Collette Dinnigan's Influences

233 Words1 Page
bulb-icon

Recommended: Design inspirations of Collette Dinnigan

Influences “I didn’t agree with most fashion companies and how they copied international designers. So in a nutshell I went out on my own.” “Most of my inspiration comes from colour, art, flowers, landscapes and detail from vintage clothes or antique bric-a-brac… I sketch collections with fabrics in mind and develop inspiration boards alongside my draping and this had been a large part of evolving shapes.” ~ Collette Dinnigan Inspiration is the stimulus, motivation and encouragement for designers to start projects. They consciously and unconsciously take inspiration from the world around them, to form their designs Dinnigan’s influences was an accumulation of past designers and her multicultural upbringing is reflected in her designs. In 2004

Show More
Related

  • Why Army Operational Design Methodology is Required in the MDMP

    1232 Words  | 3 Pages

    Lawson, Bryan. How Designers Think: The Design Process Demystified. 4th ed. Oxford: Architectural Press, 2006.

    Read More

  • Analysis Of The Fashion Industry: Free To Be An Individual

    1411 Words  | 3 Pages

    Berry, Hannah. “The Fashion Industry: Free to Be an Individual.” The Norton Field Guide to

    Read More

  • Aaron Douglas, The New Negro Movements

    1068 Words  | 3 Pages

    He got a lot of his inspiration from his mother. She loved painting with water colors and making

    Read More

  • Pop Culture In The 1980s

    1003 Words  | 3 Pages

    Their distinctive design echoed the dull unpolished designs from the 1970s. In response to this they produced vibrantly daring pieces which mirrored the 1980s era. The boundaries between high and low-class design were challenged by political statements which were established by The Memphis Group in their practice (Feroleto, P,

    Read More

  • Leoh Ming Pei & Eero Saarinen

    589 Words  | 2 Pages

    Leoh Ming Pei was born in Canton, China in 1917 and came to the United States for his further education. Because of his fathers influence on him, who always encouraged Pei in designing, he attended MIT and it was finally in Harvard that he got his architectural degree. Being brought up in a different culture also had an impact in his design for his approach towards it was different from most of his American classmates whose approaches towards design were mostly very traditional. At Harvard, Le Corbussier’s “Expressive Modernism” influenced him in his use of simple geometric shapes and forms. Gropius also had a great deal of influence on Pei for he developed a reliance on abstract form and materials such as stone, concrete, glass and steel and later developed his own approach to design in which he exhibits interest in the Avant Garde. My next architect is (1910- 1961) who was born in Finland, a son of an architect father and a sculptor and architectural model-maker mother. His parents’ professions influenced him very much into being an architect and he enrolled in Cranbrok Institute of Architecture and also Yale University after his family moved to the United States. He also went to Europe for a year to study sculpture and over there, he was greatly influenced by the sculptors there of that time and this sculptural influence is seen in almost every one of his designs.

    Read More

  • The globalization of design is pulling designer and design education into a new stage

    1332 Words  | 3 Pages

    ...r should abandon their own design identities that established from their cultural and educational background. From the great achievement that Hong Kong designers has presented, we can discover that the international design is not a simply design westernization.

    Read More

  • The Influence that Issey Miyake´s Japanese Heritage Hand on his Designs

    771 Words  | 2 Pages

    Miyake’s earliest designs were made from sashiko (a form of decorative reinforcement stitching ) quilted fabric , in styles originally worn by peasants and sumo wrestlers. He, however , cut the fabric more generously and adapted it to modern use. His designs were very loose and built like a piece of clay sculpture, not based on the human figure. Miyake wanted the ...

    Read More

  • Eileen Gray

    771 Words  | 2 Pages

    When one talks or thinks of architecture, or the architects, there is a great gender gap, and due to these gaps, some women do not acquire the acknowledgement that is rightfully theirs. As one of the finest architects, designers, and artist of the 20th century, Eileen Gray was and still has not been given any attention as a serious designer/architect, unlike her counter parts, Le Corbusier, De Stijl, Mies van der Rohe, or Frank Lloyd Wright.

