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Relationship of the Greeks to their gods
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Owen Smith’s essay starts his essay by focusing on the dance company known as “CandCo.” It is a British company that is seen as different; “they were perhaps identified closely enough with the community and disability arts movements not to pose a threat to the dominant means tram aesthetic tradition” (73). The founders of the company created a new movement to incorporate disabled performers with non-disabled performs to dance together to let the audience and society know that it is normal to dance, regardless of the functionality of your body. Because of this new movement, Owen has stated in his essay that this reshapes the history of Greek God Apollo’s fame of dance. Apollo is known to be the ideal dancer who is not only strong and handsome, but a huge indicator that he is abled-body, completely leaving out the fact that disability wasn’t even considered, it was seen as weak and limits one’s body to move, especially in dance. “Disabled dancers do not just break the chain of signifiers that might secure the Apollonian frame, they reconfigure the codes that inscribe and privilege a particular representation of corporeality within performative dance specifically, and indirectly within other dominant economies of cultural exchange, countering the tyrannical trajectory that fetishes a …show more content…
It was also resisting to think that those who are disabled, is unable to perform as a dancers just because of what society has structured them to be. As a dancer myself, after reading this, I like to dance and collaborate with a disabled dancer to also educate viewers like Smith and CandCo to normalize the body as a body. Bodies are made to move and function differently and does not mean that disabled-bodies should and are limited. It is important to focus on the performance and what the performance can do to the viewer, and the focus should not be if disabled people can dance like those who are
Due to this disease the body is slowly broken down by affecting the central nervous system of a person’s body. The children depicted in the essay are probably an example how fellow human beings should be around a disabled person. They just view the disabled person as another human being and respect them the same way. The children are proud to associate themselves with Mairs and do not shy away from introducing her to the general public. This is what a disabled person requires: that all those around him or her should respect them for what they are and give them unconditional regard
Ballet has been an art form since the late fifteenth century, but society did not truly see the impact of ballet until the nineteenth century. Modern day thinkers possess the idea that ballet began with tutus and pointe shoes, but it wasn’t until the nineteenth century that this opinion was observed. Ballet has come a long way. It has survived the turmoil of many wars and has changed itself by accepting new ideas and impressing the audience with its unique stylistic views.
The degree of transcendence attained by a particular performance depends largely on the relationship the audience has with the performer. Claude McKay’s Harlem dancer is initially framed through the gaze of a group of rambunctious youths, densely packed into a Harlem night-club. The young men accompanied by their prostitutes cheer and laugh, debasing the dance to a lewd exhibition. Where the seductive disrobement of the dancer would be thought to warrant a level of hypnotic control over the viewers, their capacity for the manipulation of her image indicates that the performance holds little to no significance. While “perfection” is attained by the sway of her half-clothed body, rather than a testame...
Victoria Marks’ most recent contemporary dance pieces all were fascinating, but the two that drew me in the most were “Men” and “Mothers And Daughters”. Both of these pieces made in the spring of 2014, focus on the idea of celebrating the life you have been given, leaving your mark on the world, and getting the most out of every opportunity you have to be with someone you care about. Victoria Marks is a dance professor at UCLA, who also choreographs dances for the stage, and films. “Marks’ recent work has considered the politics of citizenship, as well as the representation of both virtuosity and disability. These themes are part of her ongoing commitment to locating dance-making within the sphere of political meaning.” Marks in both films “Men” and “Mothers And Daughters” believes that , "Your Dancing ability does not matter because we are all differently-abled", which is why she used both trained and untrained actors to create these two pieces of art.
The typical idea of a dancer is that they are tall, slender, full of energy, and lucky because they dance with all of the “stars”. Much of this is true, however, what many people do not think of are the many hardships that a dancer goes through in order to achieve their high status in the dance world. It takes much hard work and determination along with good direction to become a dancer. However, nothing good comes without a price. Dancers often times have many pressures put on them which can lead to physical and emotional damages. These damages occur through the pressures from the media, parents, teammates, and the stereotype that society has placed on dancers.
What comes into one’s mind when they are asked to consider physical disabilities? Pity and embarrassment, or hope and encouragement? Perhaps a mix between the two contrasting emotions? The average, able-bodied person must have a different perspective than a handicapped person, on the quality of life of a physically disabled person. Nancy Mairs, Andre Dubus, and Harriet McBryde Johnson are three authors who shared their experiences as physically handicapped adults. Although the three authors wrote different pieces, all three essays demonstrate the frustrations, struggles, contemplations, and triumphs from a disabled person’s point of view and are aimed at a reader with no physical disability.
