In many of Jane Austen’s novels, women are often portrayed as very passionate and strong characters, much more so than the men. The novel Sense and Sensibility, in particular, contains multiple female leads that display different aspects of a woman and her approach on life’s many decisions. Elinor Dashwood, for example, made her decisions and acted on her sense, making her a strong character especially when her emotions are tested. Marianne Dashwood, on the other hand, made all of her choices solely based on her emotions rather than sense, which is what made her seem weak as her emotions were tested win the book. Even with these two very different mindsets between the two sisters, Austen also placed a lot of cunning women into the story such as Lucy Steele and Fanny Dashwood that display how strong and zealous women can be compared to men.
While this is an obviously biased view, it is one which cannot to ignored. It would be unfair to conclude an essay about a novel of such great proportion without matching its weight and grandeur. Tituba's life is one fraught with strong influences; women inspire her to achieve great things while her sole weakness, men, pull her down and ultimately contribute to her demise. Tituba is exposed to the often harsh realities of life, as she attempts to maintain her strong morals and values. Conde is able to drive her vehicle to destroy prejudice straight into success.
In the epic poem of “Beowulf,” Grendel’s mother is portrayed as a strong, evil-fighting woman. Yet, with the superiority of men, women are also looked down upon and withheld from several rights of passages and freedoms. In Puritan times, women were regarded as only being useful for their domestic abilities and child-bearing capabilities. As time moves forward, several outstanding women have worked to gain their own rights and fight for equality with men. A crucial part of each women’s rights movement is the first-hand perspective from a female poet or author.
The roles of women in Antigone and A Doll’s House are certainly different than the roles of men, and the two main women in both plays transcend the expectations and beliefs of what women can and cannot do. They prove this in several ways, including the fact that they were determined, very intelligent and clever, and wiling to break the laws of man for loved ones. Antigone and A Doll’s House are great works of classic literature that portray women as strong and intelligent beings.
The relationship between perfection and flaw is checkered throughout history, becoming a frequent comparison in many medieval works. Overall, these narratives illustrate the gap between female characters as being completely opposite from one another, and women must associate themselves with either side of the coin. Although the influence of all of these women is important, the greatest and most powerful female characters respect the men around them, while exercising virtuous and faultless behavior.
Weldon aims to show women that with great power comes an even greater responsibility. Weldon writes with a wicked sense of humor and outrageous plots. Her point of view and narrative style are fresh mix of tolerance, exaggeration and realism. “Weldon’s interest in the experience of women, her perceptions about their sexuality and friendship, her intelligent view that women’s lives are of necessity different from men's make her a most valuable contemporary novelist fo... ... middle of paper ... ...f view to her novels. Weldon is much more complex and experienced, and feminism is just one part of her personality, as well as of her novels.
However, this sexism gives a perspective and portrayal on how women had to endure being suppressed, repressed, and even had to exploit their femininity to still get along in the male-driven public and private spheres in the sixties. Because of that, the series successfully achieves creating stereotypic realizations of both black and white women during that period. Coincidentally, the female lead characters (Betty Draper, Peggy Olson, Joan Holloway and Midge Daniels) discussed in the previous paragraphs were ranked least to most powerful in how much influence they had on their spheres. Still, it can be vouched for that Betty Draper is essentially the most powerful woman of all the female protagonists of the show. This is because she dared to voice her opinions and critique against her husband as well as men in general, just like Betty Friedan describes in The Feminine Mystique.
The repressive society has taught a woman to be culturally silent, and thus this act of writing is for her essentially an act of breaking her silence. These women writers are aware that hundreds of thousands of women are discriminated against merely for being women. Such an insight into the marginalized feminine consciousness is provided by Manju Kapur’s Difficult Daughters. Every woman wants to differ from the stereotypes based on sex but to win over the oppressive forces she must manifest courage and uprightness. Manju Kapur, as a keen observer, explores many aspects of feminine sensibilities in her novel, Difficult Daughters.
Rukmani, the protagonist, comes across as a woman whose strength, courage, perseverance and resilience is a fitting reply to all those patriarchal institutions promoting the stereotypical images of women. The writer places her female characters in different circumstances and the same is to be analyzed in the Paper. Markandaya doesn’t portray her female characters in Nectar in a Sieve as victims rather they are shown as an epitome of will and patience standing upright against all onslaughts. Rukmani throughout the novel, succeeds in asserting and affirming her independent identity that celebrates her womanhood. Markandaya deconstructs the gender ideologies that propagate the dominance of male over female.
Her description shows the struggle for power causes conflict, occasional violence and abuse; all the while she is justifying her lifestyle and fighting for female equality. Despite no fidelity, love, or trust as deceit and affairs that seem to be commonplace the Wife of Bath ‘s description of married life is very much a comical one, which she does seem to enjoy especially if she achieves fulfillment. Altogether Chaucer’s portrait of 14th Century married life is at best a humorous battleground for independence, wealth and pleasures of the flesh. Works Cited: Chaucer, Geoffrey. The Canterbury Tales.