    Read More

  • International Designer India Mahdavi Analysis

    1090 Words  | 3 Pages

    Intro: International designer India Mahdavi’s name is a reflection of the stalwart herself, exotic, feminine and dramatic. Her work elicits a chic and universal sensibility capturing her design essence and draws influences from the memories of her gipsy life. From restaurant to a private residence, a furniture piece to an installation, each of her projects, carries a distinctly modern yet familiar quality. Playful and chic are just a few synonyms for her signature style.

    Read More

  • The Integration of Art and Technology

    1964 Words  | 4 Pages

    The French-born duo, Ronan (1971) and Erwan (1976), both studied at the Ecole Nationale des Arts Decoratifs in Paris and the Ecole des Beaux-Arts in Cergy Pontoise. Not long after graduating, Ronan began designing his own products with the help of his brother who was still studying at the time.1 By the late ‘90s, the brothers had accomplished creating their own design firm, Bouroullec Studio, and were well on their way to success in the design spectrum. Their success in many ways can be contributed to their complementing personalities – the artsy side of Ronan and the experimental and technical advances of Erwan - as well as their shared goals of changing how design can be interacted with well beyond the design process.

    Read More

  • The Crucial Role Of The Designer In Ecodesign

    790 Words  | 2 Pages

    The main argument of this text is a strong belief in the designer having an important impact on sustainability, as they are the ones most likeable to decrease environmental impact through their design.

    Read More

  • Problem And Design Problem

    2152 Words  | 5 Pages

    ...nclusive throughout this essay, is that the individual designer’s tendency to ‘problematize’ the problem-as-given has caused for the focus of the design activity to be informed in such a way that is not necessarily delineated by the initial design brief, therefore generating a developmental process of designing that exceeds the simple task of solving the problem presented. Through this process, the designer adds significant personal input, and in doing so, develops an additional set of standards determined by what they believe are crucial determinants to the success of the design. Therefore it can be concluded that the act of designing involves great commitment on the behalf of the designer, in order to develop a solution that not only fulfills the initial needs, but shows the personal codifications of the designer’s ‘designerliness’ imbedded into the final outcome.

    Read More

  • The 8 Benefits of Making it Yourself

    2237 Words  | 5 Pages

    In any craft store, fabric and sewing patterns consume a large area. Walking -around, I see pinks, blues, greens, polka dots, stripes, and diamonds. The potential in each fabric is overwhelming. A simple, chevron cotton, with a little work, turns into a lovely dress. A striped flannel makes an extremely warm and comfortable pair of pajamas. A plain silk creates a lovely gown. Not only are there multiple fabrics, but the number of patterns is abundant. Each pattern has the potential to become the item according to the instructions or be slightly altered to fulfill my wishes. For example, I have the option to make a pair of pajama pants like the design or exclude the drawstring. If I am taller than the design length, I add a couple of inches to make the pants the proper length. Patterns or designs cater to my needs and wishes. All of this is accomplished with the amazing skill of sewing.

    Read More

  • Why I Want to Be a Graphic Designer

    1749 Words  | 4 Pages

    My inspirations are focus on mostly the graphics designing, although I have chosen to do applied art and design as a A levels subject I would like to discover the graphic designing in more detailed and depth and in future hope to do an idea which would be a applied art and design the graphics.

    Read More

  • Different Styles of Fashion

    1153 Words  | 3 Pages

    ...xpress themselves and with clothes there are endless ways to do so. It helps define who you are. But most of all I love that just in one style or trend there are a million ideas. It takes so much to design clothes all the detail and hard work. The thing is people who wear the clothing don't even realize that for every new shirt or pants that they wear a designer took months to come up with just that one look. So i know i want to design clothing and come up with some of my own trends and styles to add to the extended list of styles out there in our world today.

    Read More

More about Collette Dinnigan's Influences

Open Document