Machado's overriding theme is the exploration of his personal spirit and that of the Castilian people through landscape. The landscape can also reflect and inner psychology. It is clear from the title of this collection the importance of the Spanish landscape. The National character relates to the Spain that exists in so much as it is able to be seen and touched. The very word `campos' in the volumes title is suggestive of this aspect of Machado's approach, since it calls to mind an existant, geographical feature to which one is able to relate. The entire work abounds with sensuous description and evocation of the geography and landscape of Spain created by the frequent employment of adjectives, most notably the use of sensory adjectives of sight, smell and touch. This is demonstrated in the opening verse from `Campos de Soria' (CXIII): `Es la tierra de Soria árida y fría. Por las Colinas y las sierras calvas, Verdes pradillos, ceros cenicientos, La primavera pasa Dejando entre las hierbas olorosas Sus duminutas margaritas blancas.' This places the reader in recognisable landscape which is brought to life and to some extent made clearer to us by the use of powerful, though by no means overly literary adjectives. Machado is concerned with presenting a picture of the Spanish landscape which is both recognisable and powerful in evoking the simple joys which it represents. Furthermore, Machado relies on what Arthur Terry describes as an `interplay between reality and meditation' in his description of landscape. The existence of reality in the text is created by the use of geographical terms and the use of real names and places such as SOrai and the Duero, while the meditation is found in... ... middle of paper ... ...s poems publication. In `A un olmo seco', we discover references to the cemetery of Leonor's grave, and the beauty of new shoots set against the decay of the `olmo's' trunk, which evokes Machado's young wifr in her terminal condition. `A un olmo seco' is highlights the central theme of landscape and countryside, and through the physical description, Machado remembers his personal experience in Soria. The river Duero acts as a leitmotif for the cemetery where his wife was buried. In `Caminos' as Machado develops the theme of his displacement in Baeza, his mood is finally attributed to the loss of his wife. Landscape can be linked with inner emotional landscape. The landscape in this poem is ominous, violent and inflexible: "hendido por el rayo." Therefore, landscape acts as a way of revealing inner emotion and Spanish National character throughout the collection.
Enrique’s Journey is a book that I would never read for fun. It is completely different from most of the books I have read, and intrigued me because the story was about a boy. Most of the books I have read in school are about a girl who goes through many hardships, and difficulties but I felt I could relate more to this one because it is about a boy who struggles. While I may not have been left thousands of miles away by mother so she could send money back, it was great to see what life was like on the other side. In this paper I will be talking about the micro and macro cultures of Enrique’s town Tegucigalpa. The situation and context of the characters decision making and how they adapted.
In the novel, Pedro Páramo, by Juan Rulfo, settings serve the purpose of being much more than merely locations. Various settings are utilized to represent symbols throughout the novel in order for Rulfo to develop the plot of the novel. Comala is a location that clearly acts as a symbol in Rulfo’s writing; however, to truly recognize the symbolism in the novel and to acknowledge the presence of key themes such as those of purgatory, religion, and oppression, it is necessary to analyze less conspicuous settings, particularly, the home of doña Eduviges, the church, and the Media Luna.
Bartolomé de Las Casas begins by providing a vivid description of each land being invaded by the Europeans and the type of peopl...
Jimmy Santiago Baca’s poem “Green Chile” describes a personal experience growing up with a staple food of the Southwest tradition. In the 3 stanzas and 45 eloquent lines, Baca uses symbolism through red and green chile peppers. The red chile peppers symbolize strength and progression and are also the peppers the author prefers. On the other hand, the green chilies represent youth, which are Baca’s grandmother's favorite. Both the red and green chilies are differentiated by the flavor and taste to tell a story of Baca and his history of growing up with his grandmother.
Landscape paintings became of interest to artists as a way to depict nature, a man?s spiritual place in the world, and his relation to God (Pohl, 2012). The paintings of nature became a way for artists to express themselves visually and spiritually while also expanding what people could see, read, and feel (Pohl, 2012). Landscape paintings helped to grow communities and expand the western movement (Pohl, 2012). There was an issue between tearing down and using the resources of nature to build communities and to increase material wealth (Pohl, 2012).
