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Legacy of jazz history
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Legacy of jazz history
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Count Basie and his Orchestra
In the 1930’s a new era was taking place in jazz. The swing era, otherwise known as the big band era. One of the biggest and most influential leaders of this era was William Basie, otherwise known as The Count, or Count Basie. Basie was among many of the leaders in this era, known for his leadership skills as a band leader and a cunning pianist. Basie was known for having one of the best combo section, or rhythm section around. His rhythm section featured among the best such as Jo Jones, Walter Page, Freddie Green, and Buddy Rich, while Basie accompanied on piano. Basie and his orchestra still perform today even after Basie’s passing, reliving the glory days when such vocalists and crooners performed with him, such as Frank Sinatra, and Ella Fitzgerald.
Basie’s orchestra survived many troubling times throughout the 40’s 50’s and 60’s up and currently until today. Whether it being in its roots when it was known as The Barons of Rhythm or the New York days when famous singers such as Billie Holiday performed with the group. The orchestra has always survived even through war, such as World War II going on, or the war of band members leaving. The Count Basie Orchestra still has and always will survive. Even greater than that, they will always be known as one of the greatest and influential orchestras of the swing, or big band era.
Count Basie, or William Basie, was born on August 21, 1904 in Red Banks, New Jersey. William grew up with an influential musical background. At a young age Basie learned how to play piano, as his mother would sit down and teach him. While Basie had a natural born talent for the piano, his first preference was the drums. After being discouraged however as not making it as the...
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...ueen Ella Fitzgerald. This was one of the biggest moments for Basie, even getting an article written about it by Metronome Magazine. Metronome would go on to say, “Throughout the fight, which never let down in its intensity during the whole fray, Chick took the aggressive, with the Count playing along easily and, on the whole, more musically scientifically. Undismayed by Chick's forceful drum beating, which sent the audience into shouts of encouragement and appreciation and casual beads of perspiration to drop from Chick's brow onto the brass cymbals, the Count maintained an attitude of poise and self-assurance. He constantly parried Chick's thundering haymakers with tantalizing runs and arpeggios which teased more and more force from his adversary”.
This was one of the biggest marking in Basie’s history. After this he would produce their theme, One O’clock Jump.
Eventually in 1937, Dizzy Gillespie decided to head out to New York to carry out his dream of becoming a famous jazz player. During his time at New York he talked with many different bands and earned a job with Teddy Hill’s band. Hill was very impressed with Gillespie’s unique playing style. The group went on a tour from Great Britain to France shortly after Gillespie had joined the band. After getting back from the tour G...
Swing, the predecessor of bop, was big, sweet, and hot. The performers were big bands, fronted by a charismatic bandleader, yet the success of a piece depended mostly on the unity of the ensemble as a whole, rather than on the showcasing of prodigious individuals. The requisite instrument was the saxophone, which was often smooth and mellifluous. Songs were old favorites, or simple jazz standards, that had been arranged to suit a large ensemble. Swing bands played in large venues, such as ballrooms, and to large audiences, who seized the opportunity to not just tap their toes, but to "jump, jive, and wail." The swing era became the most popular form of jazz, as it catered to audiences as a form of social and interactive entertainment.
By the 1930’s the movement had shifted yet again and began to incorporate larger bands in what came to be known as “swing.” Broadcast radio was also an important factor by this time, giving swing music a far-reaching national influence. The size of the bands had a standardizing ...
The music of jazz became an important aspect of American culture in the early 20th century. The crisp syncopation of ragtime and the smooth tunes of the blues seeped into American mainstream music through dance halls and saloons and later through ballrooms. Instruments like the piano, trumpet, trombone and clarinet became important and symbolized the “swing-feel” of jazz because of their capability to syncopate and improvise precisely. With the help of the booming recording industry, musical geniuses were discovered and their talent and contributions to the emergence of jazz spread throughout the entire country. Such musicians include composer, arranger and pianist Jelly Roll Morton who heavily influenced the development of early jazz by his unique piano style, his “invention” of musical notation for jazz, and his compositions that have become the core in the jazz repertory. Because the style was new and different and so successful in drawing in large audiences, musicians around the world tried to mimic it. Furthermore, Morton’s masterpieces were the first to show notation for complicated jazz music and thus, formed the basis for standard notation in jazz compositions today.
