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Now and then character analysis
Now and then character analysis
Now and then character analysis
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Claudius and Mr. Harvey are alike in many ways, although they differ in some aspects as well. They are both the villain of a novel or play, even though they differ in their reasoning for committing their crimes. Mr. Harvey, from The Lovely Bones and Claudius from Hamlet both commit a murder, although Mr. Harvey reflects a more impulsive drive for him to do it while Claudius does it for specific items, like power and a woman. But they both show that the villain archetype is not always the evil-laughing, cape-wearing mastermind who knows exactly what he wants. Both characters don't quite rest in the villain stereotype, due to the misplaced remorse of Claudius and the blurry personality changes of Mr. Harvey. But they are also broadening the spectrums …show more content…
Villains today are typically shown wearing dark colors, large capes, mean eyes, and maybe a pointy-nose. The villain has their evil cackle that suggests that they know what they are doing is evil, but they love doing the evil things. For the most part, they are never regretful of their actions. Take Gargamel, from the movie The Smurfs. Gargamel is the evil wizard and enemy of the smurfs, whose main goal is to destroy them. He wears a dark cape, has a pointy nose, and an evil laugh. Throughout the movie, he never changes his views on his actions or questions his reasoning for attempting, what we would call murder. In the end he is defeated by the hero of the movie, while still coming back in follow-up movies to attempt his goal again and again. This archetype is not quite the villain archetype presented through Claudius of the novel …show more content…
Both characters are villains in their own ways. Mr. Harvey does commit many murders, leading us to give him the title “serial killer,” but he is not the cape-wearing, evil-laughing villain that we are trained to see in childhood cartoons. Mr. Harvey can't hold himself in, although he attempts to. Although Susie does not state this, we can draw the conclusion that Mr. Harvey attempts to stop himself when he is about to commit a murder. His urges drive him mad and when he has the “not still dreams” of girls and women, his urge pushes him over the edge and he gives in (Sebold 96). Claudius’ character differs in the way that he is not a serial killer, but he does murder the king for his royal throne and got many prizes for it. But he later confesses to having grief over his actions and longs to ask for forgiveness, although he does not want to give up his throne and his queen. Most villain stereotypes are not depicted to grieve for their actions or attempt to prevent themselves from being the villain, but they are still seen, and depicted as the villain
An Exploration of the Ways Shakespeare Presents the Character Claudius From Claudius’s first speech the audience gains the impression the character is political and educated. Shakespeare uses metaphorical language to emphasis this. Claudius’s first speech in the script is full of metaphorical language, and it shows a manipulating, persuasive character who can convince a kingdom that it was perfectly acceptable for him to marry his brother’s wife just a few weeks after his death. It is the language Shakespeare has chosen to give Claudius that can convince others that he is morally correct. He uses imagery of facial features to represent the kingdom as one body.
King Hamlet's "foul and most unnatural murder" (Shakespeare I.v.31) tops Claudius' list of egregious sins. Using his mastery of manipulation, Claudius, the “incestuous” and “adulterate beast” managed to win the honorable queen Gertrude by using the “shameful lust [of her] will” (I.v.49…52-53). Claudius had to use verbal trickery to influence Gertrude into switching husbands that quickly after her husband’s death, which shows his true skill: lying convincingly. Claudius manages to validate his ascent to the throne by diverting attention away from him and to the attack by the young Fortinbras of Norway (I.ii.1-38). The most horrible of Claudius’ crimes is his lack of emotion over his traitorous fratricide. Claudius does not even give his late brother a word of respect; instead the focus is upon the future of Denmark. Claudius goes so far as to chastise Hamlet for his “unmanly grief” (I.ii.98), emphasizing that for the benefit of Denmark; all those affected by the death of King Hamlet should keep a strong façade. Later in Hamlet, Claudius begins to openly express his remorse and recognizes the immorality of his actions when he says himself: “O, my offense is rank, it smells to heaven;/ It hath the primal eldest curse upon’t, / A brother’s murder. Pray cannot I” (III.iii.40-42). He expresses his grief and sin in private but keeps a façade in front of the rest of the kingdom. Claudius is
Claudius messed up Hamlet's life terribly, but by doing that he became a worthy opponent. He showed all the skills that he had to use against Hamlet at every chance he got. There are many minor details that add up when comparing Claudius with Hamlet. Claudius was a smart man who did not get as much credit as he deserved.
An important factor of any fictional story is the antagonist, or a person who conflicts with the protagonist – the “hero” of the story (Encarta). As many have come to the realization already, Claudius is the main antagonist to Shakespeare’s Hamlet. Uncle to Prince Hamlet, King of Denmark and Husband of Gertrude, Claudius is quite a character. Imagine the guilt and anxiety brought about by killing one’s own brother, claiming his kingdom as your own, and then going so far as to marry his widow. These were the crimes of King Claudius of Denmark, and one can see that he was pretty much written to be despised by the reader, a noticeable aspect of Shakespeare’s age-old work. Moreover, many often quickly assume, upon their first reading of the play, that Prince Hamlet ought to kill the king (Goddard).
King Hamlet’s “foul and most unnatural murder” (I.v.25) tops Claudius’ list of egregious sins, but most of his offenses are psychological rather than physical. Using his mastery of manipulation, Claudius, the “incestuous” and “adulterate beast” managed to win “to his shameful lust the will” of the virtuous queen, Gertrude (I.v.42-6). Gertrude could not be persuaded to switch husbands without a little verbal tricker...
