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The Greek’s view of tragedy
Features of Greek tragedy
The Greek’s view of tragedy
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In the play Antigone by Sophocles, one central idea behind the play is the guilt that punishes Creon for his wrongdoings. In the beginning, Creon is shown to be a horrible, stubborn, and ignorant king to his citizens in Thebes, but over the course of the play one can tell that he’s realizing what he has done is wrong in the world. Antigone, who is a strong, powerful, young women, stands up to someone of a higher power than her and she stands up for what she thinks is right; Creon doesn’t budge but rather only listens to himself, ignoring other’s opinions. By not considering any other point of view, he causes disaster for Antigone, his family, and himself. By the end of the play all of Creon's stubbornness and authoritarian actions no longer matter because the, “guilt of all their deaths [is] on [Creon]” (Line 1437). …show more content…
Creon finally realizes that he is the cause of this tragedy and can only blame himself for the guilt that lays on him and that there is no way he can go back and fix what has happened.
Creon reflects upon the deaths. He feels remorse and “ shudders with dread!” as he questions, “ Why not kill me too?” (Line 1433). He has ignored the right advise that people have given him. He believes that he would be better off dead because of all the guilt that he must bear if he remains alive. Even in his family, Haemon, Creon's son, doesn’t approve of letting Antigone be buried alive, and now look where it got him. Creon dishonored his son and he knew he couldn't listen to someone younger, let alone his own son, he was the man in power. Now, Haemon is dead because his father would not consider Haemon’s plea for Antigone’s life. Creon didn’t listen to anyone until his son took his life. It was this tragedy that woke him up to his guilt. Just as he is starting to realize his guilt, the messenger comes in and announces, “[Eurydice] drove home to the heart with her own hand” as she killed herself after knowing her son was
dead. (Line 1439) Eurydice loved her son and by making the choice of killing herself symbolizes that it takes three people for Creon to notice what he had done is wrong. Everyone he has ever cared about is now dead. He didn’t mean for anyone to kill themselves. He just wanted to make sure his voice got across, thinking he was better and right about everything. The moral of the play is that even though one person can come down on the wrong side, the side of themselves, they have a chance to fix it. Everyone makes mistakes but they have a second chance, they just have to use it before something bad comes. Creon will never forgive himself and his actions and has to live with it for his whole life, but now he can learn from his tragic mistake and make good choices in the future and in ruling Thebes.
In the poem Creon doesn't understand how to use his power for good and uses it to empower himself and help him. In the poem when Creon and his son Haemon are arguing about what is right in regards to Antigone and what she has done with her brothers corpse.(line 776-819 pg.353-354). Creon doesn't understand that by doing this thing to Antigone it is destroying his relationship with his whole family. He would rather lose his family than be wrong about what he is doing. Also Antigone denying the law to do something for her brother that was against the law. (Lines 51-60 pg.318). When Creons people found Antigone they didn't even give her a chance to explain herself and even though she is part of Creons family, his sons soon to be wife. There was no lightening of the law
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
Creon's insecurity blinds his ability to direct order in his country properly. After Antigone buried Polyneices Creon felt he needed to take a strong stand or people would think he would always be lenient toward criminals. However, to achieve this Creon felt he needed to take drastic action against Antigone. He once even said to his son, Haimon, who was about to marry Antigone, "The woman dies. I suppose she'll plead family ties. Well, let her. If I permit my own family to rebel, how shall I earn the world's obedience?" (19) This quote shows that Creon feels that to prove himself to the country he needs to earn the "world's obedience".
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
After being locked up in a dark, damp cave, Antigone was fed up with wallowing in her own pity, and takes her own life by “hang[ing] by the neck in a fine linen noose, strangled in her veils,” (1347–1348). Seeing the graceful young woman embraced in the arms of his own son, Creon immediately swells with anger towards un-masculine Haemon because of his display of love, and the significance of Antigone’s death goes straight over his head. Her strong sense of self – knowing who she is, what she values, and what makes her happy – enables her to make regretless decisions that alter her time to come. One of those decisions instigated Haemon’s fate to be sealed as well, prompting Eurydice, mother of the prince, to join her son in the underworld. Not long after becoming aware of her child’s downfall, Eurydice sacrifices her life at the heart of the palace, and “raised a cry for the noble fate of Megareus, the hero killed in the first assault, then for Haemon, then with her dying breath she called down torments on [Creon’s] head–[Creon] killed her sons,” (1429–1432). Creon’s heart fills with grief, for the fault of these three deaths lies with him, and pathetic self-pities are the only thoughts running through his mind. Despite the three-deceased’s blood lying
In the struggle between Creon and Antigone, Sophocles' audience would have recognized a genuine conflict of duties and values. From the Greek point of view, both Creon's and Antigone's positions are flawed, because both oversimplify ethical life by recognizing only one kind of good or duty. By oversimplifying, each ignores the fact that a conflict exists at all, or that deliberation is necessary. Moreover, both Creon and Antigone display the dangerous flaw of pride in the way they justify and carry out their decisions. Antigone admits right from the beginning that she wants to carry out the burial because the action is glorious. Antigone has a savage spirit; she has spent most of her life burying her family members.
