Deborah Butterfield's "Otter" (2014) horse sculpture expresses a realistic display of beauty and craftsmanship because of its life-size image, the symbol of strength and the spirit it exerts where it is displayed at the Art Hotel in Denver, Colorado. "Otter" is a massive horse, standing at the entrance of the hotel, gazing toward the patio, looking as if it is going to trot right out the patio door. Deborah, born in San Deigo, California now lives in Montana and Hawaii. Montana and Hawaii have provided Deborah with the resources to create numerous horse sculptures, beginning with natural twigs and stems from the area. These tree stem creations are then constructed into free-standing, life-size bronze sculptures. The artist says, "I first used the horse images as a metaphorical substitute for myself-it was a way of doing a self-portrait one step removed from the specificity of Deborah Butterfield".
Sculpturing is all about expression, as the image form has depth as well as width and height; three-dimensional display. Deborah's innovative and intellectual ideas are seen in the horse with its pose and energy; alert and ready to react to whatever comes its way. The form is organized to create the image; each branch represents a part of the horse's physique. It appears as though the horse is made of tree branches and twigs, however, Deborah actually does use branch material for the horse, but then completes the sculpture by casting each element in bronze; creating this life size beast. This gives the sculpture a very convincing effect that the image is made of wood branches. Because of the bronze element, it weighs up to 2,000 pounds, which shows the strength of the
The process by which this particular statue was created involved using a method developed by Kaikei, a Japanese sculptor. It was a groundbreaking process that involved carving different pieces of wood separately and then joining them together (“Amida”). Instead of using a single object for creating a sculpture, multiple parts could be used to make the statue easier to construct and put together. After the parts were all joined together, the statue was covered in a lacquer finish and gilt was added to the face to give it the golden look.
The Statue of a kouros represents a Greek male. With one foot forward, the statue at the same time, represents movement and is able to stand on it own. This also gives the over life size figure, visible weight. In this early figure, geometric forms seem to predominate, and anatomical details, such as the chest muscles and pelvic arch, are presented with somewhat of exaggerated lines. Although the exaggerated lines show where these muscles belong, the detail is still missing. Looking up and down this nude body, at this miss proportioned and lacking of detail body, the hair is what grabs my attention. The hair is carved with detail not noticeable in the rest of the body. As well, although the fists are clinched and still bonded to the body, the legs and elbows are separated. The ability to move around and inspect the statue makes a big difference than if it was up against a wall, or just looking at its picture. The legs, which support the weight of the statue, have a visible strength which is seen in the knees. The head is what carried the most detail, the ears although to far back, are intricately designed. It is the ability to walk around the entire statue that allows me to see the different aspects and places where attention to detail was placed. However, he does not expand into three dimensional space; he has a closed-off, column-like appearance
Introduction Sea otters (Enhydra lutris) are marine mammals capable of spending their entire lives in water. Being carnivorous in nature, they feed on sea urchins, crabs, fishes, mussels and clams. They are referred to as keystone species due to their profound impact on marine ecology. The interaction between sea otters, sea urchins and kelp forests has been studied as a model for the impact of predator-prey interactions on community ecology. Sea otters are keystone predators, whose presence has a far-reaching influence on the marine food web by affecting the populations of sea urchins, which indirectly affects the populations of kelp forests & other marine organisms.
Examining the formal qualities of Homer Watson’s painting Horse and Rider In A Landscape was quite interesting. I chose to analyze this piece as apposed to the others because it was the piece I liked the least, therefore making me analyze it more closely and discover other aspects of the work, besides aesthetics.
Even the faces of the men in the foreground appear to be wax like and flat. One of the least successful faces in the piece is that of the practitioner who is in the lower right corner of the piece, closest to the bottom edge. His face only contains three distinct values of skin tone, which makes his face appear one dimensional and lifeless. Furthermore, his left hand seems to be awkwardly placed and disproportionate in its length in comparison to the dimensions of his face. While his left hand flows somewhat with his body and reflects the style of the rest of the piece, his right hand, which is much lighter in color as if it somehow managed to catch all the light from an unknown light source, shows no consistency with the artist’s technique. It is bulky and out of place. The way it grasps the surgical instrument seems very unnatural. In fact, the only purpose the hand serves in this piece is to connect this man to the scene itself as an extension of this triangular composition. In this sense this figure is important, for his disproportionate body catches the viewers eye at the very edge of the painting, just as his or her attention is about to waive, and shoots it back into the main composition.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.
"Statuette of a standing maiden [Etruscan] (17.190.2066) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Metropolitan Museum of Art - Home. N.p., n.d. Web. 16 Feb. 2014.
She also wanted to sculpt her body, defining all of her curves just like the many cartoon characters she idolises. This decision has changed her life forever.
sea otters are from the kingdom animalia. Sea otters are stouter and have large rib cages, smaller tails and muzzle than other species of otters. Yet sea otters posses the fine, dense fur coats characteristic of the Mustelidae. Their forefeet are small and dexterous with retractile claws and the flipper like hind feet are broad and webbed. Sea otters once was abundant along most coastal North pacific ocean. That was before fur traders hunted them for their thick ice, luxurious pelts. By the year 1900, sea otters were nearly extinct . Protected since 1911, alaska sea otters have made a comeback. There lifespan is 10-15 years. Great white sharks are the primary predator of sea otters and occasionally eaten by coyote so the predators that the
I addition, the painter ability to convince portrays fabric of different types of the marks to make him a great painter. In a dimensional work of art, texture gives a visual sense of how an object depicted would feel in real life if touche...
The Monterey Bay Sea Otters There are a number of sea otters who are an important part of this world and they form a fairly large population and that is why it is felt that they should be preserved at all costs. They are an important source of earning for the people and they are also important in the sense that they provide an important source of earning to the people and their is an entire group of people who use this field as their source of earning. Besides the population of these otters keeps fluctuating and it has to be maintained because if the number fluctuate exponentially and if they get out of hand they can damage the ecological and the environmental balance of the world. Similarly the fishing and the killing of these otters can cause the damage to the balance because just like the excess of anything can cause a problem similarly the excess supply can cause a lot of major problem as well. These otters vary in sizes and this is an unchartered territory with a number of parasites who do vary in species and sizes and they all have their purposes and pros and cons and they impact our life and the balance of the world in a different manner. As the size varies so does the importance of the otters and the smaller ones might be innocuous while the larger ones can be the source of food as well and some of the larger species can also act as the predators and they act as a deterrent for the other species because they keep the check over the other species. They may pose a hazard of some type in some of the cases but their habitats and their productive cycles are all the things that need to be considered by us as human beings. Similarly their eating habits and appetites can alter and impact our world and our actions and reactions an...
The cuteness of otters is worldwide accepted. These creatures are fuzzy, social, and incredibly intelligent. Male otters are called boars, females are sows, and the babies are called pups. This essay contains a brief synopsis of the types of otters, the anatomy of an otter, the threats they face, its social nature, motherly instinct, how it eats, and its daily life.
This sculpture seems to epitomize the ideal male human form. All of the body parts seem perfectly proportioned and the muscles are beautifully defined as if the image were of an athlete. The image is youthful with a calm demeanor. The right missing forearm looks as if it used to be resting at his side, while the left elbow was probably at a 90 degree angle, with the hand holding something. The slight bend in the left leg gives the impression of movement, as if the image was frozen while walking. The counterpoised stance adds an air of nobility to the "man".
Snodgrass, W. D. "A Rocking-Horse: The Symbol, the Pattern, the Way to Live." The Hudson Review 11.2 (1958): 191-200. JSTOR. Web. 23 Feb. 2014.