The contemporary cinematography is a huge and diverse world where everyone can find a movie and/or genre they love the most. A lot of directors with different views and backgrounds are making movies and it is hard to pick one to analyse as everyone’s work is beautiful and deep in their own way. But for this assignment, I decided to choose David Fincher and try to lift the curtain of the complex world of his movies. David Fincher wanted to be a director since the early childhood. And particularly, two events in his life established the choice of becoming a movie director. When Fincher was 7 years old, he saw Butch Cassidy and the Sundance Kid and thought that moviemaking can actually be fun (Collin). Age 12, he realised that he was living near George Lucas, the creator of American Graffiti, and thought that directing is within reach of everyone (Collin). …show more content…
Fincher understood that moviemaking has to be not only for the money but for the directors themselves as well so he turned down every compromise and literally was driving half of the studio mad (Collin). And even though this movie made money, it gained negative critic reviews and Fincher was away from cinema world for some time. And only two years later after the premiere of Alien 3, he came across the script for the psychological thriller called Se7en. This time, David Fincher understood that he didn’t have a right to make a mistake again. After its release in the theatres, movie gain critical acclaims who praised not only the actors’ performances but also the shooting style, accurate plot and the shocking ending which can be the cruelest among all Fincher movies. After Se7en, David found his own style and what kind of movie he wants to make, he continued to create movie in his own style. And that makes him different from other directors in the modern
Smith was born and raised in Red Bank, New Jersey. He grew up going to the very same Quick-E Mart in which his first widely received film, Clerks, took place (www.uidaho.edu). Smith always uses his own experiences as a lower-middle class male in New Jersey to compile his scripts, and adds his own humor as well as the humor of recurring actors who appear in his films. His four semi-cult hit films are (in order of production): “Clerks”, “Mallrats”, “Chasing Amy” and “Dogma”. In all four of these films, Kevin Smith wrote the scripts, directed, produced and made appearances in the films.
Films are designed for numerous purposes, some entertain, frighten, enlighten, educate, inspire, and most make us think about the world we live in. This paper will be focused on the cinematic interpretation of the film "Stepping Razor Red X", the Peter Tosh Story. The makers of a film from the writer, director, cinematographer and the art director, design, and conceptualize what they want the viewer to see.
David Fincher’s drama film The Social Network (2010) received quite a lot of attention. Winning 3 Oscars including best screenplay by Aaron Sorkin. Several people went to watch the film thinking its about Facebook, one of the element is about the website but not the main one. There are elements in the story that are as old as the story telling itself, of loyalty, friendship, jealousy, class, power and betrayal. That being said there are several ways Field’s 3 Act Structure and Vogler’s 12 Act Structure of a hero’s journey is presented in a clear way.
One of the most prominent and influential directors in New Hollywood was Italian-American Martin Scorsese. His first major critical success, and what is often considered his “breakthrough” film, was 1973’s Mean Streets. This film helped to establish Scorsese’s signature style in regards to narrative and thematics as well as aesthetically. Scorsese developed a unique and distinct directorial flair to his films, with reoccurring themes, settings, cinematography, and editing techniques, among other elements. This led a number of film critics to declare Scorsese an “auteur,” similar to Jean-Luc Godard, Francois Truffaut, and other auteur directors of the French New Wave.
The Alfred Hitchcock film; Vertigo is a narrative film that is a perfect example of a Hollywood Classical Film. I will be examining the following characteristics of the film Vertigo: 1)individual characters who act as casual agents, the main characters in Vertigo, 2)desire to reach to goals, 3)conflicts, 4)appointments, 5)deadlines, 6)James Stewart’s focus shifts and 7)Kim Novak’s characters drives the action in the film. Most of the film is viewed in the 3rd person, except for the reaction shots (point of view shot) which are seen through the eyes of the main character.(1st person) The film has a strong closure and uses continuity editing(180 degree rule). The stylistic (technical) film form of Vertigo makes the film much more enjoyable. The stylistic film form includes camera movements, editing, sound, mise-en-scene and props.
All directors of major motion pictures have specific styles or signatures that they add in their work. Alfred Hitchcock, one of the greatest directors of all time, has a particularly unique style in the way he creates his films. Film analyzers classify his distinctive style as the “Alfred Hitchcock signature”. Hitchcock’s signatures vary from his cameo appearances to his portrayal of a specific character. Two perfect examples of how Hitchcock implements his infamous “signatures” are in the movies, A Shadow of a Doubt and Vertigo. In these movies, numerous examples show how Hitchcock exclusively develops his imagination in his films.
With his down-the-rabbit-hole approach to design and obsessive attention to detail, Wes Anderson, writer, director and auteur, is best known for his highly stylized movies. His extremely visual, nostalgic worlds give meaning to the stories in his films, contrary to popular critical beliefs that he values style over substance. Through an analysis of his work, I plan to show that design can instead, give substance to style.
In the film V for Vendetta the director James Mcteigue uses a range of different film techniques in order to gain the audience's attention and to make the movie more interesting. The four film techniques I’m going to focus on in this essay are editing, music, camera angles and the lighting. I am going to do this by analysing the ‘Domino Montage’ scene.
Alfred Hitchcock’s 1954 film Rear Window is truly a masterpiece, as it uses fascinating cinematic elements to carry the story and also convey the meaning of voyeurism. Throughout the film we are in one room, yet that does not limit the story. This causes the viewer to feel trapped, similar to the main character, while also adding suspense to the detective story. The opening scene itself, draws the viewer in. In just five minutes and 27 shots, the viewer is given an introduction to the main character, his lifestyle, his condition, and his neighborhood. The lighting, the costumes, and the set are all presented in a way to catch the viewers eye, compelling them to crave more. Combining vivid lighting, edgy cinematography, and unique set design, Rear Window, proves why Hitchcock is still remembered as one of the greatest and most influential directors of all time.
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
It is no doubt that Martin Scorsese has heavily influenced the emulating of American film making from European influences. He is a prime example of a ‘New Hollywood Cinema’ director, not only from his ethnicity and background, but from his sheer interest in this form
INTRODUCTION Steven Spielberg is the most commercially successful filmmaker in Hollywood. Steven Spielberg was born in December 18, 1946. He is one of the founding pioneers of new Hollywood era. He is one of the most popular director and producer in film history and member and co-founder of DreamWorks studios. He first made his mark in television, directing Joan Crawford in the pilot for Rod Sterling’s Night Gallery and first feature-length effort, 1971's Duel, a taut thriller starring Dennis Weaver, swas widely acclaimed as one of the best movies ever made for television.
Born on 30th of July 1970 in London United Kingdom to a British father and American mother. Because of that he has both British and American citizenship and has been living in both London and Chicago since his childhood. He found his passion for filmmaking at early ages and at age 7 he made his first short film with his father’s camera. Eventually just like most directors he did not attend film universities, instead he went on to study English literature in London, his hometown. One of his early short films which is probably his best also, is ‘Doodlebug’ which he made in
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.