In conclusion, the gods and the love of her family rule Antigone’s life. Creon’s life is ruled by what he thinks is good for his country and pride. Creon did not change his mind to free Antigone until a prophet told him he would suffer horribly for his actions. However, because Creon was so stubborn for so long and did not take heed to anyone’s advice sooner, he ultimately suffers in the end, as does everyone else in the play. This was all due to a man’s lack of good judgment, his selfish pride and his stubbornness.
Creon in the play Antigone by Sophocles plays a major role within the play. Antigone also plays an important role, as these two character’s conflicting views led to utter disaster, which highlights Creon as a tragic figure. Within the play Creon attempted to establish decisions for the common good; however, his decisions resulted in tragedy. Creon highlighted as the tragic figure, initially created decisions he thought were for the welfare and well-being of Thebes. However, Antigone, who rebelled against Creon’s decisions, caused Creon’s rage to cloud his rational way of thinking.
“But now Polyneices, this is my reward for covering your corpse.”(1011-12) Antigone’s actions and beliefs differ with Creon’s character so much that it causes these two to have conflicting motivations. Bravery and loyalty are two traits that Creon seems to lack of. By the end of the story the traits helped shape Creon into the tragic character he was destined to be, by pointing out his tragic flaws. Creon will not listen to anyone, his pride is so great that he can’t acknowledge himself being wrong. The character interactions help advance the theme by conveying that sometimes society’s laws can be in opposition to one’s conscience or religious beliefs.
At first, Creon reacts to the prophet’s cautions by accusing Tiresias of taking bribes and only doing this for money. Creon at the end understood his mistakes and decided that he will change and will unshackle Antigone himself, and he says, “I and my better judgment/ have come round to this- I shackled her,/I’ll set her free myself.” (1234-236). Creon realized the divine law which Tiresias represented is most important that civil law. Even though Creon changed, he was to late. Eurydice, Creon’s wife stabbed herself in the heart when she learned the terrible outcome of her son, Haemon. He committed suicide after seeing his fiancé, Antigone’s, dead body hang in the tomb. Creon understood that it was his actions that caused the death of three of his family member’s as he says, “ Ai, dead lost to the world, not through your stupidity, no, my own.”
This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be in conflict with everyone, in his mind he has to stand alone in his views in order to set himself apart as king. Before he took to the throne Creon took advice from the prophet Tiresias who had so often had been his spiritual and moral compass, and yet in this matter concerning Antigone he will take advice from no one, not from the elders of Thebes, or even his own son Haemon.
In the play, Creon is incredibly stubborn. Once he made up his mind about punishing Antigone for her crimes, he isn’t going to change it. “Since I caught her clearly disobeying/ the only culprit in the entire city/ I won’t perjure myself before the state./ No- I’ll kill her.” Creon wanted to save face, he didn’t want people thinking he was going back on his word just because Antigone is related to him. He had already made a big
“...never let some woman triumph over us. Better to fall from power, if fall we must, at the hands of a man —never be rated inferior to a woman, never.” This quote spoken by Creon, in Sophocles’ Greek tragedy Antigone, adequately represents the opinion on women during the time in which Antigone would have been alive. Women were viewed as lower than men and were expected to be docile and passive. They were expected to never object to a man’s words, no matter if those words were to be unfair or unjust. Despite this, Antigone refuses to follow one of the most fundamental teachings of her culture by burying her brother even though the king, Creon, explicitly forbids the action, since her brother is a traitor. She rebelliously does what she feels is right, which cannot be said for her sister, Ismene. Ismene represents what a woman of her time was viewed as: weak and submissive to men’s