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Compare and contrast medieval artwork and Renaissance artwork
Renaissance and medieval painting
Compare and contrast medieval artwork and Renaissance artwork
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Change in Medieval and Renaissance Paintings
Medieval and Renaissance paintings of the 15th and 16th centuries are a great example of how art gradually changes over time. Although the paintings and artists will reiterate certain aspects in later art, they also change many aspects of the same styling. One can notice differences in the hues of color, tone, layout or arrangement of the design & subject matter, perspective, and even the concept and symbolism in the paintings will also change over time.
During the medieval times, paintings were not drawn as realistic as they began to be painted in the renaissance times. As such, they were out of proportion and they did not show the distance view in perspective. Also the medieval style of painting was a much more simplistic style of painting since it didn't show much depth or shadowing with in the objects of the paintings to create any perspective for each object either. The paintings during the older times also focused not only on the religious meaning behind the paintings but would demonstrate the religious aspect by drawing halos of gold rings or bowls on the subject matter instead of just allowing them to look holy in their normal features like that of the renaissance paintings of a later date.
However, they did have similar characteristics even though the actual styles of the paintings were starting to grow further and further apart with time. Both the renaissance and the medieval paintings were normally drawn for a religious reason. The artists would portray the subject matters in various biblical scenes and/or religious connotations since during that time the answer to all things was the Bible. But with the dawning of the humanistic culture and the renaissance times...
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...e others look very real and shaded. The landscape goes back in the distance and is done with great perspective but some areas aren't so deeply painted as others which if looked closely upon can throw a viewer on what type of painting it should be considered. One of the Magi has such detail and depth in one view of his wardrobe that it looks like a picture but then you look at the front surface and it's almost perfectly flat.
One must remember when looking at these paintings all of the religious connotations that are represented in these paintings. This is an aspect that has not changed over these times as so many other elements have. Renaissance paintings bring art into a whole new world with the explorations they are achieving. They will bring you into the modern world, but for now we must remember the beauty and underlying meaning in these wonderful pieces.
In the Florence and the early renaissance, we have the greatest master of art like Leonardo da Vinci, Michelangelo, Sandro Botticelli and others. In this period of time the painters almost never show their emotions or feelings, they were more focused on indulging the churches and the wealthy people. In The renaissance period the art provides the work of art with ideal, intangible qualities, giving it a beauty and significance greater and more permanent than that actually found in the modern art. Florence and the early renaissance, the art become very valued where every artist was trying to create art forms consistent with the appearance of the beauty or elegance in a natural perspective. However, Renaissance art seems to focus more on the human as an individual, while Wayne White art takes a broader picture with no humans whatsoever; Wayne, modern three dimensional arts often utilizes a style of painting more abstract than Renaissance art. At this point in the semester these two aspects of abstract painting and the early renaissance artwork have significant roles in the paintings. Wayne White brings unrealistic concepts that provoke a new theme of art, but nevertheless the artistic creations of the piece of art during early renaissance still represent the highest of attainment in the history of
The Renaissance art had well defined landscapes, natural folds in drapery and three dimensional objects or people. The middle ages art was focused on religion and symbolic representations (Doc.A). At the same time the new artistic styles almost kind of mocked the the movements and interest of the new age. That is how the renaissance changed has man’s view of man on art.(doc.A)
are depicted with the same degree of variation. To understand such a diverse set of paintings –
During the 15th century, as the Renaissance flourished in Italy, a separate movement of the Renaissance emerged in the Netherlands. The Netherlands, located north of Italy, independently developed a distinct artistic style that incorporated Gothic influences and emphasized observation of nature, symbolism, and attention to detail. Both Flemish and Italian artists were focused on accurately depicting physical realism through the use of chiaroscuro and linear perspective. However, some Italian artists such as Fra Angelico focused on spiritual message rather than naturalism. Each regions’ styles also often vary in materials and theme. For example, Flemish paintings integrated religious themes into secular settings. This was the result of wealthy patrons and merchants commissioning a broader expanse of subjects in Northern art. Italian Renaissance art, however, was predominantly religious. Giant altarpieces were created mainly for public display in churches and
The Middle Ages, contrary to its name, was a dynamic period of innovations. Throughout this period, visual arts were employed to communicate important messages to the public as well as private wealthy patrons. A variety of mediums were used to disseminate ideas. Though, the sense of decorum shifted, the purpose of these moralizing images of religious figures remained the same. Art was, as it still is an extremely useful and powerful tool for both religious and political advancements. The two pieces to be considered in this paper were created using scenes from the life of Christ. Themes from the old and new testaments were frequently used in art of the Middle Ages to convey important messages to a largely illiterate populous, display the wealth of few individuals, and create feelings of patriotism and support for the Monarch by relating them to divinity. Both pieces are from different mediums and likely different forms of patronage. To be analyzed in this paper is an illuminated manuscript page (fig 1) and an ivory diptych (fig 2). There are several similarities, as well as differences throughout the works. I will describe each piece then continue to compare and contrast them, this will work to facilitate a greater understanding of the Middle Ages through works of art.
