Death and re-birth in The Hours
Adapted from Michael Cunningham's Pulitzer Prize-winning novel by Director Stephen Daldry and playwright David Hare, The Hours was inspired by Virginia Woolf's 1925 novel Mrs. Dalloway. It is no coincidence that The Hours was the working title Woolf had given Mrs. Dalloway as she was writing it. The emotional trauma that this film guides its viewers through becomes evident in the opening prologue. The scene begins with Virginia Woolf composing what would be her suicide notes to her husband Leonard and her sister Vanessa, the two most important people in her life (Curtis, 57.) She begins: "I feel certain that I am going mad again: I feel we can't go through another of these terrible times... You have given me the greatest possible happiness.. ." The portrayal of this process quickly demonstrates the turmoil Woolf is feeling, both from her oncoming episode of "madness" and the difficulty she is having finding the correct words to say "farewell" (Lee, Hermoine). The prologue comes to its climax as Kidman portrays Woolf's suicide. It is a gut-wrenching display of one's "matter-of-fact" acceptance of one's own coming death. Very dramatically, Woolf fills the pockets of her coat with large stones and stoically walks into a swollen river. Her head slowly disappears beneath the muddy water as all hope of her reconsidering her suicide is swept away with the current.
The Hours then introduces us to three women from three different decades, and their relationships with others, tied together by a common thread--Mrs. Dalloway. Mrs. Dalloway is about one day in the life of its namesake, Clarissa Dalloway, as she prepares for a dinner party. "She is a woman who, on the outside, is a perfect...
... middle of paper ...
...m the responsibility for his death by saying a line similar to one in Woolf's letter to her husband--"I don't think two people could have been happier than we've been."
Though there are cinematic clues that they are the same person (similar pajamas, and Richard looking at a old photo of a woman with pills spilled on its surface)--It is only after Richard's suicide we learn that he is actually Laura Brown's grown up son Richie. Up until his suicide we are led to believe that Brown had committed suicide. In fact, in Richard's hard-to-read novel, he has his mother as committing suicide. The reality as we learn from her, is that she abandoned Richard and the rest of her family shortly after her second child was born. Much like the loss Woolf experienced when her mother died while Woolf was thirteen, the loss of his mother affected Richard deeply (Curtis).
Both Virginia Woolf and Annie Dillard are extremely gifted writers. Virginia Woolf in 1942 wrote an essay called The Death of the Moth. Annie Dillard later on in 1976 wrote an essay that was similar in the name called The Death of a Moth and even had similar context. The two authors wrote powerful texts expressing their perspectives on the topic of life and death. They both had similar techniques but used them to develop completely different views. Each of the two authors incorporate in their text a unique way of adding their personal experience in their essay as they describe a specific occasion, time, and memory of their lives. Woolf’s personal experience begins with “it was a pleasant morning, mid-September, mild, benignant, yet with a keener breath than that of the summer months” (Woolf, 1). Annie Dillard personal experience begins with “two summers ago, I was camping alone in the blue Ridge Mountains of Virginia” (Dillard, 1). Including personal experience allowed Virginia Woolf to give her own enjoyable, fulfilling and understandable perception of life and death. Likewise, Annie Dillard used the personal narrative to focus on life but specifically on the life of death. To explore the power of life and death Virginia Woolf uses literary tools such as metaphors and imagery, along with a specific style and structure of writing in a conversational way to create an emotional tone and connect with her reader the value of life, but ultimately accepting death through the relationship of a moth and a human. While Annie Dillard on the other hand uses the same exact literary tools along with a specific style and similar structure to create a completely different perspective on just death, expressing that death is how it comes. ...
According to Chronicles magazine, "Woolf was undeniably a brilliant writer." Woolf's work of Mrs. Dalloway was read by fifteen-year-old Michael Cunningham in order to impress an older girl in school. As he stated, "the book really knocked me out." Once older, Cunningham wanted to write about Mrs. Dalloway, but thought not too many people would want to read a book about reading a book. He then thought he might want to read a book about reading the right book. Hence, The Hours was written. Cunningham would incorporate Mrs. Dalloway into "a book about reading a book." The Hours weaves through three woman's lives. As the novel unfolds, it shows that these three women are related by parallel experiences.
A Comparison of Two Accounts of Life After Death Materialism is the view that the body and mind are inseparable, and for there to be life after death then the body must be resurrected. This is much like the Christian view of life after death. John Hick was a materialist and he argued that, in certain circumstances, it would be possible that the dead could exist as themselves after death, if an exact replica were to appear. Hick uses thought experiments to show the person who dies in this world is the same person who is resurrected in the next. He uses examples of using a character named John Smith.
The Hours attempts to use one day to reflect Woolf s life and the impact her work has had on others. In the movie, Woolf is writing Mrs.Dalloway which Brown is reading and Vaughan sort of lives out. Woolf s novel connects the three women and affects their actions. It should be noted that Vaughan gets a lot less attention than Woolf and
For my final project I chose to compare two works of art from ancient Mesopotamia. A visual work of art and a literary one. The visual work of art I chose was the Statuettes of Worshipers which were created around 2900 to 2350 BCE at the Square Temple at Eshnunna, a city in ancient Mesopotamia. The literary artwork I have chosen is the Epic of Gilgamesh written roughly around 2800 BCE by author or authors unknown. It was set in Uruk, another city in ancient Mesopotamia. Both of these works of art share a common theme; the theme of immortality. It is my hopes that within this paper I can accurately show how each of these works of art express this theme, and how it relates to modern society.
