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Literacy history essay
Literacy history essay
Literacy history essay
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Jimie Garcia 11/16/17 English 1B Mr. Johnson Cultural Story Analysis The literature of Nicaragua dates back to the pre Columbian period of oral literature and myths, which established the cosmogenic perception of the Nicaraguan people around the world. Until today, some of these myths remain widespread. The myth El Cadejo is very popular in Nicaragua and around the world and adopts a Spanish cultural background. The theory has been founded upon the literary concept of new historicism and upon the Spanish Nicaraguan culture. The literary theory of new historicism is founded upon the idea that literature ought to be studied and understood concerning both the author's history and the history …show more content…
The Spanish origin of the name depicts that there is a huge interconnectedness between the myth and the Spanish background, which proves the concept of new historicism. From the perspective of the local common speech in Nicaragua, cadejo refers to an enormous member of the weasel family, who is often alleged to be the originator of the myth (Jaeck, 115). The association of these cadejos to superstitious powers is an indication that the Nicaraguan culture is superstitious. These superstitious characteristic of the culture in which the author comes from has been exemplified in different sections of the myth, which is a product of the new historicism theory that considers the author’s culture and background in the …show more content…
In one way or another, the author creates an impression of the environment which was existent at that time, which is a demonstration of ideals of new historicism. The author has managed to consider both his historical background and the environment of critics. The myth has been created with an intention to scare and discourage people, particularly children, from loitering in the dark. It as well places the act of walking at night as a not so positive social behavior in the Nicaraguan
Alfredo Corchado — is the author of the book named " Midnight in Mexico:A Reporter's Journey through a Country's Descent into Darkness”. We are, probably, all interested in finding out the facts, news, and gossips about Mexico. This country was always associated with something mysterious. For me personally, the title of the book seemed to be very gripping, I was interested in revealing the secrets of life in Mexico, thus I decided to read this book. I was really curious, what can Alfredo Corchado tell me about the life in this country, the country, where the constant massacre is the picture, people used to see. In his book, the author tells the reader about the real situations, which took place in Mexico, reveals the secrets of the people’s lives and tells the story from the “inside”. He describes the way he lives his life, and does his work. The " Midnight in Mexico: A Reporter's Journey through a Country's Descent into Darkness” is a memoir. Author tries to transform his own experience into the story line. Corchado shows the reader the darkest episodes of Mexican society, while relying on his own experience.
... A few photos of Tenochtitlan and warriors headdresses, clubs and obsidian blades would increase the pleasure 10 fold. Also in places the author tends to divert to other Ameriindian cultures and use their ritual practices as examples. These comparisons can bring the ritual practices of a 500 year extant culture into modern day belief.
Colonial Latin American society in the Seventeenth Century was undergoing a tremendous amount of changes. Society was transforming from a conquering phase into a colonizing phase. New institutions were forming and new people and ideas flooded into the new lands freshly claimed for the Spanish Empire. Two remarkable women, radically different from each other, who lived during this period of change are a lenses through which many of the new institutions and changes can be viewed. Sor Juana and Catalina de Erauso are exceptional women who in no way represent the norm but through their extraordinary tales and by discovering what makes them so extraordinary we can deduce what was the norm and how society functioned during this era of Colonial Latin America.
Although the Aztec civilization is a popular subject studied by the scholars, it tends to be one-dimensional: the elite and religion are the hearts of the study. The work here goes beyond that, as it tries to give us a new perspective on the “ordinary people”. The book studied here is titled Aztecs: An Interpretation, by Inga Clendinnen, first published in 1991. It studies the Aztecs people, also known as Mexicas, living in the empire that was Tenochtitlan, in the valley of Mexico. This work tries to be a reconstruction of the pre- colonial kingdom, before the arrival of the Spaniards in August 1521. Clendinnen successfully highlights how religion and sacrifices are perceived among the common people, and how they forge the lives of the inhabitants of Tenochtitlan. Nevertheless, even if she brings fascinating new elements, her lack of multiple sources puts doubt on the truth and accuracy of her statements.
In the novel, Pedro Páramo, by Juan Rulfo, settings serve the purpose of being much more than merely locations. Various settings are utilized to represent symbols throughout the novel in order for Rulfo to develop the plot of the novel. Comala is a location that clearly acts as a symbol in Rulfo’s writing; however, to truly recognize the symbolism in the novel and to acknowledge the presence of key themes such as those of purgatory, religion, and oppression, it is necessary to analyze less conspicuous settings, particularly, the home of doña Eduviges, the church, and the Media Luna.
