Bill Mason was a film maker who had several hobbies that consisted of canoeing and painting. As a film maker he would spend hours or days looking for the perfect shot. “His camera was the brush and his film was the canvas.” When painting he would layer the paints on his canvas to create a 3D effect on his work. Combining his passion for canoeing and painting he would often recreate his favourite experiences while out in his canoe. After being diagnosed with cancer Bill Mason and his family opted to help him finish his paintings and books and were able to have them published. His painting style was unlike your average painting. Bill would use a palette knife and small (6”) canvas to make his art. He stated. “With most paintings techniques, close
Raul Ramirez is a very confident, creative student that is in Mr.Ward’s high school english class in The Bronx,New York, who loves to paint. Raul used to paint his sister by bribing her with whatever he could scunge up,but know his girlfriend just sits for him. He knows that painting will not give him much money and tells the readers by saying “People just don’t get it.Even if I never make a dime --which,by the way,ain’t gonna happen--I’d still have to paint.” Raul is also a very shy teenager that wants to be an artist and will be the first person in his family to be a painter if he becomes one. The thing is even though his “brothers” don’t support him--by laughing at him and saying he's loco-- he still wants to paint and says it by saying
From the very beginning, young Drew was building a name for himself, not only as a surf artist, but also as a local hellman in the big surf. In high school Drew worked as an airbrush artist, hoping to save up enough funds to pay his way to Hawaii. His hard work paid off, allowing Drew to catch his plane to the topical Islands shortly after his high school graduation . Drew found that his southern accent made him stick out like a sore thumb, but he made up for it by fearlessly taking on some of the biggest mavericks that an angry Pacific ocean could throw at him. His custom board designs also where making a stir at the beach side, but sadly, not so much with the board shapers . The classic white board and curren rail bands were the current fad, and shapers where leery to use Drew’s unconventional illustrations. As if rejection wasn’t enough, Drew suffered a major wipe out that left him disabled for over 3 months. Unable to work, Drew packed up and moved into his friend’s garage in San Clemente. This seemingly tragic event actually would turn out to be the starting point of Drew’s career.
Herring said: “I immediately realized that this was the perfect place to draw,” he recalled. “I went above ground to a card shop and bought a box of white chalk, went back down and did a drawing…”1 Furthermore, chalk itself proved an ideal medium for the “continuous line” that was the artist’s objective. Keith used Words like “flow” and “fluidity” reference to his own work. Those who watched him draw were regularly astonished by the speed and accuracy of his line, whether he was drawing on dollar bills, ersatz Greek vases, the body of Grace Jones, or a youthful fan’s skateboard. And like Matisse, he never erased or
“Painting is a way to examine the world in ways denied me by the United States justice system, a way to travel beyond the walls and bars of the penitentiary. Through my paints I can be with my People—in touch with my culture, tradition, and spirit. I can watch little children in regalia, dancing and smiling; see my elders in prayer; behold the intense glow in a warrior’s eye. As I work the canvas, I am a free man.” – Leonard Peltier
He got a lot of his inspiration from his mother. She loved painting with water colors and making
Coming from a family greatly involved in art dealing, Vincent van Gogh was destined to have a place in the world of art. Van Gogh’s unique techniques and use of color, which clashed and differed greatly from the masters of the art world of his time, would eventually gain him the recognition as one of the founders of modern art. Van Gogh’s early life was heavily influenced by the role of his father who was a pastor and chose to follow in his footsteps. Although he abandoned the desire to become a pastor, van Gogh remained a spiritual being and was strong in faith. Plagued with a troubled mind and poor health, van Gogh’s life became filled with torment and isolation that would influence his career in later life as an artist. In his late twenties, van Gogh had decided that it was God’s divine plan for him to become a painter. His works would express through thoughtful composition and vibrant color, the emotions that he was unable to manifest in the real world. Van Gogh’s perception of reality and his technique would face harsh criticism and never receive full acceptance from his peers as a serious artist during his brief career. In a collection of correspondence entitled The Letters of a Post-Impressionist, Vincent confirmed these thoughts while writing to his brother Theo, “It irritates me to hear people say that I have no "technique." It is just possible that there is no trace of it, because I hold myself aloof from all painters” (27). His technique would later be marveled and revered by the art world. Vincent van Gogh’s legacy would thrive as it challenged the way the world envisioned modern art through his unique brush strokes and profound use of color as seen in his works The Sower and The Night Café. A brief look into...