A classical point of departure in defining Death, seems to be Life itself. Death is perceived either as a cessation of Life - or as a "transit zone", on the way to a continuation of Life by other means.
hilosophers have contemplated over the subject of immortality. They question if the soul, particularly, is immortal. Although Plato writes the Meno, it is supposed to be a copy of what Socrates personally encountered and “taught” in his lifetime. Even though the Meno is originally about the search for the meaning of virtue, one perspective on the immortality of the soul is introduced to us by Socrates in that play. Therefore, what Socrates thought about the immortality of the soul in the Meno is the following: “If the truth about reality is always in our soul, the soul would be immortal so that you should always confidently try to seek out and recollect what you do not know at present” (Plato, 86b) In the beginning, Meno challenges Socrates
While reading Virginia Woolf's classic novel, Mrs. Dalloway, Michael Cunningham was inspired to write his revision The Hours. In The Hours, Michael Cunningham gives his interpretation of the characters in Mrs. Dalloway while giving it a modern twist. Like Virginia Woolf, Michael Cunningham includes many controversial topics like mental illness, and relationships among individuals of the same sex. While Woolf just mentions the idea of being with another woman in her novel, Cunningham takes this and makes it into something different, Even though Cunningham has made changes to the original text, you can still see the parallels between the two.
In the story of an hour we follow Mrs. Mallard after receiving the news of her husbands death. After receiving the news she closes herself off in her room and sinks into her chair overlooking a big bright window. The window has a big part in the story because it symbolizes many thought and emotions going through Mrs. Mallards Mind.
What can be defined as the Good Death, an ideal way to die, in America? The idea of a Good Death has been around since the Middle Ages as being the ideal way to die within a culture; however, the idea has been distorted and modified since it began. Each author discussed has a different opinion about what is the ideal way to die in the time period or situation they are discussing. Philippe Ariès’ is a dominant figure in the history of death and his book, The Hour of Our Death, defines the four stages of death that the world has gone through and is still experiencing today. Ariès defines the Tame Death, Death of the Self, Death of the Other, and Invisible Death throughout the time period of over a century. The Tame Death is the death that has
In Cunnigham’s The Hours, Virginia Woolf, through Cunnigham’s interpretation, is a character that is fascinated by mortality. In each event she experiences in the novel, she evaluates how she feels about living, and constantly considers suicide as a way to escape her oppressive life. One of these moments occurs when she is attending a “funeral” for a dead bird with her sister’s children. Although the reader knows that Virginia will eventually commit suicide, the “funeral” scene is an important character revelation because it reveals that at this point in the novel, Virginia was not ready to take her own life; and unfortunately, the film misses this important aspect of her character by condensing this scene.
“The Story of an Hour” is the story of Mrs. Louise Mallard who suffers of a weak heart. This being the first we know of Mr. Mallard, she is carefully being told that her husband had just passed away in a train accident. As every good wife should, Mrs. Mallard breaks out in grief. At first, the story goes, as it should. Then Mrs. Mallard goes into her room where she begins thinking, and her first thought is that she is free. Mrs. Mallard after years of being in an unhappy marriage is finally free to do what she wants, with no one to hold her back. Yet everything is against her, when she finally accepts that her life will begin now, her husband enters his home, unscathed and well, not having known that everyone thought him dead, a...
The search for immortality is not an uncommon one in literature. Many authors and poets find contentment within the ideals of faith and divinity; others, such as Whitman and Stevens, achieve satisfaction with the concept of the immortality of mortality. This understanding of the cycle of death and rebirth dominates both Walt Whitman's "On the Beach at Night" and Wallace Stevens' "Sunday Morning" and demonstrates the poets' philosophies of worldly immortality.
Memory of Virginia Woolf's Mrs. Dalloway. Clarissa Dalloway and Peter Walsh are defined by their memories. Virginia Woolf creates their characters through the memories they share, and indeed fabricates their very identities from these mutual experiences. Mrs. Dalloway creates a unique tapestry of time and memory, interweaving past and present, memory and dreams. The past is the key to the future, and indeed for these two characters the past creates the future, shaping them into the people they are on the June day described by Woolf.
The main theme in “The Story of an Hour” is a woman’s freedom from oppression. Mrs. Mallard does not react accordingly to the news of her husband’s death; in the third paragraph it states, “she wept at once, with sudden, wild abandonment.” After her initial wave of shock and sadness has passed, however, she becomes elated with the thought of finally being free of her husband. Originally, she is described as being “pressed down by a physical exhaustion that haunted her body” and having lines that “bespoke repression”; in an attempt to be a perfect wife to a man whom she did not even love, Mrs. Mallard has been masking her true self. Once she realizes that she has finally gained the freedom that she has been longing for, Mrs. Mallard begins to