Art in the Movie Basquiat
Walter Benjamin projected the future of art in the age of mechanical reproduction, providing the basis of aesthetic evaluation for photography, film, digital and reproducible art. In the film Basquiat, directed by Julian Schnabel and starring Jeffrey Wright, Gary Oldman, Dennis Hopper, and David Bowie as Andy Warhol, the art world is explored in the midst of defining itself in light of the changes brought about by the technology of the twentieth century.
Benjamin stressed the Marxist democratization of art through digital reproduction, a media which allows for de-emphasizing the original work of art. Throughout the history of arts, particularly visual arts, we have revered the individual paintings created by artists, locating them in exclusive galleries and museums which are subject to the tastes and privilege of the upper class philanthropic elite. The value of a work is based in part by which wealthy patrons have owned or commissioned it, and the history of a canvas often becomes more important than the actual formal representation on it.
The film Basquiat explores the artist Jean-Michel Basquiat, a Haitian-Puerto Rican painting in New York City during the 1980s. Working closely with Andy Warhol, Basquiat was exploited for his unique “urban ghetto” graffiti and crude style of representation. Schnabel’s film further exploits this image of the painter, depicting him in various scenes of poverty and drug addiction, dirty poor love and desperation. Our understanding of the artist is framed by excerpts from essays by art critic Rene Ricard, depicted as a flaming homosexual who leeches off of his artistic friends. Ricard observes the hypocrisy and self-indulgence of the art scene that is vital to...
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... movie stars like royalty or mythical gods and goddesses, viewing the drama between great archetypal characters in a personal psychic realm. By considering the statements made and their societal impact from a Marxist perspective, Benjamin’s method is highly effective, as it does not simply consider art in terms of pure aesthetics anymore, but considers art’s place in a society capable of mechanically reproducing and endlessly duplicating film, photography, and digital art. His qualm with losing the aura and mystique of an original work is negated by the cult of movie stars, the adoration of fame, the incorporation of soundtracks which embody a particular time period, cinematographic allusions, and time-capsule-like qualities of a film such as Basquiat, a 90s tribute to the 80s, produced both as a part of and resulting from the art movements and trends it addresses.
The earliest forms of art had made it’s mark in history for being an influential and unique representation of various cultures and religions as well as playing a fundamental role in society. However, with the new era of postmodernism, art slowly deviated away from both the religious context it was originally created in, and apart from serving as a ritual function. Walter Benjamin, a German literary critic and philosopher during the 1900’s, strongly believed that the mass production of pieces has freed art from the boundaries of tradition, “For the first time in world history, mechanical reproduction emancipates the work of art from its parasitical dependance on ritual” (Benjamin 1992). This particular excerpt has a direct correlation with the work of Andy Warhol, specifically “Silver Liz as Cleopatra.” Andy Warhol’s rendition of Elizabeth Taylor are prime examples of the shift in art history that Benjamin refers to as the value of this particular piece is based upon its mass production, and appropriation of iconic images and people.
Even though through research we have found the traits, and reasons why serial killers like to kill there is still much to be learned about them. As years go on so will the research on serial killers and hopefully we as a society will fully understand them and one day be able cure whatever inside that makes them have the urge to kill.
The postmodern cinema emerged in the 80s and 90s as a powerfully creative force in Hollywood film-making, helping to form the historic convergence of technology, media culture and consumerism. Departing from the modernist cultural tradition grounded in the faith in historical progress, the norms of industrial society and the Enlightenment, the postmodern film is defined by its disjointed narratives, images of chaos, random violence, a dark view of the human state, death of the hero and the emphasis on technique over content. The postmodernist film accomplishes that by acquiring forms and styles from the traditional methods and mixing them together or decorating them. Thus, the postmodern film challenges the “modern” and the modernist cinema along with its inclinations. It also attempts to transform the mainstream conventions of characterization, narrative and suppresses the audience suspension of disbelief. The postmodern cinema often rejects modernist conventions by manipulating and maneuvering with conventions such as space, time and story-telling. Furthermore, it rejects the traditional “grand-narratives” and totalizing forms such as war, history, love and utopian visions of reality. Instead, it is heavily aimed to create constructed fictions and subjective idealisms.
Throughout the 1980’s, the graffiti scene was very familiar with the name “Basquiat.” Jean-Michel Basquiat is an American graffiti artist who was born in Brooklyn, New York. His artwork is mostly defined as neo-expressionism with a bit of primitivism. His medium was usually a combination of oils, acrylics and spray cans. One could look at Basquiat’s pieces and say they are as if a child scribbled on a canvas, but to me, there is more than that. I admire Basquiat not for what he is, but for what he is not. I believe it requires a lot of bravery to showcase your art that is less than perfect as in the social standards for fine art. Basquiat did just that and was still well respected for it. I feel as if he conquered in keeping his childhood creativity
During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that, examining post classical at which time the relationship between them will become evident. It is my intention to reference films from both movements and also published texts relative to the subject matter. In order to illustrate the structures involved I will be writing about the subjects of genre and genre transformation, the representation of gender, postmodernism and the relationship between style, form and content.