When a person thinks about the Renaissance, the first thing that comes to mind is more than likely knights in shining armor fighting off dragons and saving the princess. However, lets look at a more realistic approach towards the Renaissance and talk about what really brings out the brilliance and the beauty of this time period, which is nonetheless the art that was informed and inspired by classical antiquity from the Greeks and the Roman civilizations. The artist during the Renaissance was pure genius and masters of draftsmanship and distinguished techniques in displaying a command of lighting, flawless perspectives of image, accurate portrayals of flora and fauna, and the complexities and intricacies of human anatomy and physiology. This period was heavily influenced by religious relic and concepts and these artists expanded beyond the ideas of religious intuitive. Renaissance art was a movement of rediscovering people as individuals as a person and not just another being and this proven through the faces on paintings that have profound and very distinctive displays and expression of emotion. Artwork during the Renaissance became the it thing to do spreading into the households of wealthy merchants, bankers, popes, and princes spending large amounts of money on portraits, miniatures, and still life photographs.
Art has so many sides as to look creativity of the world. In chapter 20 Late Medieval and Early Renaissance Northern Europe by Fred S. Kleiner, you will see Disguised Symbolism which is a Bisociations of visual forms which occur so subtly that they are not directly or readily apparent to the conscious mind of the viewer. Adding onto that A Northern Renaissance technique of giving a spiritual meaning to ordinary objects in the painting so that these detail can carry the religious message. The 15th century, the majority of clients engaging artwork changed from ministry members to lay patrons. Due to the change, the images being represented altered to combine everyday life with a disguised religious symbol. Reconciling these
Many techniques were developed, such as humanist influence, linear perspective and secular paintings. The artist Da Vinci painted the “Mona Lisa” and “The Last Supper”. Specifically looking at the “Mona Lisa”, the painting has “well defined landscapes, natural folds in drapery and three dimensional figures”(Doc. A). This painting has a big humanist influence because of the detail in the face and the dimension shown. Moving onto a different artist, Durer, he created very different pieces of art compares to Da Vinci. Durer did engravings and woodcuts to create realistic figures. An example of his artwork is one that depicts a rhinoceros. This is a very famous piece of his because of the realistic depiction of a rhinoceros. Compared to the Middle ages, this work of art by Durer shows a strict humanist perspective. Also, Eyck is another artist during the Renaissance period that was impacted by many techniques. He paints the piece called the “Arnolfini Portrait”. He shows a man and a women together in the picture with very realistic details regarding clothing, faces and the background. Eyck shows the technique of linear perspective to draw attention to the people in the painting. He also uses a new material called oil paint. In general, the artistic movement during the Renaissance included many techniques and humanist views to create a realistic view within the
During the Renaissance artists changed the way they painted and sculpted, they learned how to paint in all three dimensions, which brought life and realism to their works. Also, getting away from the religious roots of art created an entirely new type of art that was rich in drama and emotion. This was also the time period when painting with oils was started.
