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Edgar Allan Poe the humorous
Edgar allan poe dark humor
Edgar Allan Poe the humorous
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Edgar Allan Poe is a comedian. To some people, his humor may not be as appealing compared to that of a stand-up comedian, but he is wise in his ideas nonetheless. His dark sense of humor goes hand-in-hand with the sick, twisted thoughts that produce his ingenuity. His humor is sly in style yet complex in content, and he makes this extremely evident in his works. In “The Cask of Amontillado”, Poe cleverly flashes his comedic bravado in front of his audience’s face through interactions between the characters and their surroundings. He leaves subtle hints which are meant to cue the readers into discovering the humor in his perverted puns. Although puns may not be his literary forte, Poe is able to utilize his uncanny sense of dark humor and add …show more content…
As the tale of events unfold, the audience becomes increasingly aware of this pun on words, for Fortunato’s fate is unluckily sealed. He is manipulated by Montresor and led to his untimely and horrific death. So the irony lies in the fact that a man whose name would indicate good fortune ends up with the very ill fortune of being buried (or technically walled up) alive, something not very fortunate at all. Adding to the sickly humor revolving around Fortunato, his jester costume is a direct reflection of his fate. It is appropriate that Fortunato wear the costume of a fool, for he is duped into coming to the catacombs, and is completely tricked into allowing himself to be chained to a wall. The pun is revealed in the way that Fortunato fancies his jester costume. It suggests that at least some of the "thousand injuries" Montresor has suffered were in the form of cruel …show more content…
Fortunato is referring to the secret society, the Masons, not to a person who actually works with brick and stone for a living. Fortunato is a Mason and he wants to find out (by using the secret sign) if Montresor is too. Montresor is not a Mason in the sense of the brotherhood, but he will become a literal mason later on in the story. His reference to the word "mason" indicates a person who builds using brick and mortar which foreshadows Montresor's act of entrapping Fortunato within a wall made of brick and mortar. This is simply just an excuse for Montresor to enjoy himself by taunting Fortunato. He is literally telling Fortunato "here's how I'm going to kill you." Another example of a pun on words is when there is only one stone left to fit into the wall, and Fortunato says, “Let us be gone.” This is the sort of sick humor that Poe utilizes so effectively because he would have to be a complete fool to think Montresor is going to undo all those layers of bricks and let him out. He is hoping against hope. Montresor’s reply is even more ironic, “Yes, let us be gone.” Montresor repeats Fortunato's words, not saying that they shall leave together, but that Fortunato will be gone from this life. He is torturing Fortunato with his irony, and has been all
He gives very little information about Fortunato, past that he is a wine connoisseur. There is no mention of what Fortunato does for leisure, his family, or even his job. In fact, the only details the reader receives on Fortunato paint him as a fool, with his costume, his drunken attitude, and obliviousness Montresor is focuses on the facts that make Fortunato look bad; he not only wants Fortunato dead but he also wants Fortunato’s name discredited. Montresor tells the reader even less about himself because there is no background to who Montresor is, what he does, or even what kind of contact he has with Fortunato. The only true details of Montresor that are given must be implied and give a sense of intelligence. In addition, he gives little to no details about the carnival, such as where it was, why the carnival was happening, or even why he chose this particular day to enact his plan. From these details, or lack of details, it seems Montresor doesn’t want his audience to know this information. The audience is supposed to simply look at Fortunato a fool and Montresor a genius, the harbinger of death. The facts such as who these people were, the time, or the setting are not important to Montresor’s focus in the
Poe uses irony in his story to engage the reader throughout his text, build suspense and create tension. Poe’s story uses information that readers already know and consequently uses irony in order to sustain the readers interest. He uses dramatic irony, since Fortunato is unaware that Montresor attempts to kill him, but the readers know that he will. Montresor reveals early that he is seeking revenge on Fortunato, therefore, when Montresor expresses concern about Fortunato’s health in line 36, "Come," I said, with decision, "we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible. (36), the reader already knows his plan. He is just trying to trick him into believing him that he cares about him to gain his trust. He also uses verbal irony, "Enough," he said; "the cough's a mere nothing; it will not kill me. I shall not die of a cough.” (Poe37), but Fortunato already knows how he will die later on. This example illustrates how vague Fortunato is and has no clue of Montresor’s evil intentions. The situational irony Poe uses in the story is when Montresor kills Fortunato and walks out of the catacombs. Montresor says, “my heart grew sick; it was the
Fortunato “takes possession” of Montresor’s arm, for which he suffers (716) in order to carry out his plan. Poe’s use of possession and suffer give the impression that Montresor is being afflicted again by Fortunato. Once Montresor reveals this meeting at this evening is no coincidence by divulging he made sure none of his attendants would be home. By giving the direct orders to be home. Poe shows us that Montresor was not respected or feared by his servants’ actions. The servants’ leaving after being given a direct order to stay does give credence to the fact that Montresor must be very methodical and unyielding to his schedule. Only once Fortunato to the catacombs does he betray his own premise. Montresor refers to Fortunato as his “poor friend” (716). At this point Poe has depicted this instigator of a “thousand injuries” as a drunken jester that can barely catch his breath at this point in the story. Now Montresor is showing some sympathy towards him. At this point the transition is complete. Where the two men stopped at the entrance to Fortunato’s tomb, this is the moment that leaves no doubt that Montresor is the villain and Fortunato is the
Edger Allan Poe’s short story “The Cask of Amontillado” talks about how Montressor feels like he was insulted by his friend Fortunato. Also Montressor’s family motto is “Nemo me impune lacessit.”(Allan Poe 362), which means “No one insults me with impunity.”, and Montressor doesn’t want to let his family motto down so he uses it as a reason and make his revenge on Fortunato as a goal that has to be accomplished. Montressor tricks his friend Fortunato which was drunk at the moment, by asking him to follow him to his house and to check an expensive wine that he just purchased to be sure that he didn’t get tricked. Fortunato follows Montressor to his house and went down to the down stairs of Montressor’s house. When they get to the catacombs, Montressor chains up Fortunato and places him in a niche in the wall, and started to build a brick wall leaving him sealed inside to die in the catacombs.
