In the Choral Director’s Cookbook, choral conductors need to have certain ingredients to prepare their choral programs. They first need to select music, based on range, content and audience. Then they need to arrange the music effectively in groups of musical and textual content. Directors need to study their scores to fully understand the song. The last step is to prepare for the rehearsals, such as warm-ups. David L. Brunner’s ingredients include a diversity of musical material, such as building vocal and aural skills. When shopping for music, one should look for practical, artistic, and personal considerations. For example, music that stimulates musical growth, that teaches musical concepts, and personal taste or judgement. Kathleen Roddle encourages using internet sites that come …show more content…
Conductors also use the Musica International Database of Choral Music, Primarily A Cappella, and conventions to located several different, and sometimes new, music varieties. Then the last is international publishers such as CM Musical Editions. Most music comes from oral traditions used in world music, that a conductor may have to transcribe themselves. This type of music helps conductors step out of their comfort zones. When a conductor adds in a piece with juxtaposition of pieces, they can teach cultural context to their students and their audiences. Directors need to find a main work to build their programs up and find other songs that complement the main song(s), such as homegrown products or a song of different languages. Then think about the flow of the show and bring in equipment and flyers. In the video, Attention to Detail: A Choral Conductor’s Guide, Dale Warland sets up secrets and methods for every choral conductor. A conductor should look at the choir/voices, music, and themselves. They should focus on finding and researching music that helps the teachers
On November 16th, 2013, I attended a concert choir, fall choral concert. This event took place on the Wheaton College Campus, in the Edman Chapel at 7:30 pm. The chapel was well-lit, with long pews for the audience to be seated. The concert began with the audience looking up into a balcony, where the ensemble stood in neat rows. They watched the conductor, who stood on a stage in front of the audience, waiting for their cue.
Peyser, J. (1986) The Orchestra: Origins and Transformations. New York: Charles Scribner’s and Sons. Sadie, S. (1980) New Grove Dictionary of Music and Musicians.
On March 13th the Rochester Oratorio Society and Houghton College Choir performed at the Hochstein Performance Hall in the city of Rochester. It was a predominately vocal concert with an accompanying pianist. The main performance of the evening was the Rochester Oratorio Society’s rendition of Johannes Brahms’ “Ein deutsches Requiem,” in which vocal soloists Elena O’Connor and Benjamin Bloomfield took the front stage, and Linda Boianova joined Kevin Nitsch as a second pair of hands behind the piano.
People have dreams of what they want to do or accomplish in life, but usually musical theatre is just pushed into the non-realistic void. It isn’t a dream for me. In the past four years, musical theatre has been clarified as my reality. Musical theatre has been the only thing I have seen myself wanting to do. My first love was The Phantom of the Opera, seeing how I watched it almost every day and it was one of the first shows I saw. Of course, I started doing all of those cute shows in middle school and making a huge deal about it to my family and friends, but I have never felt so passionate about something. The minute I get up on that stage I throw away Riley for two and a half hours and it’s the most amazing feeling! Being able to tell a story
The choirboys by Joseph Wambaurgh is it a depiction of how ten urban police officers cope. This novel is a dark and powerful comedy with the ending of a tragedy. Five sets of Los Angeles Police Department officers on the night watch at Wilshire division come together after patrol at MacArthur Park and rewind from the past day. Spermwhale Whalen and Baxter Slate partners of 7-A-1, Sam Niles and Harold Bloomguard partners of 7-A-29, Spencer Van Moot and Calvin Potts partners of 7-A-33, Calvin Potts and Francis Tanaguchi partners of 7-A-77, Roscoe Rules and Dean Pratt partners of 7-A-85.
On February 27, 2014 the Humberside Collegiate Choir performed 3 songs at the Ontario Vocal Festival (OVF) in the Mayfield Secondary School auditorium. This choir wore maroon sashes with their school logo around their waists so that they could be identified as a choir. This choir sang “Fair Phyllis”, “I Value My Country”, and “One Goal”.
Music is virtually everywhere we go, no matter if it is background noise in a coffee shop or singing along while shopping for groceries, we can find music somewhere. The event I attended was the Flint Symphony Orchestra on October 8, 2016. I have never attended a symphony before so I was excited to go, especially since I had invited my friend to attend with me. For this event, I was already informed by my teacher that the symphony will be formal so we needed to look the part since others will be dressed fancy. This made me curious how this event will turn out. Walking past the ticket area and through the doors to the lobby made me feel instantly memorized at how grand it was on the inside. I went downstairs and there were a vast
This edition of the Tcu ensemble series was performed at St Stephens Presbyterian Church by The TCU choral union and the University Singers. This was the initial concert for the re-instatement of the TCU choral union which is an open choir with members from Texas Christian University and the Ft. Worth area. The University Singers are a selective ensemble of music majors at TCU. St Stephens church provided a wonderful venue for this event as it made the music sound crisp and vivid.
Last Sunday I had the opportunity for the first time, to listen to the Mormon Tabernacle Choir live. I was able to attend “Music and the Spoken Word” which is the longest continuous network broadcast in the world. The Mormon Tabernacle Choir performed with roughly 360 members and were conducted by Mack Wilberg. They were accompanied by a phenomenal organist, Richard Elliott. The organ he performed on has 5 keyboards, 11623 pipes and 32 footpedals.
Lehman, Paul R. et all. The School Music Program: A New Vision. (1994). Reston, VA. Music Educators National Conference.
During the performance I attended, two pieces were performed. The first was a Mozart piece by the name of Symphony No. 41 or Jupiter. The second and final was the Lord Nelson Mass composed by Joseph Haydn. In this concert, the two performances differed greatly unlike the last performance that I went to. The previous one that I attended had music that all sounded very similar to me. That could just be my lack of experience with American music, especially music that was composed hundreds of years ago. This time, there was vocal accompaniment with the second piece which clearly made it much different than the other works that I listened to. The Lord Nelson Mass was one that I enjoyed more and I feel that is because of the choir that performed. Although it is not the type of music that I usually listen to, it is still has some more similarities than the symphony by Mozart.
On Wednesday, May 23rd, I attended the College Choir concert in the Reamer Campus Center. The choir performed a variety of songs, ranging from pieces in Latin to traditional American folksongs. Two of the pieces featured solos, and one even featured percussion instruments. Mrs. Elinore Farnum provided piano accompaniment for each of the songs, and performed beautifully. I was extremely impressed by the talented choir members and their ability to sing such a varied range of songs.
Making an album that contains various pieces using traditional songs, hymns, standards, film music, classic showtunes, and popular pieces.
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
Music is not written down, and is passed on through word of mouth. This allows for further adaptations of the piece by the performer.