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Role of religion in english literature
Dante's inferno literary analysis
Dante's inferno literary analysis
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Recommended: Role of religion in english literature
For centuries, many humans have thrived on the idea of an everlasting salvation, in other words, Heaven. Several religions, including Christianity, use Heaven as an incentive to avoid sin and avidly follow God’s law. The idea of an everlasting salvation could not exist if there were not also the idea of eternal damnation. Because there is a reward for a person’s loyalty to God, the opposite must also be true; betraying God by committing sins will result in a soul’s eternal suffering in Hell. In the Inferno from the Divine Comedy Dante Alighieri uses symbols to emphasize the dangers of sin.
A person’s actions are a reflection of the society in which they live. Every day, humans are influenced by several outside factors such as music, television, and other humans. When a child is born, they are a blank canvas waiting to be painted, and society is the artist. Society evolves the way a person thinks, which in turn determines the way a person acts, because all human actions are driven by emotions. During the Medieval Ages, Christianity was the predominant religion of Rome. Religion, specifically Christianity, played a crucial role in the governing of medieval society. As a Roman, religion played a major role in Dante Alighieri’s life. His strong Christian beliefs influenced his literary work by altering his overall idea of sin, his decisions of whom to place in Hell, and each sinners corresponding punishment (Burge). Dante’s idea of sin is when a person acts against God. Those who are placed in Hell are those who commit acts that offend or betray God. Dante also places Brutus in Hell because as a Roman Dante loved Caesar, and the Roman people despised Brutus for his involvement in the murder of Julius Caesar. Although Brutus did not a...
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...amount to the satisfaction a human obtains when they are rewarded for avidly following God; an eternal salvation.
Works Cited
Bloom, Harold, ed. ""Elements of Dark Humor in Dante's Divine Comedy"." Bloom's Literature. Facts On File, Inc. Web.
Bloom, Harold, ed. “ Inferno.” Bloom’s Literature. Facts On File, Inc. Web.
Burge, James. “Dante: Reason And Religion.” History Today 61.3 (2011): 10-15. Academic Search Complete. Web.
Cevetello, J. F. X., and R. J. Bastain. "Purgatory." New Catholic Encyclopedia. 2nd ed. Vol. 11. Detroit: Gale, 2003. 824-829. World History in Context. Web.
"Purgatory, Idea of." The Middle Ages: An Encyclopedia for Students. Ed. William Chester Jordan. Vol. 4. New York: Charles Scribner's Sons, 1996. 1-2. World History in Context. Web.
Rudd, Jay. "Inferno: Cantos 31–34." Bloom's Literature. Facts On File, Inc. Web.
In most ancient literature some sort of divine justice is used to punish people's acts in life. This is that case with Dante's Inferno, where the Author categorizes hell in 9 circles. Circle 9 being the lowest sins and punishments as the circles decrease. From the time this was written to now in days many things have changed, and things are not seen the same no more. Back then sins like greed and gluttony were ranked as high sins but now people would probably rank those very low with other things like murder way on top. Yet the basic structure set by Dante remains.
"Inquisition." In New Catholic Encyclopedia, edited by Berard L. Marthaler, 485-491. Detroit: Thomson Gale, 2003.
Alighieri, Dante. The Divine Comedy of Dante Alighieri: Inferno. Trans. Allen Mandelbaum. Notes Allen Mandelbaum and Gabriel Marruzzo. New York: Bantam Books, 1980
Hawkins, Peter S. “Dante and the Bible”. The Cambridge Companion to Dante. 2nd Ed. Ed. Rachel Jacoff. Cambridge: Cambridge UP, 2007. p. 125-140. Print
Deceived perspective and impaired logic lure vulnerable individuals to frolic in the meadows of sin; therefore, in order to achieve ultimate freedom, one must first be stripped clean of all earthly and common expectations. Dante contorts Earth from a palace to a prison. Bound in earthly limitations, man “by his own fault” (Dante 307) engenders “grief and toil” (Dante 307) causing the “the winds of earth and sea to rise” (Dante 307). Men adhere to addictive habits ignorant of God’s presence on earth. By contrast, purgatory cuts men’s binds to these traps through punishment, enlightening individuals to their mistake. These conversions prompt “singing” (Dante 109) not moaning—as one would expect during punishment—and as the cleansed souls free themselves of their burdens of sin, their climb “up the sacred stairs”(Dante 133) seems “lighter”(Dante 133) and “easier by far” (Dante 133). Dante uses these paradoxe...
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradise. Dante presents these principles in Inferno, where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell, the degrees of sin get progressively worse, as do the severity of punishment.
When we are first introduced to Dante the Pilgrim, we perceive in him a Renaissance intellectual, who despite his intelligence and religiosity has lost the “path that does not stray” (I.3). Having thus lost touch with the tenets of orthodox Catholicism, a higher power has chosen for him to undertake an epic journey. (The devout are able to identify this power with the one Judeo-Christian God, while pagans and sinners often attribute the impetus behind the Pilgrim’s voyage to fate.)
Puchner, Martin. "Purgatorio." The Norton anthology of world literature. 3rd ed. New York: W.W. Norton & Co., 2012. 512-534. Print.
The Divine Comedy is a poetic Italian masterpiece by Dante Alighieri composed of three parts which he called respectively: The Inferno, The Purgatorio, and The Paradiso. As this edition’s translator, John Ciardi puts it, originally Dante simply entitled his works as The Comedy, however, in later years, it was renamed The Divine Comedy for the connections that the public saw it had with human behavior and morality (Ciardi, 2003). For the goals and purposes of this review, we will focus specifically on the portion of the book called The Inferno. At a time when religious and secular concerns were at their peak in fourteenth century Italy, a tone of conflict broke out between the church and the government. Beyond the commonalities of corruption
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Brown, Sapphire M. "Referenes to Dantes Inferno." Humanities 360. 8 Jan. 2009. Web. 27 Apr. 2015.
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
The Inferno written by Dante Alighieri is an epic about his journey through Hell. In Dante’s representation of Hell contains nine circles containing different sins each with a more severe punishment than the last. In these increasingly terrifying scenarios, he encounters many ironic punishments and often has discussions with a person amidst the torment. Dante is accompanied by a guide (Virgil) who acts as the mentor. The two travel through hell in hopes of reaching Heaven. While Dante walks as a bystander in the terrors of hell, he begins to commit sins himself, although towards the sinners which he encounters he still is admitted into heaven. While Dante occasionally sins throughout his journey, he usually meets the sinners with compassion and pity, but Virgil meets them with the opposite and views them in disgust. While they may treat them any way they want, the one which causes them the most torment is God, which Dante himself views cruel at times.These incongruities and travesties, bring the morality of the Catholic system of condemnation into question.
In the Inferno, Dante gives his audience the clear view as to what he believes as a Christian follower, that hell has to offer. He shows that worldly sin every single sin has a fair punishment. An example in Dante would be when Cocytus was frozen because he committed the cold crime of fraud. The deeper that Virgil and Dante go into hell, the greater volume of sin is committed. In each level of hell, the criminals are punished equally depending on what their crime was. Dante learns that God's punishment is just and that his power is divine. He sets forth one of the most fully developed Christian understanding of justice on this earth. He describes this justice as what we do as human beings will determine what happens to us when it is our time to go based on Gods judgment. An example of this divine power would be when the Furies will not let Dante and Virgil get past the Gate of Dis.