The Renaissance was a time of rebirth, as its name entails. In Italy, more people were becoming literate and more books were being printed. More scientific discoveries were being made and therefore more theories were being published. In this time of intellectual prosperity, art also made a great leap. Perspective was the main change during this time period, and throughout the years, starting around 1400, it became more involved and more intricate. Eventually artists were so adept at using it, that it became the primary way to insert intimacy and feelings of emotion into a painting. This evolution of technique paved the way for later artists to play with new approaches to allow the viewer to experience an image in different ways.
The Christian Church was absolutely instrumental in the art of the Renaissance. It was the driving force behind every inspiration; without the Church, there would have been no art. The Church was the only institution powerful enough to be able to support the commissions of all of the artwork, and it was the only institution, in which people had enough faith and devotion to spend so much of their time and money creating pieces that—although beautiful—were not necessities. The role of religion in art actually began during the Byzantine era. During this time, all artwork was religious in nature, and most of it was done in a consistently similar style so that figures from the Bible could be easily recognized by everyone and so that people had a consistent view of religious matters. Art during this time was largely iconic, meant to inspire the awe of God in the viewer. Along with various versions of the crucifix, one of the most popular images of the Byzantine style was The Pantokrator, an image of Jesus Christ as shown from above. An example of one of these pieces was done in the twelfth century in the abbey church of Monreale in the city of Palermo. Jesus is a monumental figure that takes up much of the space across the apse of the Church. One of his hands forms a mudra as the other holds the scripture. His fully frontal and direct stance along with the glimmering gold background serves to strike awe and fear into the viewer. Clearly this piece was done with the intent to impress the value and mightiness of religion first and attention to the detail and technique of the art second.
The shift between the Middle Ages and Renaissance was documented in art for future generations. It is because of the changes in art during this time that art historians today understand the historical placement and the socio-economic, political, and religious changes of the time. Art is a visual interpretation of one’s beliefs and way of life; it is through the art from these periods that we today understand exactly what was taking place and why it was happening. These shifts did not happen overnight, but instead changed gradually though years and years of art, and it is through them that we have record of some of the most important changes of historic times.
The Renaissance art that I've included contains a piece by Robert Campin entitled “Annunciation Triptych,” and another work by Fra Filippo Lippi, called “Madonna and Child Enthroned with Two Angels.” In both of these paintings we see some of the typical themes of Renaissance art. For example, Lippi included in his scene a background which wouldn't have necessarily been needed. Really he could have chosen just about anything, like the woods or the sea, that might have been easier to paint. He chose though what appears to be the inside of a building, likely a church. Not only that but he went to great lengths to ensure everything was in perspective, and the lines and angles are straight and sharp. Similarly Campin has also chosen an interior scenes with strong perspective and exacting details. In both of these the artists seem to be capturing an event, much like with a photography in modern times. While both images portray fictional scenes, the artists wanted to capture the moment to tell a precise historical story. They both go to some lengths to include background details which also capture architectural details. To me it seems that they both approached their work meticulously and with reason and mathem...
Art is important to religion in many different ways. Perhaps none has analyzed how art and religion have influenced and affected each other through the ages. Pictures painted of past events that help to bring back the feeling and importance of the past have been forgotten by some. To the one’s that haven’t forgotten are able to see the event’s as the bible says they happened. Not only can you see the events, but it also allows the younger students of the church to understand the events. The use of images of God became widespread after the second century. This religious art has defiantly been around for centuries and plays an important role to the history of religion as well as the future.
The Medieval time period was an important era for the growth of culture throughout the entire world. We owe many innovations used in design, architecture and overall style to the works of the many artists that flourished in the middle ages. Each of the four periods of development were unique to one another, yet followed an overlying religious theme that defined the medieval times. The advancements made during that time were able to influence to the 800 years of art that lead up to present day, and still remain visually and architecturally beautiful.