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More handpicked essays just for you.
More handpicked essays just for you.
New topics in postcolonial literature
Features of postcolonial fiction
Caribbean history and culture
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Recommended: New topics in postcolonial literature
The Caribbean region is known for its very unique history which is as a direct result of colonization by the Europeans. Within the domains of these islands, lies a shared colonial and post-colonial experience amongst its peoples which has inescapably left them with a fractured psyche. Postcolonial literary writers, through their works, have addressed, criticized and highlighted many issues faced by Caribbean people. This ‘quarrel with history’ is centered on issues of race, social class structure, gender, culture and identity. Writers such as Sam Selvon in his novel ‘The Lonely Londoners’ and V.S. Naipaul in ‘The Mystic Masseur’, through their writing, have disempowered various factors that affects the colonized. The literary techniques used …show more content…
It functions to illustrate the stark contrast of their past and present further highlighting the alienation that besieged them. The recollection of hardships suffered in his younger days when his father had to resort to pigeons for food, Galahad is forced to reenact those said actions in Kensington Gardens. Typically Moses drifts away into nostalgia which is representative of the futuristic ideal and hopes for a better life: ‘I would get a old house and have some cattle and goat, and all day long sit down in the grass in the sun, and hit a good corn cuckoo and calaloo now and then’ (p. 125). Moses is the main linking element between the main characters of the novel. The narratives of Moses and Galahad are mostly interwoven. Reminiscing is a pivotal aspect of their relationship. They share memories of characters and events of their past in Trinidad giving readers insight about who they are and where they came from. It is also used as a source of comfort towards the end of the novel during ‘one bitter season’ (p.116) where they faced hardships and turned to their memories to escape their current realities. On the other hand Galahad is presented as a logical realist: ‘It ain’t have no prospects back home, boy’ (p. 125). Memory plays a significant role for these characters and is reiterated by Moses: ‘This is a lonely miserable city, if it was that we didn’t get together now and then to talk about things back home, we would suffer like hell’ (p.
This week’s articles carry a couple related, if not common, themes of imagined, if not artificial, constructs of race and identity. Martha Hodes’ article, “The mercurial Nature and Abiding Power of Race: A Transnational Family Story,” offers a narrative based examination of the malleable terms on which race was defined. To accomplish this she examines the story of Eunice Connolly and her family and social life as a window into understanding the changing dimensions of race in nineteenth-century America and the Caribbean, specifically New England and Grand Cayman. While Hodes’ article examines the construction of race in the Americas, Ali A. Mazrui’s piece, “The Re-Invention of Africa: Edward Sai, V. Y. Mudimbe, and Beyond,” looks at the construction of African identity. Although different in geographic loci, the two articles similarly examine the shaping influences of race and identity and the power held in ‘the Other’ to those ends.
...d issues of post-colonialism in Crossing the Mangrove. It is clear that Conde favors multiplicity when it comes to ideas of language, narrative, culture, and identity. The notion that anything can be understood through one, objective lens is destroyed through her practice of intertextuality, her crafting of one character's story through multiple perspectives, and her use of the motif of trees and roots. In the end, everything – the literary canon, Creole identity, narrative – is jumbled, chaotic, and rhizomic; in general, any attempts at decryption require the employment of multiple (aforementioned) methodologies.
In conclusion, there isn’t another author like Craig Santos Perez; the author’s addresses the idea point by the end of the book that it’s important to embrace recreation. The importance of historical facts, cultural values, and stories from your culture will always be important but is it not set up already to eventually fall and recreate? Perez’s unique writing and unique culture today is a prime example to answer yes to all the questions in this essay. This book did make me believe even more how wrong colonialism is but I still stand by my opinion even though it’s very two sided. I must say for Perez to re-map the way you could look at colonialism is very unique in an author.
...spoke a Spanish Creole. This made a clear distinction between the two and made it easy for the government to identify the difference. The reader sees how such themes of Birth and Death show so prominently throughout the characters that one must focus on how birth and deaths affect the concept of the individual relating to their own Negritude. It is culture, not skin tones but rather the beliefs and values that each country be it Haiti or Dominican Republic relate to. Danticat’s novel helps us understand the strengths and limits that Rene Depestre states in The Birth of Caribbean Civilisation “there is a progressive ‘negritude’ that expounds the need to rise above all the alienations of man . . . and there is “an irrational reactionary and mystic version of ‘negritude’ which serves . . . as a cultural base for neo-colonialist penetration into our countries” (244).
Through the excerpts from Pixley, Carvalho and Kim, the basis of both liberation theology/liberation criticism and post-colonial criticism stem from their focus on the marginalized, whether that be natives or “The Other” and the interplay between these two criticism can be observed through their opposition to the dominant culture, the necessity of educating the marginalized and giving them a voice, and their analysis of the text through hermeneutics and its application in each criticism.
In the earlier years of the colonies life was a bit more difficult than it is now in the presant. People led simpeler lives without all the things we take for granted today. Times when our government was merely a puppet of mother England thousands of miles away. It was this government and its actions that brought out the anger in its subjects to the point of rebellion and eventual emancipation from the larger power. So what brought this small country to the boiling point? It seemed to be a serious of pushes from England that led to the eventual split of the colonies and the U.K.