In his book, Leading Change, Dr. John P. Kotter communicates why organizations fail or succeed based on ten years of conducting research on more than 100 companies to see what contributed to their successful transformations and what hindered those transformations. “In October 2001 Business Week magazine reported a survey they conducted of 504 enterprises that rated Professor Kotter the number one “leading guru” in America.” The two significant aspects I took from this book were the reasons why change initiatives fail and an eight-stage process to lead the organization through a successful transformation.
Typically, when one thinks of serial killers, such images as Son of Sam, John Wayne Gacy, or the Boston Strangler, come to mind. Though these men do indeed fit the description, there are many myths and misconceptions surrounding the definition of serial killer, first and foremost that serial ...
In the last three decades the USA has been troubled by an approaching problem, the serial killer. A serial killer is a person who kills a number of people, usually considered over five, with a cooling off period between each murder, usually one murder at one given time). Two murders at one time occasionally happen and these murders may go on for a period of months or years until the killer is caught. Throughout the last three decades the US serial killer rate has risen 94% and it is estimated that by the next millennium it will claim an average of 11 lives a day. Serial Murder is an epidemic; there are at least 35 serial killers active in the USA today who claim one third of the annual murder rate. The USA has 6% of the world's population yet it has three quarters of all serial killers. Not only are serial killers appearing in more numbers in the US but also all over the world countries are terrorized by serial killers, which are appearing in more numbers year and year after. KILLER TRAIT: A serial killer is a typical white male, 20-30, and most of them are usually in the USA. Their main motives are sex (even though the act of sex may or may not take place), power, manipulation, domination and control. The sex motive is usually rape for an organized killer and sadism for a disorganized killer. They act in a series of 5 or more murders with a cooling off period between each murder.
'Serial murder'; has long been a term used to describe those human beings that repeatedly commit heinous crimes. It is rare that the average person probes the mind of a serial killer without bias. However, what lies behind the eyes of a serial killer deserves more than the cold hard look that society so often gives (Aaronson, Inter...
Jean-Michel Basquiat was an American artist born in Brooklyn in 1960. His art focused on “suggestive dichotomies”, like integration versus segregation, wealth versus poverty, and inner versus outer experience. He used social commentary in his artwork in order to attack the power structures and racism in America. During his
Serial murder as defined by the FBI is, “[t]he unlawful killing of two or more victims by the same offender(s), in separate events" (Morton Robert J. Ed, & Hilts., Ed, 2005, p. 9). Numerous people disagree with the definition, this researcher included, since it lacks the cool- down period after they murder, which various people feel stands necessary for serial killer status. Serial killers remain a rare phenomenon. The FBI states, serial murder accounts for less than one percent of killings per year (Morton Robert J. Ed, & Hilts., Ed, 2005, p. 2). Nevertheless, throughout the years, countless people have researched serial killers since they commit such heinous crimes. Criminologists and researchers have been attempting to identify various
In today’s ever changing world people must adapt to change. If an organization wants to be successful or remain successful they must embrace change. This book helps us identify why people succeed and or fail at large scale change. A lot of companies have a problem with integrating change, The Heart of Change, outlines ways a company can integrate change. The text book Ivanceich’s Organizational Behavior and Kotter and Cohen’s The Heart of Change outlines how change can be a good thing within an organization. The Heart of Change introduces its readers to eight steps the authors feel are important in introducing a large scale organizational change. Today’s organizations have to deal with leadership change, change in the economy,
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
...ryone around them; serial killers commit these terrible crimes because of the connectivity of their brains, or how they are brought up as a child. (1b: SV; SV, or SV.) The definition for the word “serial killer” is a series of three to ten murders, each with a period of rest. Serial killers stay in the minds of many people for years, if not the rest of their lives.
Serial murder is slowly decreasing in the United States. Looking at statistics most serial murderers are white males aged from twenty to forty years old. However, most serial murderers plan their crime in advance; it is rare they just randomly murder. In the most recent years the characteristics of the offenders have become more diverse. As the characteristics of the victims are not as much; it is almost half females and half males. I believe that serial murder is important to study so we understand the offenders motivation and behaviors for their criminal act. Also self-control theory is a concept used by sociologists which explains differences among people in the amount of engaging in a broad variety of acts that cause harm