Throughout Shakespeare's King Lear , the view does not guarantee the perception and understanding , so that blindness does not mean lack of vision . King Lear and Gloucester are the two main characters , who show a lack of understanding of each other, both physically and mentally. Two men have little understanding of their own children and deceived simple words and set costumes. When they are presented with lies and dishonesty, as Lear and Gloucester suffer without convictions. They are all ready to see what is on the surface , and not understanding what lies hidden in shame things inside . For Shakespeare , seeing is not a physical quality, moral understanding of what the eye sees is what it pretty much is. In fact, blindness becomes the key to true insight and perspective.
His blindness began when Edmund convinced him by the forged letter that Edgar was planning to kill him. His lack of “sight” caused him to believe that Edmund was the good son although all he wanted to do is to take over his power. Near the end of the play, Gloucester finally regained his sight and realized that Edgar saved his life and loved him all this time and Edmund was the evil of the two. His inability to see occurred when he had physical sight, but when he finally could see things clearly is when he had his eyes plucked out by the Duke of Cornwall.
Blindness is one of the main themes in King Lear and is a recurring trait that is by several characters in the play. Blindness is represented literally, with Gloucester, and figuratively, with King Lear, in the play. In King Lear, Lear himself undergoes several shocking and unpleasant experiences due to his own figurative blindness. These experiences include his daughters, Goneril and Regan, treating him with disrespect and being locked out in the raging storm. These experiences drive Lear to losing his mental sanity, however, revive his moral sanity.
not always represent reality. Gloucester avoided a similar demise by learning the relationship between appearance and reality. It is amazing that only through great hardships, such as Gloucester having his eyes plucked out, could he and Lear receive true insight. Unfortunately, Gloucester’s blindness cost him his eyes and a natural relationship with his son. Lear’s blindness ended up costing Cordelia her life and consequently the life of himself.
Much of the imagery in King Lear's first scene presages what is to come in the play. Often characters refer to senses, particularly sight, whether as a comment on the necessity of sensing consequences before acting (as Lear does not), or as yet another of Shakespeare's comments (most apparent in Hamlet) on "seeming." The destruction of Gloucester's eyes and his subsequent musings ("I stumbled when I saw" (IV.i.19) etc.) are a more graphical presentation of this basic theme which originally appears in Lear's first scene. Goneril declares Lear is "dearer than eyesight" (I.i.56) to her (though she is the one who later suggests putting Gloucester's eyes out for his "treachery"). Regan goes further, proclaiming "I profess / Myself an enemy to all other joys / Which the most precious square of sense possesses" (I.i. 72-74). Crossed in his wrath by Kent, Lear cries "Out of my sight!" (I.i.157), only to be reproved with Kent's "See better, Lear, and let me still remain / The true blank of thine eye." (I.i.158-9).
Enter King Lear, a tale of an old king who must come to terms with his mortality after being pitifully abandoned by his own two daughters. Shakespeare skillfully crafts the values of the mortality of humanity straight into the play at the expense of the pain and suffering experienced by two of the characters: King Lear and the Earl of Gloucester. Both Lear and Gloucester struggle to see the true nature of the situation surrounding them, especially the malicious intentions of their own children. We feel the pain, confusion, and frustration of the two characters as struggle to face reality. Exacerbated by their blindness, Lear's and Gloucester's mistakes are powerfully exposed as Shakespeare strips these esteemed characters of their status, reducing them to what they truly are - human.
After Kent delightfully brings the two together and Lear realizes who he is talking to, he begs for forgiveness: “Pray, do not mock me. / I am a very foolish fond old man, / Fourscore and upward, not an hour more nor less /....Do not laugh at me, / For as I am a man, I think this lady / To be my child Cordelia.“ (IV.vii.68-79). Lear has finally achieved self-awareness regarding his mistaken banishment of Cordelia, and proclaims to her in a surprising display of humility that he is just a “foolish fond old man.” Shocking the audience, Lear does not hold back his newfound sense of shame. He goes on: “Be your tears wet? Yes, faith. I pray, weep not. If you have poison for me, I will drink it. I know you do not love me, for your sisters Have, as I do remember, done me wrong. You have some cause; they have not.” (IV.vii.81-85). In another case of both humility and misjudgment, Lear believes that Cordelia no longer loves him due to his mistakes. Lear could not be more wrong because Cordelia 's love for her father is unconditional and still lives. Cordelia virtuously accepts his apology and assures him “No, sir, you must not kneel,” (IV.vii.67). Although the two do not live much longer, Lear intends to live out the rest of their lives being the best a father can
... Lears blessing, and declared his daughter. Lear also realized that Kents speaking out was for Lear’s best and that he too was abused and banished. What stings Lear even more is that he is now completely dependent upon his two shameless daughters, Goneril and Regan. Plus that he must now beg them when he took care of them like a father when they were once children, to drive Lears further into madness he realizes that as king he was so ignorant and blind with power that he never took care of the homeless and let them suffer. All these realization and the fact that Lear is in his second childhood a tender stage drive him into the peak of madness.
Tragedy Through Misreading in William Shakespeare's King Lear
Shakespeare’s tragedy, King Lear, portrays many important misconceptions which result in a long sequence of tragic events. The foundation of the story revolves around two characters, King Lear and Gloucester, and concentrates on their common flaw, the inability to read truth in other characters. For example, the king condemns his own daughter after he clearly misreads the truth behind her “dower,”(1.1.107) or honesty. Later, Gloucester passes judgment on his son Edgar based on a letter in which he “shall not need spectacles”(1.2.35) to read. While these two characters continue to misread people’s words, advisors around them repeatedly give hints to their misinterpretations, which pave the road for possible reconciliation.
King Lear's hot temper and hasty decisions play a significant role in his fall from grace. His old age has caused him to behave impulsively, without any consideration for the consequences of his actions. When Lear asks his devoted daughter Cordelia to express her love for him, he becomes upset with her because she cannot put her feelings into words. He does not realize that she cares deeply for him and disowns her by saying, "Here I disclaim all my paternal care, propinquity and property of blood, and as a stranger to my heart and me hold thee from this for ever (1.1.120-123)." It is only later, when Cordelia has left him, that Lear realizes he had made a wrong decision. In another fit of rage, Lear ...