Palmas, at this time, took the task of retelling a traditional religious tale with his own twist, and that twist allowed him to entertain as well as criticize his own material. Criticizing religious folklore with methods of “costumbrismo” was vital in teaching his Latin American audience to be able to find the humor and irony in what they absorb through literature, and that is especially important with religious text. In a time when social and political reform went hand in hand with Latin American writing, Palmas did not just want to entertain with this humorous and enthralling piece, he wanted his audience to learn to be able to challenge religion in literature, and finally and most importantly, within the government in order to form a more liberal, secular
...s poems publication. In `A un olmo seco', we discover references to the cemetery of Leonor's grave, and the beauty of new shoots set against the decay of the `olmo's' trunk, which evokes Machado's young wifr in her terminal condition. `A un olmo seco' is highlights the central theme of landscape and countryside, and through the physical description, Machado remembers his personal experience in Soria. The river Duero acts as a leitmotif for the cemetery where his wife was buried. In `Caminos' as Machado develops the theme of his displacement in Baeza, his mood is finally attributed to the loss of his wife. Landscape can be linked with inner emotional landscape. The landscape in this poem is ominous, violent and inflexible: "hendido por el rayo." Therefore, landscape acts as a way of revealing inner emotion and Spanish National character throughout the collection.
Hernan Cortes Myths are "hangups from way back":[1] false or highly inaccurate beliefs that are taken at face value. One collection of myths which has exercised a powerful grip on the minds of many, and contributed to feelings of inferiority on the part of large numbers of "pure" or "mixed" descendants of Native Americans in the region of northern Mesoamerica,2 has to do with the conquest of the "Aztec Empire" by HernanCortes and his followers in the early sixteenth century. This paper attempts to shatter one of these myths; namely, that Cortes was an extraordinarily brave and intelligent individual who accomplished an almost miraculous feat. It will do so by making use of the twin concepts of virtue and fortune. These two terms are basic to Niccolo Machiavelli's thinking.
it is unmistakable that life situations inspired Juan Rulfo to write this story. He like no other person had a greater understanding of how to portray the theme of family especially missing a father as a role model, death, survival and revenge. Moreover, through the use of local Mexican language it furthermore developed the society in which peasants had to live during the post-revolution. Additionally Juan Rulfo tries to add all five senses in the story forming magical realism and a vivid picture that the readers can understand. Overall, the readers learn a lot about peasant’s approach to life after revolution that the main drive was
Each one, despite being fiction, is a painting of his experiences, and the cultures of Buenos Aires. Among his themes are myths passed down through the families in his country. I thought that the stories that were contained in this collection were very educational. When finally taking a minute to analyze, and find deeper meaning to the tales, I discovered that they all posses what he has known in his life. He is easily distinguishable in his works.
"On the Interpretation of Don Quixote. " Bulletin of Hispanic Studies.
In the book “Bless Me Ultima”, by Rudolpho Anaya, there were two families represented, the Marez family and the Lunas family. These two families were very different, but were brought together by the marriage of Gabriel Marez and Maria Lunas. Through the eyes of their son Antonio one may see the comparison of the two. The differentiation of these two families is very clearly noticeable, such as in their personalities, the expression of their religion, and their everyday ways of life.
I was born in Mexico and raised in beautiful San Diego since the age of four. Coming to the United States at a very young age I had to face many challenges that have shaped me to the person that I am today. I consider myself a Chicana woman who has overcome the obstacles to get were I am know. Being raised in a Mexcian household has thought me to embrace my culture and its roots. The Spanish and native blood that is with in me remind me of many Americans today. The reason I consider my self Chicana is because of the similar background that I shared with many Americans today. Living in the U.S. I have learned to adapt and embraced the American culture so much so that it came a point of life were I struggled to find my own identity. Taking
Miguel de Cervantes' greatest literary work, Don Quixote, maintains an enduring, if somewhat stereotypical image in the popular culture: the tale of the obsessed knight and his clownish squire who embark on a faith-driven, adventure-seeking quest. However, although this simple premise has survived since the novel's inception, and spawned such universally known concepts or images as quixotic idealism and charging headlong at a group of "giants" which are actually windmills, Cervantes' motivation for writing Don Quixote remains an untold story. Looking at late fifteenth- and early sixteenth-century Spain from the viewpoint of a Renaissance man, Cervantes came to dislike many aspects of the age in which he lived, and decided to satirize what he saw as its failings; however, throughout the writing of what would become his most famous work, Cervantes was torn by a philosophical conflict which pervaded the Renaissance and its intellectuals--the clash of faith and reason.
Los sueños han sido considerados un elemento místico a través de diversas culturas y épocas, una forma de llave astral con la capacidad de guiarnos ya sea a dimensiones paralelas, a un viaje introspectivo a lo más profundo de nuestro ser e incluso a predecir el futuro. La utilización e interpretación de los sueños ha cautivado al ser humano y tanto Borges como Cortázar no son la excepción; en sus obras "El etnógrafo" y "La noche boca arriba" respectivamente, los author