Wood, Kerry.” Literary Analysis : Irony In ‘ The Cask Of Amontillado’ by Edgar Allan Poe.”Humanities 360. Helium, Inc., 9 Nov 2007. Web.17 Mar 2014.
Within this plot of revenge, Poe uses irony and symbolism to develop his theme of a man who tries to gain absolution for the sin he is about to commit. Irony in "The Cask of Amontillado" Poe
Irony is also used throughout this tale. The use of revenge in this story shows irony. Montressor avenges himself by fooling Fortunato into literally walking into his own grave. Fortunato pursues the "cask" which ends up being his own casket. Montressor even asks Fortunato repeatedly whether he would like to turn back.
The Cask of Amontillado is a short tale of revenge, written by Edgar Allan Poe. The two main characters in the story are Montresor, who is the murderer, and Fortunato who plays a wine connoisseur and the victim. In this dark story, we can see a lot of irony, hate and revenge coming from the main character who has been planning this all along. In this essay I will analyze, examples of irony and foreshadowing used by the writer, symbols and themes, among other things. (Hasanbelliu)
The Cask of Amontillado by Edgar Allen Poe is a short story told in the gothic genre. Although this story was written decades after the popularity of the genre, The gothic genre through its descriptions of the atmosphere as well as its use of grotesque and macabre imagery creates a sense of alienation, chaos, entrapment, uncertainty, and terror in the reader. Gothic literature often deals with themes of death, fears and anxieties, good vs evil, estrangement, and revenge. Furthermore, gothic literature often ends with a sense of moral closure and resolution. The Cask of Amontillado use of gothic conventions can be seen in its setting. However, the story’s unconventional use of irony and omission of moral closure adds to the psychological
Dramatic irony is used when we know, or draw a conclusion of, what will happen to Fortunato, although he continues his descent into the catacombs in pursuit of the Amontillado. The sense of revenge reaches its highest peak when Poe uses irony for Montresor to inform us that he will smile in Fortunato's face while using his wine to lure him into the catacombs to taste his imaginary Amontillado. During this scene like a fool in his costume while Montresor is leading him to his death bed. This whole time Montresor plays very innocent.
Edgar Allan Poe is one of greatest American authors and poets. He is well-known as a master of using irony in his story. “The Cask of Amontillado” is a horror story about revenge of Montresor upon Fortunato. Fortunato believes Montresor is his good friend, but he ends up with being chained and walled in to the catacombs. There are three types of irony used in this short story: verbal irony, dramatic irony, and situational irony. Using these ironies, Poe wants the readers to understand about Montresor’s “friendship” with Fortunato.
Just about everything Montresor says is ironic. He says just the opposite of what he means. He keeps inquiring about Fortunato’s health, Fortunato says that he “shall not die of a cough” (554). Montresor agrees with him, he knows what will ultimately be the death of Fortunato. Montresor deviously leads Fortunato to the vaults “down the long and winding staircase, requesting him to be cautious” (554). Montresor opens a bottle of wine and makes a toast to his friend’s “long life” (555). As For...
Poe starts off the story ironically with Montresor finding Fortunato near carnival season, where “[h]e had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells” (156). Most readers can deduce that Fortunato’s outfit was a jester’s costume, which is often worn at festivals and carnivals. Poe deliberately placed him in this costume as a hint of what was to come, for Montresor intended to make a fool out of Fortunato as he had made a fool out of him.
"A Cask of Amontillado" is replete with ironic statements and situations. Fortunato's very name is ironic given his horrific fate. At the beginning of the story, when Montresor divulges his theories on proper revenge, he says, "A wrong is unredressed when retibution overtakes its redresser." This is ironic (and a bit amusing) as Montresor is utterly consumed by his hatred of Fortunato. Then, during their descent into the catacombs, Montresor tries several times to con...
Edgar Allan Poe is a famous writer in writing detective stories and horror stories. One of his horror stories, “The Cask of Amontillado” was talking about how a man took his revenge to his friend. However, to look deeply in this story, I found that this story was not just simply a horror tale about how a man gets his revenge in the safest way. Instead, it also demonstrates much irony in several areas: the title, the event, the season, the costume, the environment, the characters’ personalities, a man’s dignity and cockiness and at the end, the public order. he are