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Is art important
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To be artistic or a creative is a dangerous role to play in society. Edwidge Danticat writes a collective of stories about Haitian artists in her novel “Create Dangerously”. The novel includes Danticats perspective and excerpts of other artists to appeal to both ethos and pathos to help explain the importance of the artist, especially the immigrant artist. Danticat writes about the responsibility of artists to use their medium as a voice for the people. In Create Dangerously Danticat makes it her responsibility to tell the stories of makes it her duty to tell the stories of another artist that created dangerously. In chapter 5 Edwidge Danticat speaks about filming a Haitian woman, Alèrte Belance, who was a victim and was almost killed by the …show more content…
During the 1960s dictatorship of Papa Doc in Haiti. The significance of this including this story shows how artists have the power to change and influence the way the world thinks. Marcel Numa and Louis Drouin were executed publically in the city of poets served as a fear tactic to silence artists because Papa Doc, as well as other dictators, understand the power of artistic voices. Artists use their talents expose what goes on in the world. Danticat mentions how “every time there was a political murder in Bel Air, one of the young aspiring intellectuals in the neighborhood…. [would] say that someone should put on a play. (Chapter 1, Create Dangerously)” which further explains the importance of artist. Not only are artists responsible to be the voices of generations they are also responsible for distracting people from the hardships of life. Through art people can forget for a few moments about the dangers and injustices of the world. “…no matter how hard he tried, Papa Doc Douvalier could not make their words go away. (Chapter 1, Create Dangerously) sums up how despite artists risk their lives to provide both a voice and a pastime to the
For centuries, music has been defined by history, time, and place. To address this statement, Tom Zè, an influential songwriter during the Tropicália Movement, produced the revolutionary “Fabrication Defect” to challenge oppression as a result from the poor political and social conditions. On the other hand, David Ramsey discusses, in mixtape vignettes, the role of music to survive in New Orleans’ violent setting. Furthermore, “The Land where the Blues Began”, by Alan Lomax, is a film and perfect example to understand under what musical conditions profound ways of communication are made to stand the hard work of cotton plantations. As a result, music plays a crucial role in the sources’ cultures and its creation relies on particular conditions such as the social
The idea that art can be a service to people- most importantly a service to poor and disenfranchised people is one that may be disputed by some. However, Elizabeth Catlett and other artists at the taller de Graffica Popular have proved that art could be made to service the poor. Catlett in particular is someone who has always used her art to advocate for the poor and fight injustices. While her activism and political views were very impactful, they were also very controversial. Catlett`s art and activism influenced African American and Latin American art by changing the narratives of Black and Brown working class women. In their books titled Gumbo Ya Ya, The Art of Elizabeth Catlett, African American Art: The Long Struggle, and Elizabeth Catlett: Works on Paper authors Leslie King-Hammond, Samella S. Lewis, Crystal Britton, Elizabeth Catlett, and Jeanne Zeidler speak of the work of Catlett. In a paper titled -----, ---- also speaks of the work of Elizabeth Catlett and her legacy as an activist.
This paper will analyze Improvisation In a Persian Garden (Mary Catherine Bateson), Seeing (Annie Dillard), and Landscape, History, and the Pueblo Imagination (Leslie Marmon Silko). Going through the Purpose, audience, context, ethics, and stance of each author’s piece.
Doretha Lange's work has characteristic traits of a lost age. when a broad swath of the mass media was profoundly concerned with social issues. She saw herself firstly as a journalist and secondly as an artist, creating photojournalism. Doretha Lange worked with a fairly high desire to affect society by changing and informing the citizens within the society of the suffering.
In the Enseigne, art is also shown to serve a function that it has always fulfilled in every society founded on class differences. As a luxury commodity it is an index of social status. It marks the distinction between those who have the leisure and wealth to know about art and posses it, and those who do not. In Gersaint’s signboard, art is presented in a context where its social function is openly and self-consciously declared. In summary, Watteau reveals art to be a product of society, nevertheless he refashions past artistic traditions. Other than other contemporary painters however, his relationship to the past is not presented as a revolt, but rather like the appreciative, attentive commentary of a conversational partner.
“By working dying people into his act, Jones is putting himself beyond the reach of criticism. The dying people are viewed on videotape. He thinks that victimhood in and of itself is sufficient to the creation of an art spectacle. The cultivation of victimhood by institutions devoted to the care of art is a menace to all art forms.”
