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Mise en scene importance in films
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The award winning film, Chungking Express, is a tale of two stories told in sequence, each about a lovesick Hong Kong policeman contemplating his relationship with a woman. The movie is filmed in impressionistic splashes of motion and color, which are used to help the audience get a better sense of the time period. In particular, the mise-en-scene, especially the setting, stands out in separating the different stages of relationships that the two policemen find themselves in, but due to the setting being in the same place it also helps connect the two stories. The first story concerns Taiwan-born cop He Qiwu, also known as Cop 223. Qiwu's girlfriend May broke up with him on April 1 (April Fool's Day). His birthday is May 1st and since he saw …show more content…
By the end of this time, he feels that he will either be rejoined with his love or that it will have expired forever. Meanwhile, a mysterious woman in a blonde wig tries to survive in the drug underworld after a smuggling operation goes sour. The woman even resorts to kidnapping to find out who set her up. After finding out who caused the operation to fail she leaves and goes to a nearby bar. On the same day, which is May 1, Qiwu, looking for romance, approaches the woman in a blonde wig at a bar. After a few drinks and long conversations with Qiwu, she is exhausted and falls asleep in a hotel room, leaving him to watch old movies alone all night and order take-out food in their room. During this scene the mise-en-scene is already giving signs and foreshadows that the two might have a future together, maybe as husband and wife watching movies together. Before leaving in the morning Qiwu shines her shoes before he leaves her sleeping on the bed. This might not be seen as an important scene, but the truth is that by shining her shoes Qiwu leaves with the hope that the blond wigged woman will notice and have a positive impression of him. The next day the woman with the
The turning point in the story occurs when Jing-mei finally refuses to do what her mother wants and accepts that she will never be a genius. Her "true self finally emerged, and this was what had been inside her all along.."
She is fairly new to the work world and has lied on her resume’ to get hired, and realizes that the job is harder than she first thought. All hope is not lost because Violet assures her that she can be trained. She ends up succeeding at the company and telling her husband she will not take him back after he comes back begging for her love again.
Gang Lu is not happy about his life as Beard says: “Gang Lu looks around the room with expressionless eyes. He’s sick of physics and sick of the buffoons who practice it”(9). He hates everyone in the physics apartment because no one respect him. He wants to let it all out. The mass shooting might be horrible. However, because of that, Beard and her husband can get back together. She describes when her husband get back is: “Silence. No matter how much you miss them. They never come back once they’re gone”(15). She used to live with her dog. Now she gets another company. Sometimes, some event just happened unexpectedly that completely change people life. It might seem to be terrible for some people, but if it did not happen, other good things might not follow.
...kindness towards Lucy. Prior to this scene the narrator, recalling this shot, questions if Cheng even remembers his initial purpose for coming to London. The color change acts as a visual realization of Cheng’s newly reinvigorated spirituality and Buddhist belief.
Genet proceeds to make her way to the United States also. Sadly, she is addicted to drugs and will be imprisoned for the murder of her husband. She reaches out Marion because she wants him to forgive her for the things she has done to him. Marion forgives her, and they have sex the day before she is sent away for murder. Marions liver is damaged now because Genet gave him a case of hepatitis.
The mise en scenes in this film are unique because it gave viewers the ability to have a sense of how the characters are feeling. For example, low lighting was used throughout the film to express a sense of the unknown and/or fear. Another great example of how mise en scene was used is how human shadows for night shooting were used to increase the feeling of mystery and a threating atmosphere (Awjingyi). And one of the most important examples of mise en scene used in this film is in the last scene where mirrors were used (aka the “funhouse”) to
Chang 32). On the inside, the shop is no more impressive with “cream colored” walls and a mirror too large for the shop ceiling, so it must be propped up against a wall (E. Chang 34). The rather bland setting parallels with Wang’s no-nonsense work ethic: she is the only person in her group who takes charge of the situation even when Mr. Yee moves to Shanghai and their funding for their scheme is cut (E. Chang 25-26). The mirror propped up against the wall parallels Wang’s ability to take a situation that seems like it will be failing and make it work out in her favor. Her ability to act as a socialite despite the dingy “stage” she is left within the jewelry shop really embodies the strength and determination she carries as an actress and just a powerful female in general. Wang’s power is definitely notable in the story and Sung-sheng Yvonne Chang notes that: “Unlike the other women writers who sought to be assimilated into the male-dominated mainstream tradition, and thus necessarily developed a sense of self-denial [Chang] by choosing to deal with a "feminine" genre, and hence inevitably with the specific ideology of the form, have gained valuable ground in coming to terms with their own socially determined feminine experience.”(S. Chang 205). In this instance, Wang could quite possibly not be seen as any more “socially determined” to make a statement: she is working with
She is emotionally wrecked by this time, and is confused by john's tactics. She storms into a room full of men with pornography playing on a T.V., and kisses another man in front of John.