Jazz music did not become successful on its own. Its huge success during the 1940’s and 1950’s is due to the talented jazz singers and musicians who contributed to music. One of the successful musicians who contributed to Jazz was Louis Jordan. Jordan was an African American singer, bandleader and best known for his amazing technique and style while playing the saxophone. What set Jordan apart from all the other Jazz singers of his time was his appearance; being a comedian before going into music helped him appeal a wider and a more diverse audience. Appealing a more diverse audience was especially important during a time where segregation was an ongoing problem. His success was also due to his amazing band, the Tympany Five. The band included
“His relaxed phrasing was a major change from the staccato style of the early 20’s and helped to set the stage for the Swing Era” (“Life & Legacy”). And as such a prominent artist, and in particular, jazz artist, Armstrong did not only change the perception of jazz and swing, but the views on African Americans and their culture. Armstrong and the Harlem Renaissance reflected black history and culture, and it became popular, even in white communities and clubs. Jazz as a whole genre helped further society’s views through the universal language of music, where any ethnicity could partake in it. And the revolution of jazz was lead by the stylings of Louis Armstrong. The duration of the jazz and swing era, lasting decades past the 1920s, symbolized the civil rights movement directly through the lyrics, sounds, and artists
Jazz is referred as “America’s classical music,” and is one of North America’s and most celebrated genres. The history of Jazz can be traced back to the early era of the 20th century of the U.S. “A History of Jazz” presents From Ragtime and Blues to Big Band and Bebop, jazz has been a part of a proud African American tradition for over 100 years. A strong rhythmic under-structure, blue notes, solos, “call-and response” patterns, and
At the mention jazz music, that people will first think of is likely to be a great figure with a clown image, nicknamed Uncle Satchmo. The man was Lewis Armstrong. He is a husky singer, often with a trumpet in his hand. He played dramatic works of simple structure in Orleans jazz style and with the accompaniment of Dick jazz music. Each of the books on jazz music will mention his name. Lewis Armstrong was to jazz music what Bach is to classical music, Presley is to rock music (Berrett 230). This essay will have an introduction of the king of jazz music—— Lewis Armstrong and his great influence on jazz history.
It is argued that the start of the “Swing Era” started the day that Louis Armstrong joined Fletcher Henderson’s band in 1924. The style Armstrong played on the trumpet, which was shown off to the world after joining Henderson’s band was the main thing that would lead to swing jazz. The official start of the swing era began ten years after Armstrong joined the band and almost a full ten years after the first swing dance, the Lindy Hop.
Edward Kennedy Ellington, American jazz composer, orchestrator, bandleader, and pianist, is considered to be the greatest composer in the history of jazz music and one of the greatest musicians of the 20th century. He composed over 2000 works and performed numerous concerts during his musical career. A compilation of some of his most popular music is collected on a CD called "The Popular Duke Ellington." Ellington personally created most of the music played by his orchestra. He often wrote pieces for specific players with distinctive musical styles in his band, such as "Concerto for Cootie" (1940) for fellow musician and trumpeter, Cootie Williams. With the help of American trumpeter James "Bubber" Miley, Ellington often incorporated in his music the jungle effect.
Louis Armstrong was the first great trumpet soloist in jazz. His unmistakable trumpet and vocals allowed him to continue doing what he loved most, making people happy. Armstrong was loved by many people, whether they were white, Africa...
One of the very monumental jazz artists during the jazz age was Louis Armstrong. Armstrong was a trumpet player, bandleader, soloists and singer. Louis was born on August fourth 1901 in a bad neighborhood of New Orleans called “The Battlefield”. His parents were not the best . Armstrong's father was a factory worker but left when he was young. His mother was around but she often turned to prostitution in order to help support him; therefore his grandmother was his primary guardian. Armstrong's first job was given to him by a Jewish family by the last name of Karnofskys working delivering coal and collecting junk The Karnofskys often fed him meals and always encouraged him to sing. Armstrong was a bit rough around the edges and he had an incident on new year’s eve in 1912 he fired h...
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
Many to this day aspire to be as good of players as the jazz legends of the 20’s and 30’s. Artists would take off in popularity and be known world wide, and often travel to different countries to spread their influence. Some of these jazz players were publicly recognized by such things as “Metronome Magazine” and other such outlets that increased their fame (“Berry Chu.” 2). Players who experienced such things would become huge celebrity icons and would create a large gathering of fans. It was also quintessential that they had this fame increase as every ounce of exposure aided them in the long run. However not all of those who played were as lucky. Some people’s skills with business would have “difficulties” which would limit the “band’s success” (“Berry Chu.” 2). It was not easy being a player or running a band;Ill planned actions would have dire consequences. Band leaders and even the players had to be smart with their money and their opportunities. Frequently many of the jazz players came from different backgrounds, in which they could of done a different profession. Players like Berry Chu, who was a “talented enough college football player”, could have gone through a different and much financially reassuring path (“Berry Chu.” 1). Being a Swing players was a risky endeavor; if you did not attract a large crowd with your playing, you were dead
All types of music require musicians. In the H.R (Harlem Renaissance), there were many who contributed to this new style of music known as jazz. These musicians all have their own style and form. Each of these styles has in some way influenced the evolution of jazz. Louis “Sachmo” Armstrong is recognized as the most famous trumpet player of this time. His “hot bop” style was heard in places like the Cotton Club and the Apollo Theatre. Everyone from all over the country would come to see him. Armstrong recorded such works as I’m in the Mood for Love, and You Rascal you (http://library.thinkquest.org/26656/english/music.html). Another famous person during this era was Coleman Hawkins, a saxophone player. Hawkins is recognized as the first great saxophonists of Jazz. His most famous work was a piece named Body and Soul (http://library.thinkquest.org…). Hawkins has also recorded with artists such as Thelonious Monk and Duke Ellington. Other people such as Bessie Smith, Josephine Baker, Duke Ellington, and “Dizzie” Gillespie have also made many contributions to the development of Jazz.