Hamlet’s dogged attempts at convincing himself and those around him of Claudius’ evil, end up being Claudius’ best moments. The audience doesn’t have just one view of Claudius; the other characters favorable ideas of Claudius as king and person lets them see the humanity, good and bad, in Claudius. An allegory for the human soul, Claudius is many things: a father, a brother, a husband, and a king. He, like anyone else, has to play the role to the best of his ability, but is still very human and susceptible to the evils of human emotion ranging from concern to jealousy, all of which could have easily fueled his decisions. Page 1 of 6 Works Cited Hamlet, Shakespeare.
Claudius is seen in Hamlets eyes as a horrible person because he convicted murder and incest. Claudius had killed the king of Denmark, Old Hamlet, to obtain the position of the throne. He had been jealous of Old Hamlet’s wife Gertrude and wanted to marry her for her power. Although, such an act would be called incest and considered unnatural he did not care, all he had cared about was the power that he would be stealing from Hamlet and Old Hamlet, Gertrude’s son and husband (R). When Hamlet had talked to his f...
Delving into the character of King Claudius in Shakespeare’s tragedy, Hamlet, we find a character who is not totally evil but rather a blend of morally good and bad elements. Let’s explore the various dimensions of this many-sided character.
Both men plot, and kill, but before acting they take a great deal of time to think about their actions. Hamlet likes to set up and get everything right before acting on his suspicions or ideas. He thinks about how his actions will affect everyone and this is because of the substantial amount of common sense he has. Before killing Claudius, he came up with a plan to take him down and exploit him for killing his father. He knows that he cannot just kill him right away because people will be confused and blame Hamlet, so he plans to crack him first. He puts on a play portraying a young man poisoning his uncle, which riles Claudius because he poisoned Hamlet’s father. By putting on the play Hamlet alerted Claudius about how much he knew which scared Claudius. Hamlet goes on to a more elaborate plan to act “mad” which instills much fear into Claudius because he thinks Hamlet now poses as a threat to him which is what Hamlet wants. Claudius’ reaction to Hamlet’s madness is shown when he...
The relationship between Hamlet and Claudius is problematic, largely due to the fact that they both wish death upon the other. For instance, they view each other as a threat, which is a foreboding sign within a royal family. When Hamlet learns that his father was murdered by his own uncle - Claudius, Hamlet vows to avenge his father’s death by killing Claudius when he is told, “But know, thou noble youth, The serpent that did sting thy father’s life now wears his crown” (1.5.38-40). In other words, the ghost of Old King Hamlet informs Hamlet that Claudius has murdered him. He compares Claudius to a serpent, a large deadly
...with the sharpness of an experienced leader and decisively acting on every issue of importance. Therefore, the actor must have an imposing and confident presence on stage, for Claudius dominates Elsinore and is in full control of Denmark. However, by the third act, the King must be depicted as a man who is growing increasingly fearful of Hamlet, and during the play, Claudius is so startled that he must appear as though he has seen the ghost of Old Hamlet. But in my opinion, Claudius’ defining moment comes during his lengthy soliloquy in which he acknowledges his guilt. As he mourns his condemned soul, he should seem so helpless that the audience views him with intense pity, for the character of Claudius, like Macbeth, is not intended to represent evil but instead to show the universal ability of power to corrupt and to destroy lives in the process.
Claudius is a villain because of his enormous greed, his overwhelming selfishness and his use of intelligence for evil purposes.
Claudius is a very deceptive king who tries to bend his appearance throughout the play in order to accommodate for his unfortunate reality. He is an appalling, hypocritical king incapable of running his own kingdom. Unfortunately, Claudius is able to deceive others around him, and creates an illusion of being a great king. In the novel, he is able to stop young Fortinbras from attacking Denmark; only after much pleading and supplication to Fortingbra’s uncle though. Nevertheless, Claudius knows that he is a dreadful king “and from his lips we get the true explanation, he discloses the fact that young Fortinbras has no wholesome fear and respect for him as he had for the late king” (Crawford). Furthermore, Claudius has a dishonest lifestyle that differentiates him from a true king. As the great Shakespearean scholar Alexander W. Crawford explains, “The king led the way in dissipation and debauchery” a life in which Claudius only lives to play, never to rule. Above all, deception pours from Claudius when he kills his own brother, the late King Hamlet. Up u...
...Bertram explains, “Shakespeare makes Claudius a hypocrite in what he says and does as the action progresses, and when the last scene has arrived we have been able to understand the kind of villainy that lurk beneath his fair and smooth appearance. It is obvious then that he has been created by the playwright as this particular kind of dangerous person, the hypocrite, who by virtue of his position and of his seeming splendor can pervert not merely his queen, but the very land, which he has stolen from his victim. Claudius is not a mixture of good and bad, he is an evil man who seems good.” (Bertram 141) Shakespeare removes the obscurities of hypocrisy and portrays the real Claudius.
When Hamlet calls his uncle a “smiling, damned villain!” he is illuminating Claudius’s ability to hide his true iniquitous nature and appear charming (1.5.107). Hamlet uses the word “smiling” to highlight the dual nature of Claudius. Claudius’s smile is illuminated because a smile can either be good in nature or evil. Hamlet is able to see Claudius’s dual nature as he appears to be a good person but acts as a power hungry and malicious person. He uses his eloquence to hide his true nature and intentions. Just as Claudius murdered his brother by pouring poison in his ear, Claudius pours his words, like poison, into the ears of those around him in order to mask his true nature and intentions.