk within human beings. In “the Cask of Amontillado” by Edgar Allan Poe, various themes of the Gothic are present throughout the short story such as gloom and doom, darkness, and madness. These elements are used to enhance the central theme of the piece: revenge. I will argue that Poe uses a number of the Gothic elements to craft an intense dark tale of revenge: an unreliable narrator, madness, darkness, a haunted setting, and evil/devil
Edgar Allan Poe's strong use of symbols throughout "The Cask of Amontillado" is what makes this story worthy of examination. The clever use of these devices by the author to shape this horrifying and gripping short story has made this piece be regarded as a classic American horror story, which revolves around the theme of vengeance and pride.
Edgar Allan Poe’s “The Cask of Amontillado” is a frightening and entertaining short story about the severe consequences that result from persistent mockery and an unforgiving heart. Poe’s excellent use of Gothicism within the story sets the perfect tone for a dark and sinister plot of murder to unfold. “The Cask of Amontillado” simply overflows with various themes and other literary elements that result from Poe’s Gothic style of writing. Of these various themes, one that tends to dominant the story as a whole is the theme of revenge, which Poe supports with his sophisticated use of direct and indirect factors, irony, and symbolism.
Edgar Allan Poe is a famous writer in writing detective stories and horror stories. One of his horror stories, “The Cask of Amontillado” was talking about how a man took his revenge to his friend. However, to look deeply in this story, I found that this story was not just simply a horror tale about how a man gets his revenge in the safest way. Instead, it also demonstrates much irony in several areas: the title, the event, the season, the costume, the environment, the characters’ personalities, a man’s dignity and cockiness and at the end, the public order. he are
"Israfel" is a mesmerizing poem, the beginning of which was first set down by Poe during his days at West Point College. (Allen 233) The poem itself is a direct contrast to Poe's usual poetry, which usually deal with death and dark thoughts or other melancholy, Gothic ideas. Poe's idea of the death of beautiful woman being the most poetical of all topics is here, nowhere to be found. This proves that Poe, when so inclined, could indeed write about something other than opium induced nightmares and paranoid grieving men who are frightened to death by sarcastic, talkative, ravens. Besides "Israfel", Poe's other poetry, "To Helen", as well as "Annabel Lee" and others, are virtually unrecognizable to the everyday reader as being works by Edgar Allan Poe. His name is usually associated with his tales of horror and the macabre. His one poem, "The Raven", a work which deals with a mans steady decline into madness, is probably his most recognizable piece of poetry. A situation, which I feel is unfortunate, considering that the aforementioned are in most cases the equal to "The Raven." Scholars have bestowed upon Edgar Allan Poe, the mantle of "horror writer" a crown which does him a great injustice considering the great variety of works that he wrote and the passion which drove him during his writing.
James Gargano, a famous critic, said The Cask of Amontillado was a masterpiece; a powerful tale of revenge; one of Edgar Allan Poe 's richest aesthetic achievements; deserves more analysis than it has received; and that critics have rightfully expressed admiration for the tale (Gargano). Like Gargano, many critics give Poe’s The Cask of Amontillado great acclamation. Though few critics are displeased with the narrator, The Cask of Amontillado is widely praised by most critics. "The Cask of Amontillado" is a work of art, and not just an ingenious Gothic exercise” (Milne). Other critics such as Bettina Knapp and Charles Dana, did not like The Cask of Amontillado or that Montresor felt no guilt. Poe 's characters murder and commit heinous crimes and feel no remorse towards their victims. "Bettina Knapp places ‘The Cask of Amontillado’ among Poe 's ‘shadow tales,’ which do not offer values. No judgmental forces are at work. Crime is neither a negative nor a positive act. Poe 's psychopaths do not distinguish between good and evil, nor do they usually feel remorse or guilt”