Critiques of Faulkner’s Sound and Fury
After reading through a large chunk of criticism, it seems clear to me how David Minter, editor of our edition, hopes to direct the readers’ attentions. I was rather dumbstruck by the number of essays included in the criticism of this edition that felt compelled to discuss Faulkner and the writing of The Sound and the Fury seemingly more than to discuss the text itself. Upon going back over the essay, I realized that Minter’s own contribution, “Faulkner, Childhood, and the Making of The Sound and the Fury,” is a prime example of such “criticism of the text” that focuses on the author, his creation of the text as a process, and the author’s self-professed opinions of the text. I have a number of problems with this idea. Although analyzing Faulkner and his process is not condemnable in of itself, it seems as though nearly every essay in this edition feels it necessary to include a lengthy quote by Faulkner addressing either his love of Caddy, his non-plan when writing the novel, or his deeming the novel a failure. After reading about these facts in essay after essay, one hopes Minter is satisfied in drilling them into the reader’s head. Another issue I have with these inclusions is the relevancy of an author’s statements concerning the writing process of a particular text after the text has been written. It seems that most of Faulkner’s comments about the novel and the writing process were recorded long after the fact, and I have trouble believing his statements concerning his writing process after publication. It seems more likely that his repeated desire to emphasize Caddy’s positive nature is a direct response to more negative receptions of the character upon the release of the book. Re...
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...solely within the imaginations of her three brothers. For Benjy, she is a non-past memory; for Quentin, her spoiled virginity haunts him (along with the honeysuckle he associates with her); for Jason, Caddy haunts in the form of the lost job and subsequent material loss. Thus she becomes in actuality triply phenomenally constructed, for not only does she exist solely within the imaginations of her brothers (in whatever form they are haunted by), but also within the imaginations of Faulkner and the reader. Just as we are watching the watched watcher, readers conceive of Caddy solely through her watchers, the brothers, and their watcher, Faulkner. Caddy exists only in the imaginations of the three (brothers, Faulkner, reader), but she effectively and efficiently haunts them all, detached and delocated from her material body into the phenomenal body of the imagination.
6. West, Ray B., Jr. "Atmosphere and Theme in Faulkner's 'A Rose for Emily'." William Faulkner: Four Decades of Criticism. Ed. Linda Welshimer Wagner. Michigan State University Press, 1973. 192-198. Rpt. in Short Story Criticism. Ed. Laurie Lanzen Harris and Sheila Fitzgerald. Vol. 1. Detroit: Gale Research, 1988. Literature Resource Center. Web. 5 July 2011.
Later, the Qing refused to accept European goods and demanded bar silver as payment. As a result, The Western powers began experiencing an outflow of silver to China. The countries, especially Britain, needed to find a way to reverse the flow of silver so the trade was even. So the British resorted to opium, a drug from the sap of the opium poppy. Originally used as medicine in western countries, opium was sold to China as a recreational dr...
Firchow, Peter. The End of Utopia: A Study of Aldous Huxley's Brave New World. Lewisburg: Bucknell University Press, 1984.
“Throughout the centuries there were men who took first steps down new roads armed with nothing but their own vision,” professes Howard Roark, attempting to validate his expression of identity while prosecuting himself during the trial of the Cortlandt Homes (Rand 678). The futuristic society within Aldous Huxley’s 1932 dystopian novel, Brave New World, introduces a paucity in the freedom of the individuals, through a lack in the way the society is allowed to think, to the submission of the actions of the individuals, to the conformity in the overall daily lives. Born in Surrey, England in 1894, Huxley was born into a society in which technological advancements were held in high praise and with full excitement. Striving to one day become
The perception of tattoos and those wearing them has varied in societies since tattoos first started being used. Some of the reasons people had/have tattoos include: therapy, protection, homage, memory, religion, or a dumb mistake. In historic cases, tattoos were used as a way to communicate with others, and were a common occurrence in most societies throughout history. Schildkrout states “There is no culture in which people do not, or did not paint, pierce, tattoo, reshape, or simply adorn their bodies (Schildkrout).”Since modern technology has made tattoos relatively affordable, faster and slightly less painful to receive, tattooing has shifted from select groups to “everyone else”. There are no specific groups for tattoos anymore, they are seen everywhere on all types of people and are less discriminated agains...
Tatiana Varenik. “How Tattoos and Body Piercing Affect Your Career.” Resumark. 18 January, 2010: 1
Brooks, Cleanth. "William Faulkner: Visions of Good and Evil." Faulkner, New Perspectives. Ed. Richard H. Brodhead. Englewood Cliffs, New Jersey : Prentice-Hall, 1983.
Sheetz 1 Sarah Sheetz Ms. Rosenberger English 4 October 17, 2016 Faulkner’s Self Help Book In “Barn Burning,” Faulkner illustrates a boy’s coming to age story, including his struggle in choosing whether to stand by in the midst of his father’s destructive cycle of spiteful burning or stand up for his own belief in civic duty. While most readers do not relate to having a father that habitually burns others’ belongings in a strange power scheme, readers relate to the struggle between blood ties and their own values. Taking the theme even broader, readers relate to any struggle with making a decision. Through imagery, reoccurring motifs, and diction, Faulkner creates an intense pressure which enhances readers understanding of Sarty, his struggle,
Benjy constantly repeats the fact that, which, to Benjy, symbolizes Caddy’s innocence (Faulkner 6). Later in the novel, Benjy realizes that Caddy has lost the innocence Benjy once idolized and loved (Faulkner 40). Quentin’s depiction of Caddy’s loss of innocence is one in which he blames himself. The suicidal Harvard student blames himself for Caddy’s pregnancy and hurried marriage. Quentin repeats the phrase, wishing that he could have saved his family by joining Quentin (Faulkner 79)....
...ut her son’s death, she goes and slits her throat. Creon then feels Antigone’s direct action when he is all alone at the end of the play. His edict caused so much pain in suffering for his family, he led them all to suicide.
Lombardi, Esther. "'Brave New World' Review." Books & Literature Classics. Web. 28 Dec. 2011. .
By reading closely and paying attention to details, I was able to get so much more out of this story than I did from the first reading. In short, this assignment has greatly deepened my understanding and appreciation of the more complex and subtle techniques Faulkner used to communicated his ideas in the story.
Seeing how not accepting tattoos and piercings in the workplace can cause greater problems, employers need to start accommodating for individuals of all different backgrounds. Businesses need to start focusing on the important matters such as, education, work ethic, attitude, and the willingness to do their job successfully. Anything else is just an
"Brave New World by Aldous Huxley : Barron's Notes." Brave New World by Aldous Huxley:
Are tattoos a kiss of death at a workplace? According to Student Research Center, nearly 4 out of every 10 Americans in their 30s have been inked. ''In April 2000 15% of Americans were tattooed (which is roughly around 40 million people) (The National Geographic).'There are different types of tattoos, from color to black and white, even glow in the dark. Number of tattoo paralos in the U.S. is 21,000'' (Tattoo Statistics 1) and more is being added every single day. People spend about $1.6 billion on tattoos once a year. ''In the U.S. more women than men are tattooed, 36% of the ages is between 18-25 and 40% of those ages are 26-40 that have at least one tattoo.''(Random facts 1) People have been getting tattoos for a while now. It has been said that ''tattoos date back as far as the Neolithic era or around the fourth to fifth millennium BC.''(skinsight.com 1) Tattoos should be acceptable at a place of business because people get tattoos for significant purposes, tattoos can tell stories and build confidence, body art is a way for someone to express themselves, make up, and tattoos are reminders of life time experiences.