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Theorizing intersectionality
Theorizing intersectionality
Theory of intersectionality
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Creole as a ‘Third Space’ in Jean Rhys’ Wide Sargasso Sea Jean Rhys’ novel Wide Sargasso Sea (1966) depicts Antoinette Cosway, a white creole girl and descendent of the colonizers, torn between her white creole identity and her affiliation with and attachment to the colonized, colored people of postcolonial Jamaica. Antoinette is neither fully accepted by the blacks nor by the white European colonizers. She continuously struggles to negotiate between the completely opposing expectations and spaces of black Jamaican and white European culture. Consequently, Antoinette precipitates into a state of ‘in-betweenness’ as she loses her sense of belonging to either culture. Antoinette’s occupation of a hybrid position dismantles the stable binary of white/black, colonizer/colonized. Hybridity interrogates and deconstructs the western hegemonic assumption of stable subjectivity and meaning. Destabilising the notion of the self and the Other as envisioned by the western grand narratives hybridity proposes that the self is constructed by multiple ideologies and multiple discourses at the same time. Antoinette’s frustration and instability stem from her inability to belong to any particular community and culture. As a white creole, she oscillates between the European world of her ancestors and the Caribbean culture into which she is born. The fact that she is born in Jamaica as a white creole with a European background problematizes her identity belonging to neither of them fully thereby creating a hybrid status. Rhys through Antoinette’s ‘in-between space’ or a ‘Third Space’, as Homi K. Bhabha argues, takes a position that identity is ambivalent and crucially challenged in the hegemonic colonial setting. I propose to argue that Antoinett... ... middle of paper ... ...n: Twayne Publishers, 1980. Bill Ashcroft, Gareth Griffiths and Helen Tiffin. The Empire Writes Back. 2nd. New York: Routledge, 2002. Brathwaite, Edward Kamau. "Creolization in Jamaica." The Post-colonial Studies Reader. Ed. Bill Ashcroft, Gareth Griffiths and Helen Tiffin. New York: Routledge, 1995. 202-205. Habib, M. A. R. "Feminist Criticism." A History of Literary Criticism: Fron Plato to the Present. Oxford: Blackwell Publishing, 2005. 667-707. Nunez, Elizabeth. Bruised Hibiscus. Seattle, WA: Seal Press, 2000. Nunez-Harrell, Elizabeth. "The Paradoxes of Belonging: The White West Indian Woman in Fiction." MFS Modern Fiction Studies 31.2 (1985): 281-293. Mezei, Kathy. "'And it Kept its Secret': Narration, Memory, and Madness in Jean Rhys' Wide Sargasso Sea." Critique 28.4 (1987): 195-209. Rhys, Jean. The Complete Novels. New York: W.W. Norton & Company Inc., 1985
History can significantly influence the ways in which a place, along with its community, evolves. Now considered postcolonial, not only are Hawaii and Antigua heavily defined by their colonial pasts, but they are also systematically forced into enduring the consequences of their unfavorable histories. Through their unconventionally enlightening essays, Jamaica Kincaid and Juliana Spahr offer compelling insights into how the same idea that exists as a tourist’s perception of paradise also exists as an unprofitable reality for the natives who are trapped in their pasts yet ironically labeled as independent. The lasting impacts of colonialism on the history of Antigua and Hawaii can be noted through their lasting subservience to their colonizing
...spoke a Spanish Creole. This made a clear distinction between the two and made it easy for the government to identify the difference. The reader sees how such themes of Birth and Death show so prominently throughout the characters that one must focus on how birth and deaths affect the concept of the individual relating to their own Negritude. It is culture, not skin tones but rather the beliefs and values that each country be it Haiti or Dominican Republic relate to. Danticat’s novel helps us understand the strengths and limits that Rene Depestre states in The Birth of Caribbean Civilisation “there is a progressive ‘negritude’ that expounds the need to rise above all the alienations of man . . . and there is “an irrational reactionary and mystic version of ‘negritude’ which serves . . . as a cultural base for neo-colonialist penetration into our countries” (244).
Set in St. Lucia, Walcott’s Omeros reveals an island possessing a rich past. St. Lucia, a former colony, has a history of ‘pagan’ religion and tradition, a different language, and an economic background based namely on fishing. Locals must try to reconcile their heritage prior to colonization, the influences of colonization, and how to create a new culture from the ashes of the others (Hogan 17).
Within Rhys’s novel, he incorporates the normality of the West Indies during the nineteenth and mid- twentieth centuries. Antoinette, the main character, who happens to be a white Creole, is mistreated and discriminated because of her identity. Throughout the text, characters are victimized by prejudices. For example, Antoinette and Annette become victims of traumatic experience as they face numerous kinds of mistreatment. Antoinette had to deal with an arranged marriage, which results her becoming distressed. Throughout this marriage, she was treated irrationally by her husband, Rochester and servants. She was unable to relate to Rochester because their upbringings were incompatible. She had to stomach the trauma of being shunned because of her appearance and identity. She was called names, mainly “white cockroach”, and was treated as an
Sarvan, Charles. ¡§Flight, Entrapment, and Madness in Jean Rhys¡¦ Wide Sargasso Sea.¡¨ The International Fiction Review. Vol 26.1&2:1999:82-96.