Many Historians say that Isadora Duncan was the first dancer to present “modern dancing” to the public. Duncan felt that the pointe shoes and costumes that ballerinas wore were to restrictive. She began to dance in a way that seemed to be more natural to her. Her inspirations came from the movements of the tress, the ocean and other forms from nature. Her techniques included hopping, swaying, skipping and running. She felt these type of movements were natural and expressive. Also, the history of the Greeks
I considered myself a performer, and after years training as a classical ballerina I expanded into stunting and tumbling. While on tour, I developed friendships and bonds with dancers strengthened by a mutual love for dance, a commonality over the pain our bodies endured daily, and conversations on bruised and broken toes.
She told her readers that she has a muscle-wasting disease and she could only move three fingers on her right hand. She wrote that the reactions she got from most people were “Decidedly negative” (Johnson p.98) She wrote that she would hear thing such as “I admire you for being out; most people would give up.” And “You don’t let the pain hold you back do you?” (Johnson p.98) There is often talk about how popular culture teaches people to both see and not see the people with disabilities. Comments such as these are an example of such blindness. When a child sees a disabled person a parent’s first reaction would be to tell them not to stare. We teach children that it is impolite to be curious about people who live life differently than others. We carry the “its-not-polite-to-stare” idea into adult hood therefore when we come across a disabled we try not to make eye contact not as if we are being rude but because we are taught that it would offend them. All curiosity and attempts to understand are shut down at a young age for fear of offending someone. Therefore, any attempt to encourage is met with a deep misunderstanding of how the life of someone with disabilities truly works. Just because a person has a disability does not mean they are incapable of enjoying
I am writing this letter in response to the article “Dance therapy brings joy and wellbeing to older people” written by Mark Tran. I enjoyed reading this article and agree with some of the points illustrated. Dance therapy is a universally technique that can be used to promote self-worth and develop confidence. Furthermore, it is an expression of an individuals’ willingness to move, learn and reveal themselves through their bodies (Becker, 2001). Not only is dance used for recreational purposes, research shows how it benefits the elderly in a number of ways. Thus, allowing for person growth and enhancing the quality of life amongst older adults.
As Jackie Joyner Kersee once said, “The rewards are going to come, but my happiness is just loving the sport and having fun performing” (“Sports Quotes,” 2013). Sports play a major role in entertainment all across the world. Sports can range from driving in NASCAR to playing in the NBA (Careers in Pro Sports, 1999). Sports usually involve teamwork and is fun for everyone. Although sports are supposed to be fun, there is natural competition. Being a feminine art, dance is considered to be just about anything other than a sport. Dancers are trained to the height of their ability, just like other athletes in other sports. Even though the dancer might not perform with their whole dance studio on stage at the same time, the dancers are all apart of the same team. Dancing is not an easy sport to participate in, so if you are looking for a sport that does not require practice then you might want to look into a different sport. There are hour-long practices, healthy diets, and several routines to remember. Normally, if someone is convinced that dance is not a sport, they have not fully engaged or experienced dance. In order to better understand dance, it is important to understand the history of dance, the competition of dance, and the comparison of dance to other sports.
Judith Butler’s essay “Performative Acts and Gender Construction: An Essay in Phenomenology and Feminist Theory” explains and explores the performativity of gender, and problematizes Simone de Beauvoir’s understanding of “What is a Woman?” Riva Leher, artist and author, reflects on the intersections between sex and disability in a personal essay, “Golem Girl Gets Lucky.” Both texts aid us in exploring how we must examine disability as a feminist issue, since oppressive forces faced by women are part of the same social construction as the forces which oppressed disabled people.
In the essay “Disability,” Nancy Mairs discusses the lack of media attention for the disabled, writing: “To depict disabled people in the ordinary activities of life is to admit that there is something ordinary about disability itself, that it may enter anyone’s life.” An ordinary person has very little exposure to the disabled, and therefore can only draw conclusions from what is seen in the media. As soon as people can picture the disabled as regular people with a debilitating condition, they can begin to respect them and see to their needs without it seeming like an afterthought or a burden. As Mairs wrote: “The fact is that ours is the only minority you can join involuntarily, without warning, at any time.” Looking at the issue from this angle, it is easy to see that many disabled people were ordinary people prior to some sort of accident. Mairs develops this po...
A ballet dancer’s general intention when performing any piece is to convey a message to the audience. A message is relayed through the dancer’s strategic facial expressions and body movements. Each movement has a purpose in articulating the dancer’s energy, and confidence within themselves to express the emotions and inspire the audience (Lucas). A dancer’s energy and
The more that people are made aware and are educated on disability, the less that society will discourage and discriminate against those who suffer from it. There have been examples of this all through history. Women used to be seen as care takers and nothing more, they were made to stay home and care for the house and kids, and now we have women running for president. As society becomes more accustomed to disability sports there should follow an increase in accessibility for disabled children to learn and play such sports. As of now there is interest in disability sports, but it is still only a fraction compared to sports played by the able-bodied. By taking disability sports more seriously more children will have the ability to be a part of something bigger than their disability and elite disability athletes will be able to get the recognition that they’ve worked so hard