The picture explains how sexual violence was rampant during the atlantic slave trade. Women were exploited, and their roles were to satisfy men, give birth, and feed the whites. It is a dominant theme in the picture. She agrees that her work is erotically explicit and would appreciate if people were ashamed of the exploitation done to the
Dr. Farmer in his article address the subject of structural violence and suffering by utilizing personal narratives. Dr. Farmer travels Haiti, a place deemed by experts to be undergoing “extreme human suffering” (Farmer 262) and recants the narratives of two Haitians, Acephie Joseph and Chouchou Louis, who both suffer premature deaths due to the Haitian Army. Acephie contracts HIV from a Haitian Army Captain and Chouchou is beaten to death by soldiers. At the hands of the Army, Acephie deals with structural violence against women, while Chouchou deals with structural violence against political expression. Although, Acephie and Chouchou are victims of two different forms of structural violence, Dr. Farmer observes one commonality that unites
In the book Deadly by Julie Chibbaro there were many themes that were analyzed and illustrated throughout the book. There were only three that catches the eye love can be blind, death can hurt and oppression of women. These themes stood out the most because this book take place in somewhere in the 1900’s because in that era there were many disease taking place in New York. Such as the typhoid, Yellow fever, small pox and other contagious diseases that cause many deaths and also when the Germ theory was just a theory not a law. This book mainly talks about Prudence, Mr. Sopher, and Marm especially but there are others such as Dr. bakers, Jonathan this book talks about how typhoid was carried by an Irish Woman named Mary Mallon and the disease
...eded to be punished so they could remain docile. The film gave many scenes that helped to understand Foucault’s arguments that were expressed in Seidman’s reading and in Foucault’s reading, “The Carceral”. Foucault’s argument that power works in a disciplinary way in current society was greatly analyzed in this film because it used a psychiatric ward that had nurses, and other people of authority, who had the power to punish. Having the power to punish and having produced docile bodies are techniques that Foucault would describe as using the, “disciplinary technique”, that is talked about in his, “The Carceral”, chapter of the book, “Discipline and Punish”.
The film Basquiat explores the artist Jean-Michel Basquiat, a Haitian-Puerto Rican painting in New York City during the 1980s. Working closely with Andy Warhol, Basquiat was exploited for his unique “urban ghetto” graffiti and crude style of representation. Schnabel’s film further exploits this image of the painter, depicting him in various scenes of poverty and drug addiction, dirty poor love and desperation. Our understanding of the artist is framed by excerpts from essays by art critic Rene Ricard, depicted as a flaming homosexual who leeches off of his artistic friends. Ricard observes the hypocrisy and self-indulgence of the art scene that is vital to...
All three of these authors observe that people’s values and experiences often lead them to different conclusions. As Nelson indicates in her story, people’s education level, when it comes to art, varies. She explains that in these modern ages, people are exposed to violence so often that they just brush it off. She believes that because violence is used so often through many different forms of media and art, people are allowed to have their own interpretation. She explains in her quote, “...no one can own it; no one can own its meaning. Its function is to mediate, but not in the sense of imitating or representing a reality from which spectators are barred” to portray her belief that it is upto spectators to decipher the meaning behind the media’s
Artists have a knowledge of all the artists that preceding them, creating a visual vocabulary from the art that they have seen and understand. For Jean-Michel Basquiat, that knowledge translates into his work, despite never having formal training in an art school. It is his awareness and understanding of the culture that surrounds him that brings a layer of sophistication to his painting, setting it apart from street graffiti that has been painted on canvas. Basquiat’s Untitled (Julius Caesar on Gold) (1981) is a confrontation of his own identity that is created with the visual vocabulary of artists that preceded him.
The narratives in the work speak to the racial and social inequalities in America in the nineties. This deep concern with the coloured experience and the struggle for civil rights is seen in the images and sculptures she creates. Especially of women, as she lived through a time of widespread segregation, so her work was created from the place she knew most intimately.
...p from the world they live in, a world of separation and indicate themselves with their own realities. Art is handed over into society’s hands, as in one movement it is suggested - to fixate what is real, live like you create and create like you live; in other – abandon media’s proposed ideas and take the leadership of life in our own hands.