In Wide Sargasso Sea, Rhys gives new life and identity to Bronte’s Bertha Mason as the protagonist Antoinette Cosway. The novel opens to Antoinette’s narration, “They say when trouble comes close ranks, and so the white people did. But we were not in their ranks. The Jamaican ladies had never approved of my mother, ‘because she pretty like pretty self’ Christophine said”. In those first sentences, Antoinette faces issues of identity within two cultures. She distinguishes herself from the white people, referencing that in that society there is a hierarchy of power among the white creoles. Her rank limits her ability to claim whiteness, for she is the daughter of a now impoverished family. However, in noting Christophine, who serves as the only mother-like figure hints that Antoinette’s beliefs are shaped by those of the black society she...
The ocean is what connects the people of the Caribbean to their African descendants in and out of time. Through the water they made it to their respective islands, and they, personally, crafted it to be temporal and made it a point of reference. The ocean is without time, and a speaker of many languages, with respect to Natasha Omise’eke Tinsley’s Black Atlantic, Queer Atlantic. The multilingualism of the ocean is reminiscent that there is no one Caribbean experience. The importance of it indicates that the Afro-Caribbean identity is most salient through spirituality. It should come to no surprise that Erzulie, a Haitian loa, is a significant part of the migration of bodies in Ana Maurine Lara’s Erzulie’s Skirt. Ana Maurine Lara’s depiction
...her and reveals the complex process of suppression and projection, which attempted to impose the “Old World” view on the “New World” in the sixteenth century Caribbean.
Gabriel, Deborah. Layers of Blackness: Colourism in the African Diaspora. London: Imani Media, 2007. Print.
The way in which Benítez-Rojo and Mintz tackle the question of Caribbean identity in their articles, is a removed, objective ideal, in contrast to Michelle Cliff’s portrayal of Jamaican identity. Cliff’s portrayal touches the heart and soul of Caribbean identity. While Mintz and Benítez-Rojo are investigating trends in the Caribbean as a whole, from an outside perspective, Cliff offers the personal, tactile imagery of what it is to live in the Caribbean, utilizing the objective account of history as a background. Furthermore, Cliff deals with Jamaica, one island in the Caribbean, while Mintz and Benítez-Rojo are dealing with the Caribbean on a grand scaled overview. The fact is neither article can be taken as complete truth. In fact, although Cliff uses history in her novel, I believe the account of history from someone who has completely accessed the interior of a place, is always going to be biased. Likewise, Mintz and Benítez-Rojo in making their hypotheses, are lacking an insider’s view. It is the difference between a Caribbean person and Caribbeanist, respectively. Therefore, while on a logical level, an analytical level, Benítez-Rojo and Mintz’s, conclusions as to Caribbean identity could rightly be accepted, these two authors do not possess the experience and intensity to make me as a reader, convinced of their conclusions.
Abrams 1604 - 1606. Peterson, Linda H. "What Is Feminist Criticism?" Wuthering Heights. Ed. Linda H. Peterson, Ph.D. Boston: Bedford Books, 1992.
To begin this paper, I want to explain a little bit about Feminist Criticism. This category of criticism scrutinizes the means in which texts have been molded in accordance with matters of gender. It concentrates on social and financial disparities in a “male-controlled” culture that continues to impede women from grasping their true potentials. There are several perceptions and theories universally shared by feminist critics. One such belief is that our society is undeniably regulated by men. Another belief is that the concept of “gender” is mostly, if not wholly, a social standard that has curtailed from the never ending masculine biases that engulf our world. This male dominated philosophy is excessively abundant in most of the writings that are deemed exceptional literature. In addition, many feminist consider females, in literature, to be represented as destructive or docile objects, while most males are portrayed as being brave and resilient leaders.
For the rioters, Coco the parrot, and Antoinette, fire offers an instrument of escape from and rebellion against the oppressive actions of their respective captors. Wide Sargasso Sea takes place shortly after the emancipation of Jamaican slaves. Annette's husbands, first Alexander Cosway and then Mr. Mason, have both profited immorally off of the exploitation of black Jamaicans. Unsurprisingly, the former slaves feel great hatred towards the Cosways--- hatred that boils over when the ex-slaves set fire to Annette's house (35). The significance of th...
Postcolonial literature often emphasizes the problems and consequences of the decolonization of a country, emerging at the same time that many colonies were fighting their way to independence. Postcolonial writers, especially those who are from Africa, South Asia, and Caribbean, "wrote back" to the empire to challenge the imperial assumptions that had justified colonialism in the first place. Wide Sargasso Sea of Jean Rhys is the prequel of Jane Eyre, which tells the story of Rochester's mad wife Bertha Mason. Wide Sargasso Sea is such a novel written by the formerly colonized people who attempt to “articulate their identity and reclaim their past in the face of that past's inevitable otherness” (Ciolkowski 344). It tends to correct the imagined image that the colonizer imposed on them and in the meanwhile resists and even subverts the colonizing authority. This paper studies how Jean Rhys's postcolonial text, Wide Sargasso Sea, reveals the issues of racial conflict and gender oppression under the discourse of Eurocentrism, and challenges the colonizing authority by the subversive power of black language.
‘I have Dutch, nigger and English in me, and either I am nobody, or I am a nation.’ This is a quote from ‘Shabine’, a Walcott persona. A central theme that runs through Walcott’s poetry is his search for identity. In many of his poems he focuses on an internal dissonance between established cultural heritage in his African, English and Caribbean ancestry in developing one that encompasses each one without disregarding another. He appears to be in constant pursuit of a feeling of atonement; one it seems he can only gain from returning to his pre-slave trade ancestors. Walcott also refers to the past so he can begin to understand and justify the context in which these events happen.