himself through his mediums. He used oil on canvas for his medium in this painting. There are
For the New York School, as they came to be called, art was personal, and displayed the artist’s own expressive gesture. Though they were considered a group, rather than adhering to a unified, cohesive style, Abstract Expressionists strove to create their own, individualized form of expression. Two Abstract Expressionist groups developed. For Action Painters, such as Jackson Pollock, Willem de Kooning and Franz Kline, art was all about the gesture and the process. No preparatory sketches were made, rather, the art flowed out of the artist’s brush, often by means of non-traditional painting techniques. Color Field painters like Mark Rothko and Barnett Newman created canvas surfaces to evoke emotion and mood through the use of all-over color. With the advent of Abstract Expressionism – Jackson Pollock in particular – art critic Clement Greenberg argued that the art world had finally achieved true modernist painting with Abstract Expressionism’s all-over, flattened image that drew attention to the canvas and the paint itself, rather than portraying illusionistic
Poet Gwendolyn Brooks states, “Art Hurts. Art urges voyages - and it is easier to stay at home” which is true for many viewers when experiencing Bruce Nauman’s work. Nauman is classified as a contemporary American artist whose works also incorporate ideas of post-modernism and minimalism. He has been making art since the early 1960’s and has moved through many different mediums as his art progressed and his style changed. At first Nauman was a painter who soon ended that career and turned to sculpting, photography, film, and video. Bruce Nauman’s works of art have interested me and inspired my final assignment by his professional legacy, inspirations, and techniques.
On Saturday, March 15, 2014, I visited the Metropolitan Museum in New York. The gallery #753, which is a part of so-called American Wing, features oil paintings of the revolutionary period in America. The paintings seen in this gallery celebrate heroes and hard-fought battles of the new nation. The most popular type of painting of that time remained portraiture. Portraits in extremely large numbers figured in interiors, where they were arranged to convey not only domestic, but political messages as well. Hence, it is natural, that such iconic figure like George Washington became a model for numerous artists of that era, including Gilbert Stuart and Charles Willson Peale, for whom Washington actually sat. Two exceptional portraits of Washington, the general and the the first President of the United States are highlighted in this paper.
In the mid 1800’s realism was developed as a style of painting to replicate the world as it was seen in a traditional artistic style. This allowed for a new style of art to be created that was based of a real moment or scene but to forget the traditional artistic laws such as distinct lines and forms. Approaching art from this impressionistic view Monet’s painted “Impression, Sunrise” bringing to life a natural scene of a hazy harbor using quick, short brush strokes and defining uses of color and natural light. Van Gough’s “Starry Night” uses similar impressionistic styles to paint a natural scene using vibrant contrasting colors, yet he embellishes the scene to create art that in not merely a landscape but a piece of self expression and shifted
Arthur Keller was a very talented artist; he painted using live models, and worked well with charcoal, acrylics, oils, pastels, watercolor and pencil. Keller was able to bring a realistic look to his paintings, using shadows, patterns, details, and shading. Although he is not alive anymore, his paintings will be around forever.
Upon further review I was instantly intrigued by the technique in which it was created. Not a single brushstroke of what is commonly used in paintings but rather small perfectly round dots in vibrant yellows, greens, oranges, and blues. Small dots of color perfectly marrying together to form a single image. One could instantly imagine the painstaking hours and the amount of effort that went into creating such a beautiful piece.
When I imagine an artist, I picture a Parisian dabbing at a sprawling masterpiece between drags on a cigarette seated in an extravagantly long holder. He stands amid a motley sea of color, great splashes of vermillion and ultramarine and yellow ochre hiding the tarp on the studio floor. Somehow, not one lonely drop of paint adorns his Italian leather shoes with their pointed toes like baguettes.
James Joyce in his novel “A Portrait of the Artist as a Young Man” says “The object of the artist is the creation of the beautiful.” (134) For Stephen Dedalus after the reoccuring stream of consciousness throughout his youth, one of the factors of his creation into the artist is women. Indeed it is the women throughout the novel that shape Stephen into the man he finds himself becoming toward the end. Six women in particular that form specific functions in Stephens life are: Stephen’s mother, Eileen, Mercedes, the Virgin Mary, the prostitute, the birdlike woman by the water. These women affect and shape his character by loving him, inspiring him, and fascinating him.