The use of mise-en-scene in this film gives the audience subtle hints during the film. Toward the beginning of the film Mrs. Robinson makes Ben bring her home from Ben’s coming home party. Although Ben had no intentions of going inside with Mrs. Robinson, she profusely urges Ben to walk her inside since she is scared of the dark and no one is home. Ben ends up walking her inside when he then tries to leave again, but she wants him to have a drink with her. The audience can sense Ben is getting uncomfortable with the situation and begins to think something is weird about what is happening. Nichols captures a shot that we can detect both Ben and Mrs. Robinson conversing in the living room while, through the window in between them, they have trees and bushes as if they were in the wild. The audience observes that Mrs. Robinson is wearing an animal printed dress. The way that Mrs. Robinson is talking to Ben and treating him it is as if she is the predator and Ben is her prey with whom she is trying to seduce. All the shots during this scene we notice Mrs. Robinson at a higher height than Ben which furthermore represents her dominance over him. The scene finishes with a shot of Ben. The camera is placed where the shot is coming from between the legs of Mrs. Robinson, which suggest what will happen later in the film. Throughout the film the audience notices that we never
Lockwood rides all the way to Iowa Hill to find that Chino never arrived. He decides to turn back and sweep the path again in search of him. Lockwood is on his way back towards the mining community when he spots the outline of a person. Assuming Chino has already been shot he fires at the person. Lockwood quickly realizes that the man is Chino, and that he has shot him. Lockwood rushes Chino back to his home. As Chino is being examined by the doctor, Lockwood and Felice are talking. She thanks Lockwood for trying to kill Chino to be with her. He finds she is nothing like he thought she was. Moreover, he decides he no longer loves her, and finds himself lucky that Chino was
...a journey of discovery/rediscovery of what the Western world comes to mean, while at the same time, negotiating the redefinition of selfhood and national identity of Hong Kong. The will to search for a reconciliation with the West in these films is certainly deeply embedded in Hong Kong’s search for its own identity in the post-colonial era. After its return to its Chinese motherland, Hong Kong consequently takes up the important position as the bridge between China and the West. Many recognize that its success to find its identity as part of China in the future depends on its ability to come to terms with its colonial past. Indeed, as we have seen, both films positively insist on the possibility of fulfilling such an aspiration. The process is not a comfortable one, and it is often one of pain and risks. Yet the films assure that it is also one of promise and hope.
Yet she finds the strength to move on and still retains her traditional values. She remarries and has Jing-Mei and creates a new life for herself in America. She is the one who brings together three other women to form the Joy Luck Club. The rift is the greatest between Suyuan and June. Suyuan tries to force her daughter to be everything she could ever be.
Fu, Poshek, and David Desser, eds. The Cinema of Hong Kong. Cambridge, United Kingdom: Cambridge University Press, 2000.
O-lan then gives birth to a daughter. Then a terrible famine settles on the land. O-lan gives birth to another daughter during crisis so she strangles the second girl because there is not enough food to feed the baby and the rest of the family. Wang Lung is forced to take his family to a southern city for the winter. There, O-lan and the children beg while Wang Lung earns money by transporting people in a rented rickshaw. They earn just enough money to eat. He and O-lan briefly consider selling their surviving daughter as a slave. Eventually, a group of poor and desperate people ransacks a rich man's home, and Wang Lung and O-lan join them. Wang Lung steals a pile of gold coins. With this new wealth, he moves the family back home and purchases a new ox and some seeds. O-lan had stolen some jewels during the looting.
the end of the novel as both the women in his life have other men at