Set in St. Lucia, Walcott’s Omeros reveals an island possessing a rich past. St. Lucia, a former colony, has a history of ‘pagan’ religion and tradition, a different language, and an economic background based namely on fishing. Locals must try to reconcile their heritage prior to colonization, the influences of colonization, and how to create a new culture from the ashes of the others (Hogan 17).
When it comes to post-colonial literature, most initially think about the colonization of other countries and how it has affected the natives. Though it is the most well known form of post-colonial literature, it is not the most wide-spread. By slightly altering the framing in which one looks at it, the idea that feminist literature by women from a patriarchal society is post-colonial literature begins to make sense.
In her essay, “Last Resorts: The Cost of Tourism in the Caribbean”, journalist Polly Pattullo presents an inside view of the resort industry in the Caribbean Islands, and how it truly operates. Tourism is the main industry of the Caribbean, formerly referred to as the West Indies, and it is the major part of the economy there. Pattullo’s essay mirrors the ideas of Trevor M.A. Farrell’s perspective “Decolonization in the English-Speaking Caribbean” in which he writes about the implicit meaning of the colonial condition. Pattollo’s essay illustrates that colonialism is present in the Caribbean tourism industry by comparing the meaning of it presented in Farrell’s perspective. In this essay I will explain how these two essays explain how decolonization hardly exists in the Caribbean.
The ocean is what connects the people of the Caribbean to their African descendants in and out of time. Through the water they made it to their respective islands, and they, personally, crafted it to be temporal and made it a point of reference. The ocean is without time, and a speaker of many languages, with respect to Natasha Omise’eke Tinsley’s Black Atlantic, Queer Atlantic. The multilingualism of the ocean is reminiscent that there is no one Caribbean experience. The importance of it indicates that the Afro-Caribbean identity is most salient through spirituality. It should come to no surprise that Erzulie, a Haitian loa, is a significant part of the migration of bodies in Ana Maurine Lara’s Erzulie’s Skirt. Ana Maurine Lara’s depiction
To show how stories can affect colonialism, we will be looking at British authors during the time of colonialism. During this period of British colonialism, writers like Joyce Cary, author of “Mister Johnson” wrote novels about Africa and more specifically, a Nigerian named Johnson. Johnson in this novel is represented as “[an] infuriating principal character”. In Mr. Cary’s novel he demeans the people of Africa with hatred and mockery, even describing them as “unhuman, like twisted bags of lard, or burst bladders”. Even though Cary’s novel displayed large amounts of racism and bigotry, it received even larger amounts of praise, even from Time Magazine in October 20, 1952. The ability to write a hateful novel and still receive praise for it is what Chinua Achebe likes to describe as “absolute power over narrative [and...
Jean Rhys’ novel Wide Sargasso Sea (1966) depicts Antoinette Cosway, a white creole girl and descendent of the colonizers, torn between her white creole identity and her affiliation with and attachment to the colonized, colored people of postcolonial Jamaica. Antoinette is neither fully accepted by the blacks nor by the white European colonizers. She continuously struggles to negotiate between the completely opposing expectations and spaces of black Jamaican and white European culture. Consequently, Antoinette precipitates into a state of ‘in-betweenness’ as she loses her sense of belonging to either culture.
Here Rhys also shows how language is used as the resistance to post-colonial discourse: Christophine is wholly in control of their dialogue. Jean Rhys rewrites the history of the colonized in Jamaica and gives the voice to the colonized. More importantly, she rectifies the stereotypes that the westerns, especially the Orientalists imposed on the colonized. So to speak, like other Postcolonial literatures, Wide Sargasso Sea is a result of the interaction between the prototyped imperial culture and the indigenous cultural practices, and it successfully challenge colonial values and
Ashis Nandy in his book “The intimate enemy” has tried to focus on the psychology of colonialism. I’ve observed that the book justifies its title very well as it sheds light on the fact that though Indians were protesting against colonial ideas as an enemy however, at the same time they were maintaining an intimacy with those colonial ideas.
Every human being, in addition to having their own personal identity, has a sense of who they are in relation to the larger community--the nation. Postcolonial studies is the attempt to strip away conventional perspective and examine what that national identity might be for a postcolonial subject. To read literature from the perspective of postcolonial studies is to seek out--to listen for, that indigenous, representative voice which can inform the world of the essence of existence as a colonial subject, or as a postcolonial citizen. Postcolonial authors use their literature and poetry to solidify, through criticism and celebration, an emerging national identity, which they have taken on the responsibility of representing. Surely, the reevaluation of national identity is an eventual and essential result of a country gaining independence from a colonial power, or a country emerging from a fledgling settler colony. However, to claim to be representative of that entire identity is a huge undertaking for an author trying to convey a postcolonial message. Each nation, province, island, state, neighborhood and individual is its own unique amalgamation of history, culture, language and tradition. Only by understanding and embracing the idea of cultural hybridity when attempting to explore the concept of national identity can any one individual, or nation, truly hope to understand or communicate the lasting effects of the colonial process.