... gives insight into Junpero Serra’s world, his views, and how he changed New Spain and California. He inspired to spread Catholicism, the suppression of natives’ individualism, and the rejection of materialism. The books helps to show Juniper Serra in the good and bad. He had faults like any human being. Apart from seeing Junipero Serra in his life the world around him was also on display. It shows how New Spain and California was with the influence of Junipero Serra and how has drastically changed over time to what it is today. Now here in California there are various religions not just Catholicism anymore. California society is now individualistic something Serra had fought against; furthermore in society materialism is even more important than ever before. There changes have provided us the people a picture of the California of the past. One we should not forget.
Art movement’s characteristics vary from nation to nation, but painting can be used as a critique of the socio-political reality in a given nation. It is a creative way to communicate with a population about economic, education and social issues. Therefore, The History of Cuernavaca and Morelos: Crossing the Barranca (ravine) Detail (1929-30) Fresco by Diego Rivera is a good example of how an artist uses his creativity to connect with people in relation to Mexican history. Art is an inspired way to share the complexity and challenge of a community. It can be used a way to respond to them likewise. Therefore, the concept of accessibility takes ingenuity. With his deepen knowledge of European and ancient Mexican art, it was not a documentation
In Il Deserto dei Tartari1 and Il Visconte Dimezzato2, written respectively by Dino Buzzati and Italo Calvino, the omnipresence of nature sets its role as much more than a passive setting. Kate Rigby in Introducing Criticism at the 21st Century, defines the role of nature as being a background of images bearing symbolic meanings. Marie- Helene Caspar completes this statement by saying that: “Il paesaggio non e solo una cornice, qualcosa di esterno, senza importanza. Anzi, esso fa da complemento al personaggio, lo satura di connotazioni che concordano. E tavolta la metafora del personaggio”3. Nature in the two novels becomes the stage of the narrative through which the protagonist's psychology is forged.
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Nature is an essential part of life. From the start of Before Night Falls, nature is definitely essential to Reinaldo Arenas’ life. Nature centers around different parts of Arenas’ life and is intertwined in many facets of his life. From early childhood, with a cradle carved out of the earth’s dirt, to the end of his life, when Arenas hides from authorities amongst nature and finds solace in the moon. He even compares his love of Lazaro to nature. Nature supports Arenas through his life in a great variety of ways. It provides him solace through his life, is his means of sexual exploration and in the end prompts the title of his memoir. In Before Night Falls, Arenas shows his readers how essential nature is to his
The poem “Risa del monte, de las aves lira” starts off with a praise of nature’s beauty: “Risa del monte, de las aves lira, pompa del prado, espejo de la aurora, alma de abril, espíritu de Flora por quien la rosa y el jazmín respira; aunque tu curso, en cuantos pasos gira, perlas vierte, esmeraldas atesora, tu claro proceder más me enamora que cuanto en ti naturaleza admira (Villamediana).” Here, Villamediana gives nature human qualities. The mountains laugh, the birds sing, the meadow has pomp, the seasons have a soul, and the flowers breathe. In this poem, nature is seen as a living, breathing part of our world,
One of Spain’s awe-inspiring painters in history, Diego Velazquez not only painted beautiful and detailed artwork, but also created a broad story for the viewer to recreate and reinvent. One such painting, according to the Prado Museum, is “Las Meninas,” in which he tells the story of Infanta Margarita, her little meninas, and of course her parents (“Museo del Prado”). Velazquez effectively uses baroque style, intricate colors, and accurate positions in “Las Meninas” to allude that social status is imperative.
In the poem there is an ABAB rhyme scheme along with use of alliteration, onomatopoeia, and imagery. By using all of these techniques, it helps the reader to better understand the message which is being relayed in the poem. Some of the subjects of this poem include, urbanization, dystopia, nature, dying and the fall of man. The reader gets a vivid image of a huge industrial city built in “valleys huge of Tartarus”(4).
Cooper's descriptions of the natural scenery is picturesque and striking. (Parkmam 194) Cooper describes the frontier so vividly that the reader feels transported into the novel. Through his descriptive writings of nature, Cooper shows his deepened appreciation of nature. His descriptions create '…an atmosphere that is vast and satisfying.'; (Pattee...
connection to the future of Spain. In a parallel to the argument of Donne’s “Meditation,”